二十世紀(jì)五十至七十年代景德鎮(zhèn)粉彩瓷繪藝術(shù)研究
發(fā)布時(shí)間：2019-02-24 10:39
【摘要】：新中國建立后，景德鎮(zhèn)粉彩瓷繪藝術(shù)進(jìn)入了一個嶄新的發(fā)展時(shí)代，為景德鎮(zhèn)陶瓷藝術(shù)帶來了新的要求。不光是在新政府的支持、帶動下得到恢復(fù)、發(fā)展，還因?yàn)榭萍技夹g(shù)的提高，以及思想觀念逐步的解放，從而為景德鎮(zhèn)粉彩藝術(shù)帶來了新的時(shí)代變化和發(fā)展動力。 在此新的時(shí)代背景下出現(xiàn)了一批大量具有精藝湛技和高超水準(zhǔn)的粉彩藝術(shù)從事人員和藝術(shù)家，引領(lǐng)著粉彩瓷繪藝術(shù)的風(fēng)格。新時(shí)期藝術(shù)工作者在繼承粉彩的藝術(shù)精華的同時(shí)，也不斷進(jìn)行工藝技術(shù)與材質(zhì)，繪畫技巧與表現(xiàn)手法，裝飾題材與形式，，藝術(shù)的表達(dá)形式等多方面的嘗試與探究，不斷開拓粉彩藝術(shù)領(lǐng)域的新篇章，不斷打破傳統(tǒng)束縛，結(jié)合人們的生活，并提以高度，結(jié)合想象的魅力，為粉彩藝術(shù)創(chuàng)作打開了一條新道路，更為“當(dāng)代粉彩官窯”陶瓷粉彩藝術(shù)裝飾的發(fā)展和創(chuàng)新打下了有力的基礎(chǔ)和理論依據(jù)。當(dāng)代粉彩瓷繪藝術(shù)的發(fā)展受多方面影響而呈現(xiàn)出“多元化”態(tài)勢受經(jīng)濟(jì)、政治、文化、教育等主要因素從而表現(xiàn)出不同風(fēng)格的藝術(shù)形態(tài)，總結(jié)建國后30多年來粉彩裝飾藝術(shù)發(fā)展過程中的經(jīng)驗(yàn)會對當(dāng)代粉彩裝飾的發(fā)展有所啟示。 本文對建國30年來景德鎮(zhèn)的粉彩藝術(shù)研究以藝術(shù)風(fēng)格、題材和背景并附以典型代表為三大切入點(diǎn)，通過對這一時(shí)期粉彩裝飾恢復(fù)發(fā)展的研究，在大量粉彩瓷繪藝術(shù)作品實(shí)物圖片和風(fēng)格題材的基礎(chǔ)上，結(jié)合當(dāng)時(shí)社會發(fā)展的社會背景和藝術(shù)背景下，采用綜合分析變化過程的方法進(jìn)行研究，探討那一時(shí)期社會發(fā)展中的政治經(jīng)濟(jì)、技藝傳承、文化教育等因素對粉彩裝飾特征形成影響的原因，以及論證粉彩藝術(shù)形態(tài)的一元化向多元化發(fā)展的過程。在建國初期、文革時(shí)代和改革開放初期的考察以對粉彩裝飾的裝飾材料、技藝、形式和這一時(shí)期極具代表景德鎮(zhèn)粉彩發(fā)展特點(diǎn)的“藝術(shù)瓷廠”融入其中，并在這三個特色階段不均衡的發(fā)展和特征的形成的原因、結(jié)果，來進(jìn)一步了解和發(fā)展“多元化”的景德鎮(zhèn)陶瓷粉彩藝術(shù)。
[Abstract]:After the establishment of New China, Jingdezhen Pink porcelain painting art entered a new era of development, which brought new requirements for Jingdezhen Ceramic Art. Not only the support of the new government, driven by the recovery, development, but also because of the improvement of science and technology, as well as the gradual emancipation of ideas, so as to bring a new era of change and development of Jingdezhen Pink Art. In this new background, a large number of fine art Zhan skill and superb standards of pink art personnel and artists, leading the style of pink porcelain painting. In the new period, while inheriting the artistic essence of pink color, artists are constantly trying and exploring various aspects, such as craft technology and material, painting skill and expression technique, decorative subject matter and form, art expression form and so on. By constantly opening up a new chapter in the field of pink art, breaking the traditional shackles, combining people's lives, and raising a high altitude and combining the charm of imagination, it has opened a new way for the creation of pink color art. The development and innovation of ceramic powder decoration lay a strong foundation and theoretical basis. The development of contemporary Pink porcelain painting art is influenced by many aspects and presents a "pluralistic" situation, which is characterized by economic, political, cultural, educational and other main factors, thus showing different artistic styles. Summing up the experience in the development of pink decorative art in the past 30 years after the founding of the people's Republic of China will enlighten the development of contemporary pink decoration. In this paper, the author takes artistic style, subject matter and background and typical representative as the starting point to study the pink color art of Jingdezhen in the past 30 years, through the research on the restoration and development of pink color decoration in this period. On the basis of a large number of actual pictures and style subjects of Pink porcelain works of art, combined with the social and artistic background of the social development at that time, the method of synthetically analyzing the changing process was adopted to carry on the research. This paper probes into the reasons for the influence of political economy, skill inheritance, cultural education and other factors in the social development of that period on the characteristics of pink color decoration, and demonstrates the process of unifying and diversifying the form of pink color art. In the early years of the founding of the people's Republic of China, during the Cultural Revolution and in the early stage of reform and opening up to the outside world, the decorative materials, techniques, forms and forms of powder-colored decoration were incorporated into the "Art porcelain Factory", which represented the characteristics of the development of the pink colors in Jingdezhen. And in these three characteristic stages of uneven development and characteristics of the formation of the causes, results, to further understand and develop the "diversified" Jingdezhen ceramic powder art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J527
