本文選題：視覺　切入點：對比　出處：《哈爾濱理工大學(xué)》2017年碩士論文

【摘要】：裝飾設(shè)計在藝術(shù)設(shè)計大框架當(dāng)中是非常重要的一個環(huán)節(jié),其通過特殊的手段展現(xiàn)裝飾的藝術(shù)美感。各國裝飾設(shè)計師們通過對裝飾設(shè)計的學(xué)習(xí)和運用,并在實踐中不斷的加以完善,并且在傳統(tǒng)裝飾設(shè)計風(fēng)格學(xué)習(xí)的基礎(chǔ)之上,成功的開創(chuàng)出了具有自己獨特藝術(shù)風(fēng)格的裝飾設(shè)計技術(shù)。經(jīng)過了多年的傳承與發(fā)展,中國的裝飾設(shè)計藝術(shù)已經(jīng)逐步的形成了自己的風(fēng)格。它具有自身民族文化的象征,也是設(shè)計師情感、思維、觀念等方面的體現(xiàn)。然而由于中國與俄羅斯兩國在政治經(jīng)濟(jì)等方面的長期交流與合作,中國的裝飾設(shè)計無論是在藝術(shù)思想上還是創(chuàng)作風(fēng)格上,都是受到了俄羅斯裝飾設(shè)計的影響。同時,中國裝飾設(shè)計也已獨特的藝術(shù)風(fēng)格和具有神秘特色的東方文化深深的吸引著俄羅斯人。現(xiàn)代社會思想交流的深度與廣度空前壯闊,各種意識流的交融與碰撞普遍而活躍。這導(dǎo)致整個世界的審美文化都發(fā)生了劇烈的分歧,形成了純粹藝術(shù)的審美文化和商業(yè)化的審美文化兩種不同的意識形態(tài),并引發(fā)了審美文化中本源要求的民族性與客觀要求的世界性間的沖突。本文目的是通過對中俄裝飾設(shè)計的歷史與發(fā)展進(jìn)行深入的對比與研究,從裝飾設(shè)計的構(gòu)圖、民族特色、以及材料和技法的運用角度出發(fā),對比中俄裝飾設(shè)計在這些方面的差異。再對俄羅斯裝飾設(shè)計與中國裝飾設(shè)計中的互相影響進(jìn)行闡述。最后從中俄裝飾設(shè)計的實用價值和現(xiàn)實意義上分析中俄裝飾設(shè)計對現(xiàn)代裝飾藝術(shù)的影響。
[Abstract]:Decorative design is a very important link in the framework of art design. It shows the aesthetic feeling of decoration through special means. And in practice to constantly improve, and on the basis of traditional decorative design style learning, successfully created their own unique artistic style of decorative design technology. After many years of inheritance and development, Chinese decorative design art has gradually formed its own style. It has the symbol of its own national culture, and it is also a designer's emotion and thinking. However, due to the long-term exchanges and cooperation between China and Russia in political and economic fields, China's decorative design is not only in artistic ideas but also in creative style. At the same time, the Chinese decorative design has also been unique artistic style and has mysterious characteristics of the oriental culture deeply attracted the Russians. The depth and breadth of modern social ideological exchange is unprecedented, The blending and collision of various streams of consciousness are widespread and active. This has led to sharp differences in aesthetic culture throughout the world, forming two different ideologies, aesthetic culture of pure art and aesthetic culture of commercialization. The purpose of this paper is to compare and study the history and development of decorative design between China and Russia, from the composition and national characteristics of decorative design. And the use of materials and techniques, The differences between Chinese and Russian decorative design in these aspects are compared. The mutual influence between Russian decorative design and Chinese decorative design is expounded. Finally, the practical value and practical significance of Chinese and Russian decorative design are analyzed. The influence of design on modern decorative art.
【學(xué)位授予單位】：哈爾濱理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J535

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