【摘要】：1940年代，中國(guó)新文學(xué)因抗戰(zhàn)的到來呈現(xiàn)出整體性的空間轉(zhuǎn)移特征。新文學(xué)的兩座中心城市北京和上海相繼淪陷后，地處大西南的重慶因?yàn)槠渑愣嫉奶厥庹紊矸莸仍�，成�?0年代中國(guó)現(xiàn)代文學(xué)的中心�？箲�(zhàn)的全面爆發(fā)和文學(xué)中心的西移，使得無數(shù)作家背井離鄉(xiāng)，流亡到祖國(guó)的西南邊陲。在戰(zhàn)亂和流亡之中，他們?cè)庥鲋麟x失所和生離死別，，陷入不幸的層層深淵。這種前后生活的巨大反差彰顯出了重慶代替京滬成為文學(xué)中心的意義，也昭示出現(xiàn)代文學(xué)的流寓特征。 因此本文將對(duì)40年代重慶流寓作家的創(chuàng)作加以研究和闡釋，力圖深入探討流寓作家在渝的共同心路歷程。從作家身份和生活經(jīng)歷、作家創(chuàng)作的文本主題以及藝術(shù)風(fēng)格等方面進(jìn)行把握，以展示出流寓之地、流寓之人、流寓之文的密切關(guān)系。 本文在緒論部分主要介紹論文的研究?jī)?nèi)容和基本方法，相關(guān)問題的研究概況以及研究特色和價(jià)值。正文部分共分為四章：第一章論述40年代重慶文學(xué)流寓現(xiàn)象的形成以及流寓作家抵渝后共同的心理體驗(yàn)。1937年抗日戰(zhàn)爭(zhēng)爆發(fā)，國(guó)民政府為了維護(hù)其統(tǒng)治安全，由南京到武漢，最終遷都重慶，重慶由此成為當(dāng)時(shí)中國(guó)的政治、經(jīng)濟(jì)和文化中心。因此，重慶流寓現(xiàn)象的形成有其被定立為陪都的時(shí)代機(jī)遇，而流寓作家也正是在這種時(shí)代機(jī)遇下應(yīng)運(yùn)而生。第二章主要介紹流寓之文的主題指向。在流寓作家的筆下，戰(zhàn)前的啟蒙話語和階級(jí)話語轉(zhuǎn)向抗戰(zhàn)救亡的時(shí)代話語，體現(xiàn)出在戰(zhàn)爭(zhēng)的特殊環(huán)境下作家生命意識(shí)和民族意識(shí)的覺醒和迸發(fā)。本文在第三章主要探討流寓文人由于受時(shí)代環(huán)境影響而形成的審美傾向和創(chuàng)作策略。重慶作為抗戰(zhàn)的大后方，也是最需要文學(xué)發(fā)揮本身的社會(huì)功能的地方，因此，尋求文學(xué)的大眾化和通俗化，成為戰(zhàn)時(shí)藝術(shù)工作者的共同準(zhǔn)則。第四章闡述40年代的流寓作家與重慶文學(xué)的相互影響。作家在流寓之地寫重慶，寫中國(guó)，寫抗戰(zhàn)，為重慶文學(xué)和中國(guó)現(xiàn)代文學(xué)留下了豐厚的文化遺產(chǎn)，同時(shí)，重慶這座戰(zhàn)時(shí)寓居的城市，也為作家提供了珍貴的創(chuàng)作素材和寶貴的精神財(cái)富。戰(zhàn)時(shí)，中國(guó)現(xiàn)代文學(xué)的流寓特征正是在這種城與人的互動(dòng)關(guān)系中發(fā)生和發(fā)展著，并且即便是作家離開重慶后，也產(chǎn)生著深遠(yuǎn)的意義和影響。
[Abstract]:In the 1940s, Chinese New Literature presented the overall spatial transfer characteristics due to the arrival of the War of Resistance against Japan. After the two central cities of New Literature, Beijing and Shanghai, fell one after another, Chongqing, located in the southwest of China, became the center of modern Chinese literature in the 1940s because of its special political status. With the outbreak of the War of Resistance and the westward shift of the literary center, countless writers were displaced from their homes and exiled to the southwestern border of the motherland. In the midst of war and exile, they were displaced and separated from death, plunged into the abyss of misfortune. The great contrast of life before and after shows the significance of Chongqing instead of Beijing and Shanghai as a literary center, and also reveals the characteristics of modern literature. Therefore, this paper will study and explain the creation of Liuyu writers in Chongqing in 1940s, and try hard to probe into the common heart course of Liu Yu writers in Chongqing. From the writer's identity and life experience, the text theme of the writer's creation and the artistic style and so on, the author carries on the grasp, in order to display the close relation of the place of flow and the place of living, the person of flow and the article of flow. In the introduction part, this paper mainly introduces the research contents and basic methods of the thesis, the research survey of related issues, and the characteristics and value of the research. The text is divided into four chapters: the first chapter discusses the formation of Chongqing literature flow phenomenon in the 1940s and the common psychological experience of Liu Yu writers after arriving in Chongqing. In 1937, the Anti-Japanese War broke out, and the National Government went from Nanjing to Wuhan in order to maintain its ruling security. Eventually, Chongqing moved to Chongqing, which became the political, economic and cultural center of China at that time. Therefore, the formation of the phenomenon of "Liu Yu" in Chongqing has the opportunity of being established as the capital of the times, and the writers of Liu Yu come into being under this kind of opportunity. The second chapter mainly introduces the theme of the article. In Liu Yu's works, the enlightenment discourse and class discourse before the war turned to the era discourse of saving the nation from the War of Resistance, which reflected the awakening and burst of the writer's consciousness of life and national consciousness under the special environment of the war. In the third chapter, the author mainly discusses the aesthetic tendency and creative strategy of the scholars due to the influence of the times. Chongqing, as the rear area of the War of Resistance against Japan, is also the place where literature needs to play its own social function. Therefore, seeking the popularization and popularization of literature has become the common criterion of art workers in wartime. The fourth chapter expounds the interaction between Liuyu writers and Chongqing literature in the 1940s. The writers wrote about Chongqing, China, and the War of Resistance against Japan, leaving a rich cultural heritage for Chongqing literature and modern Chinese literature. At the same time, Chongqing was a city inhabited during the war. It also provides writers with valuable creative materials and valuable spiritual wealth. In wartime, the characteristic of modern Chinese literature was developing in the interaction between city and people, and even after the writer left Chongqing, it also had far-reaching significance and influence.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I206.6

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