西漢社會轉(zhuǎn)型視野下的《淮南子》神話研究
發(fā)布時間：2018-10-10 13:16
【摘要】：《淮南子》是由西漢劉安及其門客編纂的一部理論著作，其思想以道家為主，是西漢前期黃老學(xué)說的繼續(xù)。但《淮南子》又并非一部純粹的論道典籍，其文中還記載了較為豐富的神話故事，這些神話故事不僅保存了前人大量的神話材料片段，同時還在西漢社會轉(zhuǎn)型的背景下，改造并獨創(chuàng)了大量神話。這些神話見于《淮南子》各篇章中，且內(nèi)容豐富，自成體系，因此具有一定的研究價值。論文立足于作品，并以西漢社會轉(zhuǎn)型時期為研究視野，對《淮南子》神話生成時的西漢社會狀況、《淮南子》神話的內(nèi)容分類、《淮南子》神話的現(xiàn)實功用以及《淮南子》神話的藝術(shù)特色等四個方面進行論述研究。 首先，分析《淮南子》神話生成時的西漢社會狀況�！痘茨献印飞裨捝蓵r，正值西漢社會從前期向中期轉(zhuǎn)型：社會經(jīng)濟從恢復(fù)發(fā)展到繁榮富足、政治局勢從諸侯坐大到中央集權(quán)、治國思想從偏好黃老到儒術(shù)獨尊。且劉安以神話的方式表現(xiàn)了這三個方面的轉(zhuǎn)變；其次，對《淮南子》神話進行分類。論文根據(jù)《淮南子》神話的題材內(nèi)容，將其分為治國神話、洪水神話、戰(zhàn)爭神話、不死神話以及遨游神話等五個類別。其中，治國神話講述的是上古帝皇治理國家的故事，洪水神話講述的是洪水的起因、結(jié)果，以及神或英雄抗擊洪水，拯救人類的故事，戰(zhàn)爭神話講述的是諸神或部落之間發(fā)生戰(zhàn)爭的故事，不死神話講述的是以長生不死或飛仙長生為主題或背景的故事，遨游神話講述的是諸神遨游于天地之間的故事；再次，敘述《淮南子》神話現(xiàn)實功用。受西漢社會轉(zhuǎn)型期的政治、經(jīng)濟、文化思想影響，《淮南子》神話映射了西漢社會轉(zhuǎn)型之下的社會環(huán)境，反映了西漢時期楚地的巫文化特點，表達了劉安的“道為本源”哲學(xué)思想，包孕了劉安奪取劉氏天下的政治抱負(fù)；最后，論述《淮南子》神話的藝術(shù)特色�！痘茨献印飞裨捲谛问缴铣尸F(xiàn)出鋪陳、排比的賦筆特色，同時，受楚地樂舞影響，，《淮南子》神話在敘述中與樂舞表達相結(jié)合，此外，《淮南子》神話還具有譬喻的作用。
[Abstract]:Huainan Zi is a theoretical work compiled by Liu An and his Menke in the Western Han Dynasty, whose thoughts are mainly Taoist and a continuation of the theory of Huang Lao in the early Western Han Dynasty. However, Huainan Zi is not a pure book on Taoism. It also contains abundant mythological stories, which not only preserve a large number of mythological material fragments of predecessors, but also in the background of the transformation of the Western Han Dynasty society. A great deal of mythology has been transformed and created. These myths are found in various chapters of Huainan Zi, and they are rich in content and self-contained, so they have certain research value. The thesis is based on the works and takes the period of social transformation of the Western Han Dynasty as the research field of vision. This paper discusses the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed, the classification of the content of the myth, the realistic function of the myth and the artistic characteristics of the myth. First of all, it analyzes the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed. When the myth was formed, the society of the Western Han Dynasty was transformed from the early stage to the middle period: the social economy developed from recovery to prosperity. The political situation from princes to centralization of power, from a preference for old Huang to Confucianism alone. Liu An shows the changes in these three aspects in a mythical way. Secondly, the mythology of Huainan Zi is classified. According to the subject matter of the mythology of Huainan Zi, the thesis divides it into five categories: the myth of governing the country, the myth of flood, the myth of war, the myth of immortality and the myth of roaming. Among them, the myth of governing the country is the story of ancient emperors, the story of the flood myth is about the causes of the flood, the result, and the story of God or hero fighting against the flood and saving mankind. The myth of war tells the story of war between the gods or tribes, the myth of immortality is the story of immortality or the immortal life as the theme or background, and the traveling myth tells the story of the gods roaming between heaven and earth; again, Narrate the realistic function of the mythology of Huainan Zi. Influenced by the political, economic and cultural thoughts in the transitional period of the Western Han Dynasty, the myth of Huainan reflects the social environment under the social transformation of the Western Han Dynasty and reflects the characteristics of the witchcraft culture in the Chu region during the Western Han Dynasty. Expressing Liu An's philosophical thought of "Tao as the origin", including the political ambition of Liu An to seize the world of Liu; finally, expounding the artistic characteristics of the myth of "Huainan Zi". The mythology of "Huainan Zi" shows the characteristics of laying down and comparing the style of the Fu pen. At the same time, influenced by the music and dance of Chu, the mythology of Huainan Zi is combined with the expression of music and dance in the narration. In addition, the myth of Huainan Zi also has the function of metaphor.
