本文選題：唐代金銀器 + 造型藝術��； 參考：《中國地質大學(北京)》2015年碩士論文

【摘要】：金銀器在歷史文物中占有重要位置,是中國傳統(tǒng)文化藝術的重要載體。唐代是金銀器發(fā)展的繁盛時期,現(xiàn)在已發(fā)現(xiàn)的唐代金銀器多以考古出土為主,并且已多達上千件,傳世的在國內甚少。造型作為藝術創(chuàng)作的直觀要素直接決定了作品的美觀性和實用性。本文按照唐代金銀器主要造型語言的特征,將其分為兩大類:一類是以幾何形態(tài)為主要造型語言的金銀器,包括規(guī)則形態(tài)的球形、圓形、方形等和不規(guī)則形態(tài)的云頭形等。另一類是以自然仿生形態(tài)為主要造型語言的金銀器,包括植物(海棠、菱花、葵花、蓮花、桃形等)、動物(烏龜、羊、龍、摩羯等)。唐代金銀器造型的演變主要分為早、中、晚三個時期,通過整理歸納,以表格的形式將其造型歸納總結。在文中的經(jīng)典造型藝術案例部分,進一步闡述唐代金銀器造型藝術特征,分析其時代特色,挖掘其藝術內涵。唐代金銀器造型豐富多變,與當時的政治、經(jīng)濟、文化等密切相關,盛行的原因主要有兩大方面:本土文明與外來文化。在中國傳統(tǒng)文化的基礎上汲取外來文化的菁華,因時制宜地推陳出新。經(jīng)濟的迅速發(fā)展膨脹了上層社會奢靡享樂、長生不老的欲望,工藝水平的提高滿足了人們的審美需求,文化的交融、政治的交流推動了金銀器制作的不斷成熟;粟特、薩珊、羅馬-拜占庭等地方的金銀器的輸入為本土金銀器的發(fā)展注入了新鮮的血液,尤其是在造型方面。在這樣一個開放融合的時代大背景下,唐代金銀器的發(fā)展,經(jīng)歷了從模仿到創(chuàng)新,從附屬到獨立,從專用到普及的歷程。造型藝術作為唐代金銀器的主要制作元素之一,它真實地展現(xiàn)出唐代工藝美術的發(fā)達,反映出唐代生活的富足,文化的繁榮,體現(xiàn)出唐代的開放性與創(chuàng)造性,更折射出唐人思想觀念的改變以及豐富的想象力和創(chuàng)造力。研究唐代金銀器造型藝術包含的歷史,探索其美的歷程,尋找其美的根源,期望對現(xiàn)代金銀首飾設計有所啟迪。
[Abstract]:The gold and silver ware occupies an important position in the historical relics and is an important carrier of Chinese traditional culture and art. The Tang Dynasty was a prosperous period for the development of gold and silver objects. Most of the gold and silver objects in the Tang Dynasty were mainly unearthed by archaeology now, and as many as thousands of them were handed down in China. As an intuitive element of artistic creation, modeling directly determines the aesthetics and practicability of the works. According to the characteristics of the main modeling languages of the Tang Dynasty, gold and silver objects are divided into two categories: one is the gold and silver vessels with geometric shape as the main modeling language, including the regular shape of the sphere, the circle, the square, the irregular shape of the cloud head and so on. The other is the natural bionic form as the main modeling language of gold and silver vessels, including plants (begonia, diamond, sunflower, lotus, peach, etc.), animals (tortoise, sheep, dragon, Capricorn and so on). The evolution of gold and silver objects in Tang Dynasty is divided into three periods: early, middle and late. In the part of classic plastic arts case, the author further expounds the characteristics of gold and silver vessels in Tang Dynasty, analyzes the characteristics of their times, and excavates their artistic connotations. Gold and silver objects in Tang Dynasty were rich and changeable, which were closely related to politics, economy and culture at that time. There were two main reasons for their popularity: native civilization and foreign culture. Absorb the elite of foreign culture on the basis of Chinese traditional culture, and bring forth the new according to the times. With the rapid development of economy, the upper-class society's extravagance and enjoyment, the desire to live forever, the improvement of craftwork to meet people's aesthetic needs, the blending of culture, and the exchange of politics have promoted the continuous maturation of the making of gold and silver wares; Sushan, Sushan, The introduction of gold and silver objects in places such as Rome-Byzantium has injected fresh blood into the development of native gold and silver objects, especially in modelling. Under the background of such an open and integrated era, the development of gold and silver wares in Tang Dynasty has experienced the course from imitation to innovation, from attachment to independence, from special use to popularization. As one of the main production elements of gold and silver wares in the Tang Dynasty, plastic arts and crafts show the development of the arts and crafts of the Tang Dynasty, reflect the prosperity of life, the prosperity of culture, and the openness and creativity of the Tang Dynasty. It also reflects the change of the Tang people's ideas and their rich imagination and creativity. This paper studies the history of the styling art of gold and silver wares in the Tang Dynasty, explores the course of its beauty, and looks for the root of its beauty, hoping to enlighten the design of modern gold and silver jewelry.
【學位授予單位】：中國地質大學(北京)
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：J526.1

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本文編號：1990954