本文選題：女性 + 鄉(xiāng)土小說　； 參考：《山東大學》2014年碩士論文

【摘要】：本文擬以“倫理敘事”為角度,對新世紀女性作家鄉(xiāng)土小說創(chuàng)作進行整體性考察,以期梳理其鄉(xiāng)土敘事錯綜復雜的脈絡關系,反思其創(chuàng)作現(xiàn)狀,對其前景進行預測。同時,通過對其倫理敘事基本主題、思想內涵、美學特征等方面的剖析總結,提煉出女性作家敘事文本豐富且異質性的內涵,把握女性寫作傳統(tǒng)的繼承與發(fā)展。 論文主體部分以由淺入深的邏輯順序分為三章。首先,論文對其倫理敘事基本主題進行歸納概覽。一是婚姻倫理敘事,展現(xiàn)出鄉(xiāng)土婚姻倫理由“傳統(tǒng)型”向“現(xiàn)代型”過渡之難。包括其對婚姻中女性從屬地位及其悲劇命運的揭示；對婚姻與愛情關系的探討；及對婚姻“第三者”現(xiàn)象合理性的敘事傾向。二是生存?zhèn)惱頂⑹?呈現(xiàn)出世紀之交鄉(xiāng)村社會政治、經濟、文化轉型中較為真實的生存圖景。包括其對鄉(xiāng)村土地流失的憂思；對農民因貧窮或對“現(xiàn)代”渴望而出離故土,并造成鄉(xiāng)村主體虛空現(xiàn)實的深思；對鄉(xiāng)土文化逐漸遠逝的悲思；及對鄉(xiāng)村政治流弊的反思。 進而,論文對其倫理敘事思想內涵進行深入探究。一是其創(chuàng)作對女性意識的表達。其通過對鄉(xiāng)土女性生命體驗及心靈情感細致入微的體察,思考鄉(xiāng)土女性性別意識覺醒所面臨的傳統(tǒng)及現(xiàn)實精神困境,并以“性”之覺醒的含蓄書寫,突破程式化的欲望言說,建構自然唯美的女性話語。二是其創(chuàng)作對農民文化人格的透析。包括對農民在前現(xiàn)代性心理結構與現(xiàn)代性心理結構沖突中,所體現(xiàn)出的現(xiàn)代性迷思和主體性迷失的揭示；對其在商業(yè)文化刺激下,拜金觀念泛濫導致鄉(xiāng)土道德失落的揭露；以及對其傳統(tǒng)政治文化心理痼疾的諷刺。三是其創(chuàng)作對鄉(xiāng)土“烏托邦”的建構。其在面向當下的同時回溯傳統(tǒng),在返璞歸真中,表現(xiàn)出對人性、人情之美善,對鄉(xiāng)土傳統(tǒng)美德的向往,祭奠著現(xiàn)代性追逐下破碎的精神家園,思考著人性出路,追尋著文化救贖。 同時,在女性作家藝術思維的滲透下,其倫理敘事文本又體現(xiàn)出較為鮮明的美學特征。一是其文本對女性寫作“小敘事”美學傳統(tǒng)的承續(xù),包括其對鄉(xiāng)村日常生活的形式模擬,及對人物心理細膩的感知。二是其文本呈現(xiàn)出含蓄節(jié)制的感傷美學風格,并體現(xiàn)出“化境”,“主情”,“有感而發(fā),傷情而止”等審美特點。而其個體感傷格調差異性又構成了其感傷之“美”的多維藝術空間。三是其文本蘊涵著平實樸素、簡約內斂的牧歌式詩性韻致,主要體現(xiàn)于其文本語言擇取的大地詩性內涵,語言運用的含蓄與靈動,如其對字詞的錘煉,對句式節(jié)奏感的把握與畫面感的營造等,及其“以象結意”的敘事技巧之中。 最后,論文在女性寫作視域下觀照新世紀鄉(xiāng)土小說倫理敘事,發(fā)掘并總結其性別文化內涵與創(chuàng)作的關系,包括其婉約中庸的價值立場,柔韌微弱的理想情懷,感性形象的思維特質等,并指出其性別文化先天的理性與思辨不足所造成的創(chuàng)作瓶頸,分析其突破的方向與可能性。
[Abstract]:This article, taking the "Ethical Narrative" as the angle, examines the creation of local novels in the new century for women writers, in order to sort out the intricate choroid relationship of their local narrative, reflect on the present situation of their creation and predict their prospects. At the same time, through the analysis and summary of the basic themes, ideological connotation and aesthetic characteristics of their ethical narrative. It extracts the rich and heterogeneous connotation of female writers' narrative texts and grasps the inheritance and development of women's writing tradition.
The main part of the thesis is divided into three chapters in the logical sequence from shallow to deep. First, the paper summarizes the basic theme of its ethical narrative. First, the narrative of marriage ethics shows the difficulty of the transition from "traditional type" to "modern type" in marriage ethics, including the revelation of the subordinate status of women in marriage and the tragic fate of marriage; The discussion of the relationship between marriage and love; and the narrative tendency of the rationality of the "third party" phenomenon of marriage. Two is the ethical narrative of survival. It presents a more real life picture in the transformation of rural social politics, economy and culture at the turn of the century. It includes his worry about the loss of rural land, and the peasants are out of poverty or the desire for "modern". The soil also causes deep thinking about the reality of the rural main body, the grief of the gradual decline of the local culture, and the introspection of the rural political malpractice.