【學(xué)位授予單位】：廣西師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I207.7
本文編號：2261921
[Abstract]:Huainan Zi is a theoretical work compiled by Liu An and his Menke in the Western Han Dynasty, whose thoughts are mainly Taoist and a continuation of the theory of Huang Lao in the early Western Han Dynasty. However, Huainan Zi is not a pure book on Taoism. It also contains abundant mythological stories, which not only preserve a large number of mythological material fragments of predecessors, but also in the background of the transformation of the Western Han Dynasty society. A great deal of mythology has been transformed and created. These myths are found in various chapters of Huainan Zi, and they are rich in content and self-contained, so they have certain research value. The thesis is based on the works and takes the period of social transformation of the Western Han Dynasty as the research field of vision. This paper discusses the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed, the classification of the content of the myth, the realistic function of the myth and the artistic characteristics of the myth. First of all, it analyzes the social conditions of the Western Han Dynasty when the myth of Huainan Zi was formed. When the myth was formed, the society of the Western Han Dynasty was transformed from the early stage to the middle period: the social economy developed from recovery to prosperity. The political situation from princes to centralization of power, from a preference for old Huang to Confucianism alone. Liu An shows the changes in these three aspects in a mythical way. Secondly, the mythology of Huainan Zi is classified. According to the subject matter of the mythology of Huainan Zi, the thesis divides it into five categories: the myth of governing the country, the myth of flood, the myth of war, the myth of immortality and the myth of roaming. Among them, the myth of governing the country is the story of ancient emperors, the story of the flood myth is about the causes of the flood, the result, and the story of God or hero fighting against the flood and saving mankind. The myth of war tells the story of war between the gods or tribes, the myth of immortality is the story of immortality or the immortal life as the theme or background, and the traveling myth tells the story of the gods roaming between heaven and earth; again, Narrate the realistic function of the mythology of Huainan Zi. Influenced by the political, economic and cultural thoughts in the transitional period of the Western Han Dynasty, the myth of Huainan reflects the social environment under the social transformation of the Western Han Dynasty and reflects the characteristics of the witchcraft culture in the Chu region during the Western Han Dynasty. Expressing Liu An's philosophical thought of "Tao as the origin", including the political ambition of Liu An to seize the world of Liu; finally, expounding the artistic characteristics of the myth of "Huainan Zi". The mythology of "Huainan Zi" shows the characteristics of laying down and comparing the style of the Fu pen. At the same time, influenced by the music and dance of Chu, the mythology of Huainan Zi is combined with the expression of music and dance in the narration. In addition, the myth of Huainan Zi also has the function of metaphor.
【學(xué)位授予單位】：廣西師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I207.7
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本文編號：2261921
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