本文選題：藝術(shù)歷程　切入點(diǎn)：藝術(shù)觀　出處：《中國(guó)藝術(shù)研究院》2014年碩士論文

【摘要】：由于自身知識(shí)譜系的不完善,大多數(shù)人對(duì)于事物的認(rèn)知,存在一種非黑即白、非好即壞的二元對(duì)立觀。作為個(gè)案研究主體,其生活的時(shí)代環(huán)境、彼時(shí)的社會(huì)意識(shí)形態(tài)、其個(gè)人性情稟賦等多種因素,共同促成了這一歷史人物的復(fù)雜性。這必然要求研究者對(duì)研究主體的剖析,理應(yīng)具有全方位的立體性。目前,學(xué)界對(duì)王雪濤的研究和評(píng)論,存在一味舍次求主或只知其一不知其二的單一化問(wèn)題。 本文意在話語(yǔ)判斷單一化的當(dāng)下,以對(duì)王雪濤的多角度分析作為回應(yīng),將這一案例研究放置到20世紀(jì)中國(guó)花鳥(niǎo)畫(huà)的視角中,去關(guān)照其在大環(huán)境強(qiáng)勢(shì)的政治話語(yǔ)權(quán)引導(dǎo)之下,回溯傳統(tǒng)、借古開(kāi)今、取益西方的花鳥(niǎo)畫(huà)創(chuàng)作革新經(jīng)驗(yàn)。通過(guò)研究,厘析出王雪濤繪畫(huà)道路的清晰脈絡(luò),及藝術(shù)創(chuàng)作觀念。以理性的思維方式,對(duì)其具有特殊性意義的《百卉圖長(zhǎng)卷》和其他作品進(jìn)行比較、分析,主要從題材、圖式和色彩三方面,詮釋其藝術(shù)創(chuàng)新的具體變化。 另外,特別在“文革”結(jié)束之后,王雪濤藝術(shù)生涯晚期階段,所呈現(xiàn)出的繪畫(huà)風(fēng)貌,相較其建國(guó)前的作品,走向了偏俗一路,文章將在歷史決定論和政治決定論,這類宏大敘事之外,加入個(gè)人藝術(shù)素養(yǎng)等微觀方面的闡述,提示出藝術(shù)家身處社會(huì)政治、經(jīng)濟(jì)、文化的多重語(yǔ)境中,所應(yīng)具備的精神獨(dú)立性和良好的藝術(shù)修為。 藉由這些方面的論述,呈現(xiàn)出對(duì)王雪濤花鳥(niǎo)畫(huà)藝術(shù)較為綜合、客觀的認(rèn)識(shí),使得當(dāng)下花鳥(niǎo)畫(huà)創(chuàng)作者,透過(guò)王雪濤相對(duì)系統(tǒng)完整的藝術(shù)歷程,從中尋找其自身可資借鑒的經(jīng)驗(yàn)和范式,以益后學(xué)。
[Abstract]:Because of its knowledge system is not perfect, most people know about things, there is a black and white, good and bad. The two opposite view as a case study of the subject, the living environment of that time, when the social ideology, a variety of factors, the personal temperament endowment, contributed to the complexity of the history figure. Analysis of the research subject which requires researchers should have a full range of three-dimensional. At present, the academic research and comment on Wang Xuetao, there is a single problem of a time lord or taste to know only one second.
This paper is intended to determine the single discourse of the moment, with multiple perspectives on Wang Xuetao's analysis as a response, placing the case study to twentieth Century China painting perspective, to take care of the guidance in the political discourse environment of strong contrast, back to tradition, the ancient open today, from the benefits of Western painting reform experience through the research, clear the road of painting Wang Xuetao% precipitation, and the conception of artistic creation. By the way of rational thinking, to have the special significance of "100 huitu scroll > and other works by comparing analysis, mainly from the theme, schema and color three aspects, specific changes in interpretation of the art of innovation.
In addition, especially in the "Cultural Revolution" after the end of Wang Xuetao's artistic career stage, showing the style of painting, in the works before the founding of the PRC, the partial vulgar way, the determinism and political determinism in history, this class of grand narrative, personal artistic accomplishment and other aspects of that suggests artists in the social politics, economy, culture in multiple contexts, should have the spirit of independence and good artistic cultivation.
Through these aspects, the showing of Wang Xuetao painting art more comprehensive and objective understanding of the contemporary painting creators, art history through Wang Xuetao relatively complete system, looking for experience and can learn from its own paradigm, to benefit the students.

【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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