天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

論1930年代茅盾和葉紫的左翼小說(shuō)關(guān)于農(nóng)民理想的建構(gòu)

發(fā)布時(shí)間:2019-05-17 23:23
【摘要】:茅盾和葉紫在1930年代創(chuàng)作的左翼小說(shuō)細(xì)致地表現(xiàn)了農(nóng)民內(nèi)心的理想與訴求,小說(shuō)中的農(nóng)民理想與時(shí)代以及作家自身的建構(gòu)是緊密相連的,文本中表現(xiàn)出來(lái)的農(nóng)民理想浸染著作家的心理、思維、觀念以及態(tài)度等各方面復(fù)合作用下的成果,從而是復(fù)雜的、多層次的,具有獨(dú)特性。同時(shí)兩位作家所建構(gòu)的農(nóng)民理想有著極度相同的發(fā)展脈絡(luò),都描寫(xiě)了農(nóng)民生活理想的破滅、革命理想的燃起以及社會(huì)理想的推進(jìn)。雖然作家建構(gòu)心中的農(nóng)民理想的原因與形態(tài)并不相同,但茅盾更加理性、摻雜著個(gè)人的政治、經(jīng)濟(jì)、文化意識(shí)下建構(gòu)的農(nóng)民理想與葉紫更加感性、滲透著作家個(gè)人生命情感體驗(yàn)下建構(gòu)的農(nóng)民理想?yún)s最終殊途同歸。他們對(duì)農(nóng)民理想的建構(gòu)是左翼小說(shuō)對(duì)農(nóng)民理想建構(gòu)的兩種情形,研究?jī)晌蛔骷覍?duì)農(nóng)民理想的建構(gòu)對(duì)于探索左翼小說(shuō)對(duì)農(nóng)民的書(shū)寫(xiě)與塑造的普遍性與傾向性具有一定的意義;诖耍疚倪x擇了對(duì)茅盾和葉紫兩位作家在其30年代的左翼小說(shuō)中對(duì)農(nóng)民理想的建構(gòu)的分析與探討。 第一章:對(duì)農(nóng)民的生活理想的建構(gòu)。此部分圍繞茅盾和葉紫不同來(lái)源的農(nóng)民形象積累融匯到小說(shuō)中農(nóng)民理想的建構(gòu),通過(guò)對(duì)農(nóng)民生活理想的描述,表現(xiàn)農(nóng)民生活理想的形態(tài)與破滅。茅盾對(duì)老一代農(nóng)民的形象積累是理性的思維過(guò)程,對(duì)于農(nóng)民素材的搜集、積累和運(yùn)用與當(dāng)時(shí)的農(nóng)村經(jīng)濟(jì)特征、作家個(gè)人的經(jīng)濟(jì)、文化意識(shí)相交錯(cuò),使小說(shuō)表現(xiàn)的農(nóng)民的生活理想呈現(xiàn)出豐富的意義內(nèi)涵;葉紫對(duì)老一代農(nóng)民形象積累充滿了感性的同情與階級(jí)認(rèn)同,作家根據(jù)個(gè)人真實(shí)經(jīng)歷所表現(xiàn)建構(gòu)的老一輩農(nóng)民的生活理想,帶有作家自我情感主導(dǎo)和階級(jí)偏向,使得農(nóng)民的生活理想呈現(xiàn)出豐富的情感內(nèi)涵。 第二章:對(duì)農(nóng)民的革命理想的建構(gòu)。此部分圍繞茅盾和葉紫從不同出發(fā)點(diǎn)想象建構(gòu)了小說(shuō)中相同的農(nóng)民革命理想的燃起,,來(lái)探討作家的革命心理、革命理念和革命態(tài)度與小說(shuō)中表現(xiàn)出來(lái)的農(nóng)民的革命理想的關(guān)系。茅盾在政治意識(shí)與文藝觀支配下的創(chuàng)作想象使得小說(shuō)中農(nóng)民的革命理想流露著作家政治傾向與思維的有意傳達(dá)與無(wú)意識(shí)傾瀉,從而使得農(nóng)民的革命理想呈現(xiàn)出一定的政治意義;葉紫對(duì)農(nóng)民的革命理想的想象完全出于激情下的大腦機(jī)械活動(dòng),個(gè)人復(fù)仇情結(jié)沖動(dòng)下理性思維控制力減弱,個(gè)人的革命理想凌駕于人物之上,于是小說(shuō)中農(nóng)民革命理想的燃起與發(fā)展也是激烈促進(jìn)的。茅盾和葉紫對(duì)農(nóng)民革命理想的想象與建構(gòu)都是達(dá)成作家自身的愿望滿足,茅盾通過(guò)小說(shuō)中農(nóng)民革命理想的想象暗示了作家對(duì)于革命問(wèn)題的解決方法的態(tài)度;而葉紫在激情創(chuàng)作下通過(guò)想象革命來(lái)獲得革命愿望滿足的快感與希望的寄托。 第三章:對(duì)農(nóng)民的社會(huì)理想的建構(gòu)。此部分圍繞茅盾和葉紫在其小說(shuō)中都對(duì)農(nóng)民的理想進(jìn)行了不同程度的升華來(lái)分析作家對(duì)農(nóng)民社會(huì)理想的建構(gòu)形式以及表現(xiàn)出的意義與效果。茅盾通過(guò)推進(jìn)革命進(jìn)程來(lái)推進(jìn)農(nóng)民的對(duì)社會(huì)政治、經(jīng)濟(jì)的設(shè)想與追求表現(xiàn)農(nóng)民具有社會(huì)意義的理想;葉紫將“個(gè)例性”的對(duì)未來(lái)社會(huì)的期待上升到農(nóng)民“一般性”的普遍農(nóng)民的理想而呈現(xiàn)出社會(huì)性。而這種的推進(jìn)的意義與效果卻并不理想,造成社會(huì)理想的失效。 總之,茅盾和葉紫所建構(gòu)的農(nóng)民理想與作家本身密切相關(guān),作家以不同的、個(gè)人化的體驗(yàn)和感受來(lái)建構(gòu)作品,展現(xiàn)出了豐富的內(nèi)容和獨(dú)特的魅力。而小說(shuō)中所呈現(xiàn)的農(nóng)民理想的內(nèi)容和結(jié)果的高度相同也在一定程度上體現(xiàn)了30年代的左翼小說(shuō)描寫(xiě)農(nóng)民的一種傾向。
[Abstract]:The left-wing novel, which was created in the 1930s, showed the ideal and the demand of the peasants. The ideal and the times of the peasants in the novel and the construction of the writers themselves are closely connected. The peasants in the text are ideal for the writer's psychology and thinking. The results are complex, multi-level and unique. At the same time, the peasant ideal constructed by the two writers has the same development context, and it describes the disillusionment of the life ideal of the peasants, the kindling of the revolutionary ideal and the promotion of the ideal of the society. Although the reason and form of the ideal of the peasant in the construction of the writer is not the same, the Mao Dun is more rational, and the peasant ideal constructed under the political, economic and cultural consciousness of the individual is more sensitive than that of the leaf, The ideal of the peasants, which is constructed under the experience of the writer's personal life and emotion, is finally in the same way. The construction of the ideal of the peasants is the two situations of the left-wing novel for the ideal construction of the peasants, and the study of the two writers' ideal construction of the peasants is of great significance for exploring the universality and the tendency of the left-wing