本文選題：絳州剔犀　切入點(diǎn)：藝術(shù)特征　出處：《太原理工大學(xué)》2014年碩士論文

【摘要】：漆藝在中國(guó)已有數(shù)千年歷史,可考證的最古老的朱漆木碗發(fā)掘于浙江余姚河姆渡,距今約7000多年。漆藝品類包羅萬(wàn)象,文化內(nèi)涵博大精深。在中國(guó)藝術(shù)史中占有不可小窺的重要地位。在漫漫的的時(shí)間長(zhǎng)河中縱觀中國(guó)漆藝歷史的演變,可以從朝代的更替中看到裝飾紋樣、圖案內(nèi)容、器形、色彩、技法的不斷更新,日趨完美。而這整個(gè)過(guò)程,與當(dāng)時(shí)的國(guó)力興衰、社會(huì)制度的演變、政治經(jīng)濟(jì)以及生活環(huán)境的變化、朝廷當(dāng)權(quán)者對(duì)漆藝整體的管制、漆器匠人自身的技藝水平與美學(xué)修養(yǎng)、當(dāng)時(shí)社會(huì)人群對(duì)漆藝的總體認(rèn)識(shí)、宮廷貴族御用以及民間百姓在日常生活中,在婚喪嫁娶時(shí),在民俗節(jié)日節(jié)慶活動(dòng)時(shí)對(duì)漆器的應(yīng)用等各個(gè)方面都有著千絲萬(wàn)縷的聯(lián)系。作為漆藝地域文化的杰出代表,山西以其獨(dú)特的地理?xiàng)l件,豐厚的文化遺存,清晰的文化脈絡(luò),被譽(yù)為“中國(guó)地上歷史文物博物館”。其以悠久的歷史傳承,獨(dú)特的藝術(shù)魅力及渾厚的文化積淀著稱,山西“絳州剔犀”更是以其優(yōu)美的造型、古樸淳厚的特點(diǎn),均勻瑩滑的漆層,流暢圓滑的線條,考究的工藝聞名于世�！敖{州剔犀”的器型圖案、制作流程、所用材料以及工藝的變化如何在歷史的進(jìn)程中不斷完善、升華,如何從漆藝的其它門(mén)類以及別的工藝品中汲取營(yíng)養(yǎng),形成自己獨(dú)特的和諧、象征、靈動(dòng)、天趣、工巧的藝術(shù)特征,這將成為本文對(duì)“絳州剔犀”藝術(shù)深入探討的切入點(diǎn)。同時(shí)希望通過(guò)有渾厚地域文化內(nèi)涵的山西漆藝的研究,找尋出傳統(tǒng)手工技藝的形態(tài)特征,文化內(nèi)涵以及如何將傳統(tǒng)的手工技藝與當(dāng)代人的審美思維緊密結(jié)合,并將這種審美思維融入山西當(dāng)代漆藝中。這將對(duì)山西絳州剔犀漆器乃至中國(guó)漆藝發(fā)展有點(diǎn)滴的助力及啟發(fā),為中國(guó)非物質(zhì)文化遺產(chǎn)保護(hù)盡綿薄之力,以此促進(jìn)山西絳州剔犀漆器藝術(shù)及中國(guó)傳統(tǒng)漆器藝術(shù)的傳承與發(fā)展。同時(shí)使山西新絳云雕漆器等夠走進(jìn)人們的日常生活,讓更多的人能夠接觸、欣賞、使用到傳統(tǒng)工藝精品,讓遺產(chǎn)“活”在我們中間,而非“活”在博物館,使中華民族古老的優(yōu)秀傳統(tǒng)技藝重新煥發(fā)新的生命和光彩。
[Abstract]:Lacquer art has a history of thousands of years in China. The oldest Zhu Zhe wooden bowl that can be verified has been excavated in Zhejiang Yuyao Hemudu, more than 7000 years ago.Lacquer art categories all over the world, cultural connotations broad and profound.It plays an important role in the history of Chinese art.Throughout the history of Chinese lacquer art over a long period of time, we can see from the replacement of the dynasty decorative patterns, design content, shape, color, techniques of continuous updating, increasingly perfect.And this whole process, with the rise and fall of national strength at that time, the evolution of the social system, the changes in political economy and living environment, the overall control of lacquer art by those in power in the court, the skill level and aesthetic accomplishment of the lacquer craftsmen themselves,At that time, the general understanding of lacquer art, the royal aristocrat, the folk people in their daily life, in marriage and funeral, in the folk festival activities of the application of lacquer and other aspects are inextricably linked.As an outstanding representative of lacquer culture, Shanxi is known as the "Museum of Chinese Historical relics" for its unique geographical conditions, rich cultural relics and clear cultural context.It is famous for its long historical heritage, unique artistic charm and rich cultural accumulation, and Shanxi's "Jiangzhou Ticket" is more for its beautiful shape, simple and honest features, uniform clear and smooth lacquer layer, smooth and smooth lines,The fine workmanship is well known all over the world.How to improve and sublimate the pattern, process, material and process of "Jiangzhou Ticket" in the course of history, how to draw nutrients from other categories of lacquer art and other handicrafts,To form its own unique artistic features of harmony, symbolism, intelligence, interest and workmanship will be the entry point for this article to probe deeply into the art of "Jiangzhou tick rhinoceros".At the same time, it is hoped that through the research of Shanxi lacquer art with rich regional cultural connotation, we can find out the morphological characteristics, cultural connotation and how to combine the traditional handicraft technique with the aesthetic thinking of contemporary people.And this aesthetic thinking into Shanxi contemporary lacquer art.This will help and enlighten the development of lacquer ware and lacquer art in Jiangzhou, Shanxi Province, and contribute to the protection of China's intangible cultural heritage, so as to promote the inheritance and development of lacquer art and traditional lacquer art in Jiangzhou, Shanxi Province.At the same time, so that Shanxi's neo-crimson cloud carving and lacquer utensils can enter into people's daily lives, so that more people can come into contact with, appreciate and use traditional craftsmanship, and let the heritage "live" among us, rather than "live" in museums.Make the ancient and outstanding traditional skills of the Chinese nation radiate new life and brilliance again.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J527

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