本文選題：韓流 + 國際文化產(chǎn)品��； 參考：《國外社會科學(xué)》2015年02期

【摘要】：近年來,韓流已經(jīng)成為國際化文化產(chǎn)品,但韓流的消費在不同國家(地區(qū))呈現(xiàn)出不同面貌。對韓流在東亞的日本、中國大陸和臺灣地區(qū)這三地的消費情況,特別是其核心文化產(chǎn)品——韓劇和韓國流行音樂在三地的消費主體及受歡迎程度進行比較分析,可以發(fā)現(xiàn)韓流的消費不但受韓流文化產(chǎn)品自身特點的影響,還受到接受和消費韓流的相應(yīng)社會的政治經(jīng)濟特點的巨大影響。韓流未來的發(fā)展方向應(yīng)為增強其固有的時間和空間雜合性,結(jié)合各種文化打造出全新的雜合性文化產(chǎn)品,并在此基礎(chǔ)上構(gòu)建文化共同體,為促進國家(地區(qū))間的文化溝通和交流作出持久貢獻。
[Abstract]:In recent years, the Korean stream has become an international cultural product, but the consumption of the Korean stream is different in different countries (regions). The consumption of the three regions in Japan, China and Taiwan in East Asia, especially the core cultural products - Korean dramas and Korean pop music in the three areas of consumption and popularity By comparative analysis, we can find that the Korean flow is not only influenced by the characteristics of the Korean cultural products, but also greatly influenced by the political and economic characteristics of the corresponding society that accepts and consume the Korean stream. The future direction of the Korean flow should be to strengthen its inherent time and space heterozygosity and create new heterozygosity in combination with various cultures. Cultural products, and on this basis, build a cultural community, in order to promote national (regional) cultural communication and make lasting contributions.

【作者單位】： 韓國首爾大學(xué)社會學(xué)系;韓國首爾市立大學(xué)城市社會學(xué)系;韓國仁荷大學(xué);
【分類號】：G131.26
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本文編號：1863232