Then, the thesis deeply explores the connotation of its ethical narrative thought. First, the expression of her creation to women's consciousness. Through a subtle insight into the life experience and emotional feelings of the local women, it thinks about the traditional and realistic dilemma faced by the awakening of the gender consciousness of the local women, and makes a breakthrough with the implication of the awakening of "sex". A stylized desire to construct a natural and aesthetical feminine discourse. Two is a dialysis of the cultural personality of the peasants. It includes the revelation of the confusion of modernity and the loss of subjectivity in the conflict between the former modern psychological structure and the modern psychological structure. The revelation of the loss of soil morality, as well as the irony of its traditional political and cultural psychological chronic illness. Three is the construction of his creation to the "Utopia" of the native land. It is at the moment, while back to the tradition, and in the return to nature, shows the beauty of humanity, the beauty of human feelings, the yearning for the traditional virtues of the native land, and the sacrifice of the broken spiritual family under the pursuit of modernity. The garden, thinking of the way out of human nature, pursued a cultural redemption.
At the same time, under the infiltration of female writers' artistic thinking, their ethical narrative texts reflect more distinct aesthetic features. One is the continuation of the aesthetic tradition of "small narrative" in women's writing, including the form simulation of the daily life in the countryside and the subtle perception of the characters. Two, the text presents a sense of implicit restraint. The aesthetic style of the injury, which embodies the aesthetic characteristics of "the situation", "the main feeling", "the sentimentality, the injury", and other aesthetic characteristics, and its individual sentimental style differences constitute the multi-dimensional artistic space of its sentimental "beauty". Three, its text contains plain and simple, simple and introverted pastoral poetic charm, which is mainly reflected in the selection of his text language. The connotation of the poetic nature of the earth, the implicit and spiritual use of the language, such as the tempering of the words, the grasp of the sense of the rhythm of the sentence and the creation of the sense of the picture, as well as the narrative techniques of "with the image of meaning".
Finally, in the view of women's writing, the paper tries to explore and summarize the relationship between the cultural connotation of the new century and the relationship between the cultural connotation and the creation of the new century, including the value position of the euphemism, the weak idealism and the thinking characteristics of the perceptual image, and points out the creation of the innate rationality and speculation of the sex culture. Make a bottleneck and analyze the direction and possibility of the breakthroughs.

【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I207.42

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