本文選題：中國水彩 + 藝術(shù)現(xiàn)狀��； 參考：《魯東大學(xué)》2014年碩士論文

【摘要】：隨著改革開放以來我國在政治、經(jīng)濟、文化等領(lǐng)域的不斷發(fā)展，中國水彩藝術(shù)事業(yè)也逐步順應(yīng)國際發(fā)展潮流呈現(xiàn)出國際化和多元化的發(fā)展趨勢。中國水彩藝術(shù)的迅速發(fā)展已經(jīng)得到許多藝術(shù)學(xué)者的關(guān)注和認可。近年來，水彩事業(yè)的發(fā)展有了較大的飛躍，高質(zhì)量、高水準的精品力作層出不窮。當(dāng)今中國水彩藝術(shù)歷經(jīng)百年滄桑，隨著時代的發(fā)展，已經(jīng)逐步形成了獨特的時代特征并走向成熟，在漫長的發(fā)展歷程中，已經(jīng)基本擺脫了“小品”的局限。 本文從四個方面進行深入探索與研究：第一部分，是前言，講述了論文研究的背景、目的和意義；第二部分，，主要是講水彩藝術(shù)現(xiàn)狀，深刻闡述了中國水彩藝術(shù)現(xiàn)狀的時代特征，中國水彩的藝術(shù)成就以及中國水彩現(xiàn)狀產(chǎn)生的問題；第三部分，是對中國水彩現(xiàn)狀進行深入剖析，從而更全面、更系統(tǒng)了解水彩藝術(shù)現(xiàn)狀；第四部分，是對中國藝術(shù)現(xiàn)狀未來的發(fā)展進行論述。本文的重點是第三部分，這一部分深入剖析中國藝術(shù)現(xiàn)狀形成的原因，全面理性的分析了中國水彩藝術(shù)在各個層面受到的影響，進一步思考當(dāng)前中國水彩藝術(shù)發(fā)展所需要解決的關(guān)鍵因素，多方位多角度剖析了這種現(xiàn)狀形成的原因，從中找尋中國水彩藝術(shù)現(xiàn)狀的新視點。通過以上的分析，我們只有深入生活實踐，進行理論分析，體會生活之美，才能充分發(fā)揮藝術(shù)家的創(chuàng)作才華，創(chuàng)造出具有民族特色的中國水彩藝術(shù)。
[Abstract]:With the continuous development of politics, economy, culture and other fields since the reform and opening up, the watercolor art in China gradually conforms to the international trend of development and presents a trend of internationalization and diversification. The rapid development of Chinese watercolor art has been concerned and recognized by many art scholars. In recent years, the development of watercolor has made a great leap, high-quality, high-quality masterpieces emerge in endlessly. With the development of the times, the watercolor art in China has gradually formed the unique characteristics of the times and moved towards maturity. In the long course of development, it has basically got rid of the limitation of "sketch". This article carries on the thorough exploration and the research from four aspects: the first part, is the foreword, narrates the thesis research background, the goal and the significance, the second part, mainly talks about the watercolor art present situation, This paper deeply expounds the characteristics of the present situation of Chinese watercolor art, the artistic achievements of Chinese watercolor and the problems arising from the present situation of Chinese watercolor. The third part is to analyze the present situation of Chinese watercolor in depth, thus making it more comprehensive. More systematic understanding of the current situation of watercolor art; the fourth part is to discuss the future development of Chinese art. The focus of this paper is the third part, this part deeply analyzes the reasons for the formation of Chinese art situation, comprehensively and rationally analyzes the influence of Chinese watercolor art at all levels. Further thinking about the key factors that need to be solved in the development of watercolor art in China, this paper analyzes the reasons for the formation of this situation from various angles, and looks for a new viewpoint of the present situation of watercolor art in China. Through the above analysis, we only go deep into the practice of life, theoretical analysis, experience the beauty of life, in order to give full play to the creative talent of artists, create a national characteristics of Chinese watercolor art.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J215

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本文編號：1946115