發(fā)布時間：2018-03-02 22:21

  本文選題：云南富寧　切入點：漢族　出處：《北京服裝學院》2015年碩士論文　論文類型：學位論文

【摘要】：本文以云南省富寧縣漢族女性傳統(tǒng)服飾為研究單元，從富寧縣漢族的地理分布、歷史淵源入手，探討富寧縣漢族所處的自然環(huán)境、社會環(huán)境以及心理因素與其服飾的關系；以服飾現(xiàn)狀為切入點，通過對清末民初相關服飾的梳理、與周邊主體少數(shù)民族服飾的比較，呈現(xiàn)出富寧漢族女性在特定時空中獨特的服飾風貌；探析富寧漢族女性傳統(tǒng)服飾美學在形制、色彩、圖案方面的體現(xiàn)以及深層的文化內涵，最后對社會轉型中傳統(tǒng)服飾文化的保護與傳承提出幾點見解。 云南富寧漢族女性服飾經歷了明清、民國、新中國成立到改革開放幾百年的歷史變遷，并且與周邊少數(shù)民族不斷地融合，既保留著明清服飾的形制，又不斷吸收少數(shù)民族服飾的裝飾因素，形成了自己獨特的服飾文化體系。服飾是一種審美符號，它除了御寒蔽體的功能之外，還具有審美意義，服飾的發(fā)展變化是人的審美追求的外在顯現(xiàn)，富寧漢族傳統(tǒng)服飾的傳承與發(fā)展規(guī)律離不開服飾美學思想的轉變。本文重點從服飾美學的角度，透視富寧女性漢族傳統(tǒng)服飾的美學價值以及漢族人們的審美情趣和審美習慣，希望從中找出一些可以讓我國服飾美學研究者以及服裝設計者借鑒的經驗，推進我國在該領域的研究與發(fā)展。 論文從富寧漢族女性這一特定群體與社會歷史情境之間的關系視角切入，剖析了服飾作為時代的反映，它反映了一個族群在歷史上的政治、經濟、文化等方方面面，這樣的研究涉及社會學、文化史、心理學等多領域；服飾美學是美學研究的一個分支，既與哲學相聯(lián)系，又具有自己的研究重點。因此，，富寧漢族女性傳統(tǒng)服飾文化的研究，實質上是吸取其他學科有益成果基礎上的一門綜合探討。
[Abstract]:This paper takes the traditional dress of Han women in Funing County, Yunnan Province as the research unit, starting with the geographical distribution and historical origin of the Han nationality in Funing County, and discusses the relationship between the natural environment, social environment and psychological factors of the Han nationality in Funing County. With the current situation of clothing as the breakthrough point, through the combing of the relevant clothing in the late Qing Dynasty and the beginning of the Republic of China, and compared with the clothing of the surrounding main body of ethnic minorities, it shows the unique dress style and features of the women of the Han nationality in the special time and space. This paper probes into the embodiment of the traditional dress aesthetics of Founing Han nationality in the aspects of form, color, pattern and the deep cultural connotation, and finally puts forward some opinions on the protection and inheritance of the traditional dress culture in the social transformation. Women's clothing of Han nationality in Funing, Yunnan has experienced the historical changes from the founding of the Ming and Qing dynasties, the Republic of China, the founding of New China to the reform and opening up to the outside world hundreds of years ago. They absorb the adornment factors of the ethnic minorities and form their own unique dress culture system. Clothing is a kind of aesthetic symbol, which has aesthetic significance in addition to its function of shielding against the cold. The development and change of clothing is the external manifestation of people's aesthetic pursuit, and the inheritance and development law of traditional dress of Funing Han nationality can not be separated from the transformation of dress aesthetics. Through the aesthetic value of Founing female Han nationality traditional dress and the aesthetic taste and habit of Han people, I hope to find out some experience that can be used for reference by Chinese dress esthetics researchers and costume designers. To promote research and development in this field in China. From the angle of view of the relationship between the Founing Han women and the social and historical situation, the paper analyzes the clothing as a reflection of the times, which reflects the political, economic, cultural and other aspects of an ethnic group in history. Such research involves many fields such as sociology, cultural history, psychology and so on. Clothing aesthetics is a branch of aesthetic research, which is not only linked to philosophy but also has its own research focus. In essence, it is a comprehensive discussion based on the beneficial results of other disciplines.
【學位授予單位】：北京服裝學院
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：TS941.12

【參考文獻】

相關博士學位論文 前1條

1 張蓓蓓;宋代漢族服飾研究[D];蘇州大學;2010年

本文編號：1558367