發(fā)布時間：2018-03-01 06:05

  本文關鍵詞： 武漢“橋文化” 荊楚藝術符號 橋梁裝飾 風格創(chuàng)新　出處：《武漢理工大學》2015年碩士論文　論文類型：學位論文

【摘要】：武漢是一座因水而興的城市,長江、漢水、東湖等貫穿城市的水體既是城市自然風貌的構成元素,也是城市經(jīng)濟、地域文化的發(fā)跡源頭和發(fā)展動力。橋梁作為連接水體兩岸的功能性建筑,在武漢城市景觀要素的構成和城市風貌特征的展現(xiàn)方面也發(fā)揮著不可替代的作用。如今在武漢三鎮(zhèn),橫跨長江、漢水之上的已建和在建橋梁數(shù)量已超過十座,其他小體量的景觀橋更是不勝枚舉,可以說今天的武漢是一座名副其實的“橋梁之都”。然而《湖北日報》于2013年12月18日刊登了一篇名為《武漢再建橋能否更有個性》的文章,從一個側面也映射出了當今武漢景觀橋梁建設過程中所出現(xiàn)的橋梁結構相同、藝術風格類似的現(xiàn)狀。湖北省筑建廳于2013年遵照習近平主席視察湖北時所提出的城鄉(xiāng)建設應體現(xiàn)湖北特色和荊楚文化的重要指示,組織并開展了湖北省“荊楚派”建筑風格研究項目,而橋梁建筑作為荊楚建筑體系中的一個重要分支,對其藝術風格創(chuàng)新的研究同樣具有極其重要的意義與價值。橋梁同其他建筑一樣是城市風貌的一個構成元素,其風格特征應當與其所處的地域建筑風貌相一致。自古以來橋梁建筑藝術風格塑造的重點并不在于橋型變化,而在于橋身之上的欄桿、紋飾、橋上建筑等裝飾性元素的風格演繹.因此,武漢景觀橋梁藝術風格的創(chuàng)新思路就應當與荊楚建筑藝術風格的創(chuàng)新思路相一致。本研究是站在特定的歷史背景之下,通過實地考察、研讀歷史文獻等方式分析研究武漢“橋文化”的發(fā)展歷史,深入挖掘“橋文化”在武漢城市發(fā)展過程中的重要地位,并結合對荊楚建筑風格及中國傳統(tǒng)橋梁設計藝術表達形式的研究,力求以傳統(tǒng)荊楚文化要素為線索,以荊楚造物名器、建筑設計形態(tài)為研究對象,認識荊楚地區(qū)傳統(tǒng)藝術設計理念的形成邏輯,解讀與重組古代荊楚地區(qū)的設計基因,從而找尋傳統(tǒng)荊楚藝術符號在現(xiàn)代設計造型邏輯下的創(chuàng)新演變手法以及在武漢景觀橋梁裝飾元素創(chuàng)新設計中的運用方式,并將理論研究成果運用到武漢市景觀橋創(chuàng)新藝術形態(tài)設計實踐之中,通過對武漢“橋文化”與荊楚建筑的歷史、文化、藝術要素進行梳理,經(jīng)過提煉、演變、疊加、重組等一系列設計過程,重塑傳統(tǒng)荊楚藝術符號,從而完成對橋亭、橋屋、橋頭堡等附屬景觀裝飾元素的創(chuàng)新設計,并將這些裝飾性元素作為裝飾藝術符號運用到武漢景觀橋藝術風格創(chuàng)新之中,使之產(chǎn)生特殊的藝術效果,創(chuàng)造出散發(fā)傳統(tǒng)荊楚文化魅力,飽含武漢“橋文化”底蘊的唯美化景觀橋裝飾藝術新風格,以此來還原、修復武漢的荊楚文化歷史記憶,促進傳統(tǒng)荊楚設計風格的傳承與延續(xù),增強武漢城市風貌與橋梁設計藝術的區(qū)域文化特征識別性。
[Abstract]:Wuhan is a city full of water. The water bodies running through the city, such as the Yangtze River, the Hanshui River and the East Lake, are not only the elements of the city's natural features, but also the urban economy. As a functional building connecting the banks of water bodies, bridges also play an irreplaceable role in the composition of Wuhan urban landscape elements and the display of urban features. Across the Yangtze River and over the Hanshui River, the number of bridges under construction has exceeded 10, and the number of other small size bridges is even more numerous. It can be said that Wuhan today is a veritable "bridge capital." however, on December 18th 2013, the Hubei Daily published an article entitled "can Wuhan build a Bridge with more Personality"? It also reflects the same bridge structure in the process of Wuhan landscape bridge construction. In 2013, the Hubei Provincial Building and Construction Office followed the important instructions put forward by President Xi Jinping during his visit to Hubei that urban and rural construction should reflect Hubei characteristics and Jingchu culture. Organized and carried out the "Jingchu School" architectural style research project in Hubei Province, and bridge architecture as an important branch of the Jingchu architectural system, The research on the innovation of its artistic style is also of great significance and value. Bridges, like other buildings, are an element of urban style. The artistic style of bridge architecture since ancient times is not the change of bridge type, but the railing and decoration above the bridge body. Therefore, the innovative thinking of Wuhan landscape bridge art style should be consistent with Jingchu architectural artistic style innovation thinking. Through on-the-spot investigation, study of historical documents and other ways to analyze and study the development history of Wuhan's "bridge culture", and deeply explore the important position of "bridge culture" in Wuhan's urban development, Combined with the study of Jingchu architectural style and Chinese traditional bridge design art expression, this paper tries to take the traditional Jingchu cultural elements as the clue, the Jingchu creation name vessel and the architectural design form as the research object. Understanding the formation logic of the traditional artistic design concept in Jingchu region, interpreting and reorganizing the design genes of the ancient Jingchu region, In order to find the traditional Jingchu artistic symbol under the modern design modeling logic innovation evolution and in Wuhan landscape bridge decoration element innovation design application way, And applies the theory research result to Wuhan landscape bridge innovation artistic form design practice, through to Wuhan "bridge culture" and the Jingchu architecture history, the culture, the artistic essential factor carries on the comb, after refines, the evolution, the superposition, A series of design processes, such as reengineering, reshaping traditional Jingchu art symbols, thus completing the innovative design of ancillary landscape decoration elements such as bridge pavilions, bridgehouses, bridgeheads, etc. And apply these decorative elements as decorative art symbols to Wuhan landscape bridge artistic style innovation, so that it produces a special artistic effect, creating the dissemination of traditional Jingchu culture charm, The aesthetic landscape bridge decorative art style full of Wuhan's "bridge culture" is used to restore and restore the historical memory of Wuhan's Jingchu culture, and to promote the inheritance and continuation of traditional Jingchu design style. To enhance the regional cultural characteristics of Wuhan urban features and bridge design art.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：U442.5

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本文編號：1550705