本文編號：2429470
[Abstract]:After the establishment of New China, Jingdezhen Pink porcelain painting art entered a new era of development, which brought new requirements for Jingdezhen Ceramic Art. Not only the support of the new government, driven by the recovery, development, but also because of the improvement of science and technology, as well as the gradual emancipation of ideas, so as to bring a new era of change and development of Jingdezhen Pink Art. In this new background, a large number of fine art Zhan skill and superb standards of pink art personnel and artists, leading the style of pink porcelain painting. In the new period, while inheriting the artistic essence of pink color, artists are constantly trying and exploring various aspects, such as craft technology and material, painting skill and expression technique, decorative subject matter and form, art expression form and so on. By constantly opening up a new chapter in the field of pink art, breaking the traditional shackles, combining people's lives, and raising a high altitude and combining the charm of imagination, it has opened a new way for the creation of pink color art. The development and innovation of ceramic powder decoration lay a strong foundation and theoretical basis. The development of contemporary Pink porcelain painting art is influenced by many aspects and presents a "pluralistic" situation, which is characterized by economic, political, cultural, educational and other main factors, thus showing different artistic styles. Summing up the experience in the development of pink decorative art in the past 30 years after the founding of the people's Republic of China will enlighten the development of contemporary pink decoration. In this paper, the author takes artistic style, subject matter and background and typical representative as the starting point to study the pink color art of Jingdezhen in the past 30 years, through the research on the restoration and development of pink color decoration in this period. On the basis of a large number of actual pictures and style subjects of Pink porcelain works of art, combined with the social and artistic background of the social development at that time, the method of synthetically analyzing the changing process was adopted to carry on the research. This paper probes into the reasons for the influence of political economy, skill inheritance, cultural education and other factors in the social development of that period on the characteristics of pink color decoration, and demonstrates the process of unifying and diversifying the form of pink color art. In the early years of the founding of the people's Republic of China, during the Cultural Revolution and in the early stage of reform and opening up to the outside world, the decorative materials, techniques, forms and forms of powder-colored decoration were incorporated into the "Art porcelain Factory", which represented the characteristics of the development of the pink colors in Jingdezhen. And in these three characteristic stages of uneven development and characteristics of the formation of the causes, results, to further understand and develop the "diversified" Jingdezhen ceramic powder art.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J527
【參考文獻(xiàn)】
相關(guān)期刊論文 前9條
1 吳繼金;;“文革”時(shí)期的“紅色”浪潮[J];鐘山風(fēng)雨;2006年03期
2 錢紹武;讓雕塑為五億農(nóng)民服務(wù)——一個建議[J];美術(shù);1964年02期
3 田曉;;民國粉彩瓷賞析[J];美術(shù)大觀;2007年02期
4 徐慶庚;;談陶瓷裝飾的傳統(tǒng)繪畫形式及其創(chuàng)新[J];陶瓷研究;1991年02期
5 尹霞;魏曉陽;;景德鎮(zhèn)粉彩瓷史證及賞析[J];陶瓷研究;2008年04期
6 葉佩蘭;;細(xì)說粉彩[J];藝術(shù)市場;2002年01期
7 魯虹;“文革”期間藝術(shù)家面臨的問題情境[J];藝術(shù)探索;2005年02期
8 張守智;中國現(xiàn)代陶瓷概述[J];裝飾;2000年03期
9 王輔亞;吳大清;姜澤春;焦盛珊;;關(guān)于粉彩瓷裂紋、剝離的探討[J];中國陶瓷;1992年05期
本文編號：2429470
本文鏈接：http://sikaile.net/jingjilunwen/zhengzhijingjixuelunwen/2429470.html
最近更新
教材專著
