本文選題：玉皇廟 + 道教　； 參考：《鄭州大學(xué)》2014年碩士論文

【摘要】：道教在我國(guó)古代封建社會(huì)中與儒家思想、佛教并立,其發(fā)展可謂歷史悠久,它的產(chǎn)生和發(fā)展對(duì)各個(gè)歷史時(shí)期的政治、經(jīng)濟(jì)、文化以及藝術(shù)有著深刻的影響。而山西是中華文明的重要發(fā)祥地之一,在道教活動(dòng)和傳播發(fā)展中有著深厚的歷史文化底蘊(yùn)。道教文化發(fā)展的特點(diǎn)具有多樣性,對(duì)于塑造道教神仙體系中的人物形象更是豐富多彩并賦予了傳奇性。 玉皇廟建于北宋時(shí)期,是一座歷史悠久由民間集資修建的地方性道教廟宇,玉皇廟中的人物塑像以宋、元、明清時(shí)期為主,其中二十八宿彩塑是玉皇廟諸多塑像中的藝術(shù)精品,是我國(guó)古代晉城地區(qū)勞動(dòng)人民勤勞與智慧的結(jié)晶,其造型獨(dú)特、人物塑造個(gè)性鮮明。 本文通過實(shí)地考察山西晉城玉皇廟,從玉皇廟的建造格局及玉皇廟人物塑像入手,梳理出玉皇廟眾多道教神仙人物所組成的道教神仙體系及山西道教文化發(fā)展的特點(diǎn)。玉皇廟中的人物造像是以宋元時(shí)期的作品為代表,如玉皇殿、十二辰殿以及二十八宿殿等人物造像,本文重點(diǎn)以玉皇廟中元代二十八宿人物造像的造型特征、服飾裝扮、人物色彩、以及藝術(shù)特色等方面進(jìn)行了詳細(xì)研究分析深入解讀,總結(jié)出玉皇廟人物造像的藝術(shù)價(jià)值及藝術(shù)精神。通過對(duì)晉城玉皇廟中遺存的道教人物造像藝術(shù)進(jìn)行研究分析,對(duì)我們今天學(xué)習(xí)研究中國(guó)古代傳統(tǒng)雕塑藝術(shù)及弘揚(yáng)傳統(tǒng)雕塑藝術(shù)具有重要的意義。
[Abstract]:Taoism has a long history in the ancient feudal society of our country. It has a long history with Confucianism and Buddhism. Its emergence and development have a profound influence on politics, economy, culture and art in every historical period. Shanxi is one of the important birthplaces of Chinese civilization. The development of Taoist culture is characterized by diversity, which is more colorful and legendary for portraying the figures in the immortal system of Taoism. The Jade Emperor Temple, built in the Northern Song Dynasty, is a local Taoist temple with a long history of folk funding. The figures in the Jade Emperor Temple are mainly in the Song, Yuan and Ming and Qing dynasties, and 28 of them are fine art among the many statues of the Jade Emperor Temple. It is the crystallization of the industrious and wisdom of the working people in Jincheng area of ancient China. Based on the field investigation of the Jade Emperor Temple in Jincheng, Shanxi Province, this paper begins with the construction pattern of the Jade Emperor Temple and the figures of the Jade Emperor Temple, combing out the Taoist immortals system composed of many Taoist immortals in the Ju Huang Temple and the characteristics of the development of Shanxi Taoist culture. The figures in the Jade Emperor Temple are represented by the works of the Song and Yuan dynasties, such as the Jade Emperor Hall, the Twelve hour Hall and the 28 Sumi Temple. This article focuses on the modeling features of the 28 residence figures in the Yuhuang Temple and dress up. The characters' color and artistic characteristics are analyzed in detail, and the artistic value and spirit of the figures in Yuhuang Temple are summarized. It is of great significance for us to study and carry forward the traditional sculpture art of ancient China through the study and analysis of the statue art of Taoist figures left in the Jade Emperor Temple of Jincheng.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J315

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本文編號(hào)：1988457