novel to the peasants' writing and shaping. On the basis of this, this paper chooses the analysis and discussion of the ideal construction of the peasant's ideal in the left-wing novel in the 1930s. The first chapter: the construction of the farmer's living ideal The structure of the peasant's ideal in the novel is accumulated in the image of the farmers from different sources of the Maodun and the leaves, and the ideal of the peasants' life is represented by the description of the ideal of life of the peasants. The result of Mao Dun's accumulation of the image of the old-generation farmers is a rational thought process, and the collection, accumulation and application of the peasant's material and the current rural economic characteristics, the economic and cultural consciousness of the writer's individual are staggered, so that the life ideal of the peasants in the novel is rich in meaning The accumulation of the image of the old-generation farmers is full of perceptual compassion and class identity, and the author's life is the ideal of the old-generation farmers, which are based on the real experience of the individual, with the writer's self-feeling and class bias, so that the living ideal of the peasants is rich in the emotion The second chapter: the revolutionary ideal of the peasants The construction of the revolutionary ideal of the same peasant in the novel is from different starting points of the Maodun and the leaf purple, and the revolutionary ideal of the writer, the revolutionary idea and the revolutionary attitude and the revolutionary ideal of the peasants in the novel are discussed. The relationship of Mao Dun under the control of the political consciousness and the literary and artistic outlook makes the revolutionary ideal of the peasants in the novel exposed to the intentional communication and unconsciousness of the writer's political tendency and thinking, so that the revolutionary ideal of the peasants has a certain power The idea of the revolutionary ideal of leaf-purple to the peasant is completely out of the brain's mechanical activity of passion, the control force of rational thinking is weakened under the impulse of individual revenge complex, and the individual's revolutionary ideal is above the character, so the light and development of the peasant's revolutionary ideal in the novel is also fierce The thought and construction of Mao Dun and leaf purple to the peasant's revolutionary ideal are all the fulfillment of the writer's own desire, and Mao Dun's imagination of the peasant's revolutionary ideal in the novel suggests the writer's solution to the revolution problem. The attitude of the revolution to the satisfaction of the desire of the revolution by the imagination of the revolution. The third chapter: the society of the peasants The ideal construction. This part is about Mao Dun and Ye Zi in his novels, and the ideal of the peasants has been sublimated to analyze the author's construction form and performance of the peasant's social ideal. The significance and effect of Mao Dun's contribution to the social and political and economic development of the peasants by advancing the revolutionary process and the pursuit of the ideal of the peasant's social significance; and the "the sex of a case" 's expectation of the future society to rise to the ideal of the farmers' "general" and the ideal of the farmers The significance and effect of this advance are not ideal and cause the society The ideal failure. In conclusion, the peasant ideal constructed by the Maodun and the leaf purple is closely related to the writer itself, and the author constructs the work with different and personalized experiences and feelings, and shows the rich interior The characters and results of the peasant ideal presented in the novel are the same as those of the left-wing novels in the 1930 's.
【學(xué)位授予單位】:山東師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類(lèi)號(hào)】:I207.42

