本文選題：瓷青紙　切入點：金銀　出處：《湖北工業(yè)大學》2017年碩士論文

【摘要】：瓷青紙,又稱紺碧紙、青藤紙,是為我國古代著名的珍貴紙品。這種深藍色的染色加工紙因為顏色與明代青花瓷相似而被當時大眾所熟識。瓷青紙作為中國傳統(tǒng)的染色加工紙,常被運用在佛教的手抄繪本上,有著獨特的設計和制作工藝,是我國工藝美術史上不可或缺的一部分。到了漢代,藏傳佛教由印度傳入中原后,對我國的政治、經濟、文化都起到了深遠的影響和促進作用。為弘揚佛法,佛像的象形化日漸普及。不僅出現(xiàn)了各種石材和金屬制作的佛造像,還被廣泛的運用到了佛經繪本上,便于人們翻閱和攜帶。為了表示虔誠,最奢侈的就是用金銀泥來抄寫和描繪。這種使用中國傳統(tǒng)靛藍染色紙和貴重金銀泥為材料的搭配相得益彰,使得傳統(tǒng)中國畫突破了以往白紙黑墨的載體,形成了其獨具一格的特色。體現(xiàn)了古代中國人民的智慧和卓越的審美情操。本文以瓷青紙在傳統(tǒng)佛教典籍中的裝飾繪畫為主題進行研究和分析,通過對中國傳統(tǒng)瓷青紙的制作、繪畫技法的剖析以及其外在上所表現(xiàn)出的色彩的搭配、形式的美感、節(jié)奏的韻律等審美意趣,內在上所蘊含的宗教、禮儀和傳統(tǒng)文化內涵的探索,研究傳統(tǒng)經典繪畫圖式在瓷青紙金銀彩繪中的運用,探索其與當代新型材料和普世圖樣搭配的可能性。并探討中國傳統(tǒng)瓷青紙金銀彩繪工藝適宜在現(xiàn)代載體中既要保留對傳統(tǒng)文化的傳承,又要符合當代的審美特征,有效的去宗教化,更好的貼近人們的生活。最后再以瓷青紙金銀彩繪的繪畫實踐為案列,進行了大量的繪制練習,利用瓷青紙金銀彩繪工藝制作永樂宮壁畫長卷一張。其次,為了更好的與現(xiàn)代藝術相結合,特運用替換與重組、化繁就簡等藝術手法在繪畫內容和裝飾紋樣上進行創(chuàng)新,實現(xiàn)了瓷青紙金銀彩繪在當代新型載體中的具體應用。瓷青紙金銀彩繪工藝特殊,描金的技法也別具一格,形成了其獨特的藝術風格,有著較高的藝術價值,并且隨著歷史發(fā)展這類繪畫顯得尤為的珍貴特別,且前人未曾出現(xiàn)專門針對此類繪畫的文獻著作,值得我們去加以專門的探討與研究。
[Abstract]:Porcelain blue paper, also called cyanobite paper, is a famous precious paper product in ancient China. This dark blue dyed paper was recognized by the public at that time because of its similar color to Ming Dynasty blue and white porcelain. Celadon paper was used as Chinese traditional dyeing paper. It is often used in the hand-copied picture books of Buddhism, with its unique design and production technology, which is an indispensable part of the history of Chinese arts and crafts. In the Han Dynasty, Tibetan Buddhism was introduced from India to the Central Plains, and it was of great importance to the politics and economy of our country. Culture has played a profound role in promoting Buddhism. In order to promote the Buddha Dharma, the pictography of the Buddha has become more and more popular. Not only have all kinds of statues made of stone and metal appeared, but they have also been widely used in the picture books of the Buddhist scriptures. It is convenient for people to read and carry. In order to be religious, the most extravagant thing is to use gold and silver mud to copy and depict. This combination of traditional Chinese indigo dyed paper and precious gold and silver mud is perfect. Make traditional Chinese painting break through the carrier of white paper and black ink in the past, Forming its unique characteristics, reflecting the wisdom and outstanding aesthetic sentiment of the ancient Chinese people. This paper studies and analyzes the decorative painting of porcelain blue paper in traditional Buddhist books and works, and through the production of Chinese traditional porcelain blue paper, The analysis of painting technique and the aesthetic interest such as collocation of color, aesthetic feeling of form, rhythm and rhythm, the exploration of the connotation of religion, etiquette and traditional culture, This paper studies the application of traditional classical drawing schemata in gold and silver painting of porcelain and blue paper. To explore the possibility of collocation with contemporary new materials and universal designs, and to explore that Chinese traditional porcelain, paper, gold and silver painting techniques are suitable for preserving the inheritance of traditional culture and conforming to the contemporary aesthetic characteristics in modern carriers. Effectively dereligious, better close to people's life. Finally, with the porcelain paper gold and silver painting painting practice as a case list, carried out a large number of drawing exercises, the use of porcelain paper gold and silver painting technology to make a long roll of Yongle Palace murals. Second, In order to better combine with modern art, especially use replacement and reorganization, simplify and other artistic techniques in painting content and decorative patterns of innovation, It has realized the concrete application of the porcelain blue paper gold and silver painting in the contemporary new carrier. The porcelain blue paper gold and silver painting technology is special, the gold painting technique is also unique, has formed its unique artistic style, has the higher artistic value, And with the development of history, this kind of painting is particularly precious and special, and predecessors have not produced literature works specifically for this kind of painting, it is worth our special discussion and research.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J205

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