本文選題：改革開(kāi)放 + 傳統(tǒng)茶文化屬性�。� 參考：《福建茶葉》2017年09期

【摘要】：改革開(kāi)放之后我國(guó)廣泛的吸收外國(guó)文化為己用,這一過(guò)程中所吸收的不僅僅是西方的經(jīng)濟(jì)模式、建設(shè)方法、思想理念等,還有許多的西方藝術(shù)文化形態(tài),其中西方油畫(huà)創(chuàng)作也進(jìn)入了我國(guó)繪畫(huà)領(lǐng)域并逐漸生根發(fā)芽,成為了我國(guó)繪畫(huà)領(lǐng)域的主流分支之一,寫(xiě)實(shí)油畫(huà)其創(chuàng)作內(nèi)容與表現(xiàn)對(duì)象都建立于社會(huì)發(fā)展的實(shí)際上,從政治、經(jīng)濟(jì)、文化等多個(gè)角度進(jìn)行的寫(xiě)實(shí)油畫(huà)創(chuàng)作能夠讓人眼前一亮。當(dāng)寫(xiě)實(shí)油畫(huà)進(jìn)入中國(guó)繪畫(huà)市場(chǎng)之后,難免會(huì)與傳統(tǒng)的理念有著一定的隔閡,二者也必然會(huì)相互影響在時(shí)間的磨合下最終合二為一。本文研究改革開(kāi)放以來(lái)我國(guó)傳統(tǒng)茶文化屬性對(duì)寫(xiě)實(shí)油畫(huà)的影響,并且從政治、經(jīng)濟(jì)、文化的角度探討其影響的根本原因。
[Abstract]:After the reform and opening up, our country has extensively absorbed foreign culture for its own use. In this process, we have absorbed not only the western economic models, construction methods, ideas, etc., but also many forms of western art and culture. Western oil painting has also entered the field of painting in our country and has gradually taken root and sprouted. It has become one of the mainstream branches in the field of painting in our country. The content and the object of expression of realistic oil painting are both based on the fact of social development, from the political and economic aspects. Culture and other angles of realistic oil painting can make the eyes bright. When realistic oil painting enters the Chinese painting market, it is inevitable that there is a certain gap with the traditional concept, and the two will inevitably influence each other in the time of the final integration. This paper studies the influence of Chinese traditional tea culture on realistic oil painting since the reform and opening up, and discusses the fundamental reasons of its influence from the political, economic and cultural perspectives.
【作者單位】： 西京學(xué)院;
【基金】：西京學(xué)院科研基金項(xiàng)目“改革開(kāi)放30年中國(guó)油畫(huà)發(fā)展研究”研究成果(項(xiàng)目編號(hào)XJ130220)
【分類號(hào)】：J213;TS971
，

本文編號(hào)：1994974