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 葉鳳剛;;簡(jiǎn)論1930-1937國(guó)民政府經(jīng)濟(jì)建設(shè)的成就[J];商業(yè)經(jīng)濟(jì);2007年08期

2 趙學(xué)勇,李明;左翼文學(xué)精神與20世紀(jì)中國(guó)文學(xué)的現(xiàn)代化論綱(上)[J];蘭州大學(xué)學(xué)報(bào);2003年01期

3 王娟;30年代左翼創(chuàng)作的人文關(guān)照[J];零陵學(xué)院學(xué)報(bào);2002年S1期

4 周黎燕;;當(dāng)“革命”遭遇性愛(ài)——葉紫小說(shuō)《星》中梅春形象解讀[J];名作欣賞;2010年08期

5 蔣明玳;葉紫:“文學(xué)是戰(zhàn)斗的”——論葉紫的農(nóng)村題材小說(shuō)創(chuàng)作[J];南京廣播電視大學(xué)學(xué)報(bào);2001年03期

6 朱曉進(jìn);;政治激情與30年代文學(xué)創(chuàng)作[J];南京師大學(xué)報(bào)(社會(huì)科學(xué)版);2007年01期

7 馮國(guó)晨;應(yīng)該重視農(nóng)民文化心理研究——由茅盾的《農(nóng)村三部曲》引發(fā)的思考[J];克山師專(zhuān)學(xué)報(bào);2001年01期

8 賈振勇;當(dāng)審美遭遇政治——葉紫小說(shuō)《星》對(duì)左翼文學(xué)創(chuàng)作的意義與啟示[J];山東師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2004年05期

9 熊權(quán);;論葉紫創(chuàng)作“無(wú)產(chǎn)階級(jí)文學(xué)”的意義及啟示[J];文藝?yán)碚撆c批評(píng);2010年04期

10 葛明星;;苦澀的清醒——略論葉紫小說(shuō)[J];文教資料;2007年07期



本文編號(hào):2479487

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/jingjilunwen/zhengzhijingjixuelunwen/2479487.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶57a2d***提供,本站僅收錄摘要或目錄,作者需要?jiǎng)h除請(qǐng)E-mail郵箱bigeng88@qq.com