本文選題：中國(guó) + 文化創(chuàng)意產(chǎn)業(yè)�。� 參考：《遼寧大學(xué)》2012年博士論文

【摘要】：這是一個(gè)創(chuàng)意經(jīng)濟(jì)的時(shí)代。當(dāng)一個(gè)生命開始追求新的價(jià)值，當(dāng)一個(gè)組織開始尋求新的生機(jī)，當(dāng)一個(gè)產(chǎn)業(yè)開始探求新的拐點(diǎn)，當(dāng)一個(gè)國(guó)家開始謀求新的發(fā)展，“創(chuàng)意”正在成為首要選擇。它帶來了新的經(jīng)濟(jì)增長(zhǎng)點(diǎn)，全世界創(chuàng)意產(chǎn)業(yè)每天創(chuàng)造220億美元價(jià)值，并以5%速度遞增，有的國(guó)家增速更快，，美國(guó)達(dá)14%，英國(guó)為12%；它帶來了一種生活方式的變化，符號(hào)價(jià)值和精神消費(fèi)從傳統(tǒng)理性選擇向快樂性追求轉(zhuǎn)變；它帶來了一種新的“發(fā)展范式”，在宏觀與微觀層面上涵蓋了經(jīng)濟(jì)、文化、科技和社會(huì)發(fā)展。短短十年，文化創(chuàng)意產(chǎn)業(yè)成為各個(gè)國(guó)家和地區(qū)顛覆傳統(tǒng)經(jīng)濟(jì)發(fā)展模式、創(chuàng)新經(jīng)濟(jì)運(yùn)行機(jī)制、優(yōu)化產(chǎn)業(yè)結(jié)構(gòu)、提升區(qū)域競(jìng)爭(zhēng)力、引導(dǎo)現(xiàn)代生活方式、擴(kuò)大就業(yè)、增加社會(huì)福祉、推動(dòng)人類文化多樣性的政策和戰(zhàn)略選擇。 2011年，中國(guó)人均GDP突破5,000美元，意味著文化消費(fèi)進(jìn)入“井噴式”需求時(shí)代，標(biāo)志著中國(guó)經(jīng)濟(jì)增長(zhǎng)方式、消費(fèi)結(jié)構(gòu)、產(chǎn)業(yè)結(jié)構(gòu)、城市結(jié)構(gòu)、社會(huì)結(jié)構(gòu)以及科技進(jìn)步都發(fā)生重大轉(zhuǎn)折和變化。作為一種新興的產(chǎn)業(yè)業(yè)態(tài)，文化創(chuàng)意產(chǎn)業(yè)在理論和實(shí)踐方面尚處于探索和發(fā)展中，中國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展模式和運(yùn)行機(jī)制成為本文的核心內(nèi)容。 本文在文化創(chuàng)意產(chǎn)業(yè)發(fā)展的理論研究上，通過對(duì)國(guó)內(nèi)外文化創(chuàng)意產(chǎn)業(yè)及相關(guān)理論研究文獻(xiàn)的梳理和相近概念體系的辨析，厘清了文化創(chuàng)意產(chǎn)業(yè)基本內(nèi)涵和外延、地位與作用；明確了現(xiàn)階段中國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展模式是以企業(yè)為主導(dǎo)、以市場(chǎng)為導(dǎo)向、以人為本、以文化體制改革為動(dòng)力、以數(shù)字和內(nèi)容為媒介、以知識(shí)產(chǎn)權(quán)保障的發(fā)展模式；同時(shí)，探討了中國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展在人才培養(yǎng)、知識(shí)產(chǎn)權(quán)保護(hù)、投融資、環(huán)境支持和產(chǎn)業(yè)評(píng)價(jià)等方面的運(yùn)行機(jī)制。 在總結(jié)文化創(chuàng)意產(chǎn)業(yè)發(fā)展實(shí)踐的同時(shí)，通過分析中國(guó)近些年統(tǒng)計(jì)數(shù)據(jù)及文化創(chuàng)意產(chǎn)業(yè)發(fā)展實(shí)踐經(jīng)驗(yàn)，找出了中國(guó)文化創(chuàng)意產(chǎn)業(yè)在產(chǎn)業(yè)規(guī)模、產(chǎn)業(yè)布局、產(chǎn)業(yè)結(jié)構(gòu)、產(chǎn)品內(nèi)容、文化貿(mào)易等方面存在的問題及觀念、體制、機(jī)制和法律規(guī)章等方面障礙；通過對(duì)美國(guó)、韓國(guó)、英國(guó)、日本、新加坡、澳大利亞、香港、加拿大等國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展的成功經(jīng)驗(yàn)分析，明確了中國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展的存在的差距和方向；最后有針對(duì)性地提出中國(guó)文化創(chuàng)意產(chǎn)業(yè)發(fā)展的政策建議。
[Abstract]:This is an era of creative economy. When a life begins to pursue new values, when an organization begins to seek new vitality, when an industry begins to seek a new inflection point, when a country begins to seek new development, "creativity" is becoming the first choice. It brought about a new growth point in the economy, and the creative industries around the world created $22 billion a day and grew at a rate of 5 percent. Some countries grew faster, 14 in the United States and 12 in the United Kingdom. It brought about a change in the way of life. Symbolic value and spiritual consumption change from the traditional rational choice to the pursuit of happiness, which brings a new "development paradigm", covering economic, cultural, scientific and technological and social development at the macro and micro levels. In a short span of ten years, the cultural and creative industries have become various countries and regions that have transformed the traditional economic development model, innovated the economic operation mechanism, optimized the industrial structure, enhanced the regional competitiveness, guided the modern way of life, expanded employment, and increased social welfare. Policies and strategic choices to promote human cultural diversity. In 2011, China's per capita GDP exceeded US $5000, which means that cultural consumption has entered an era of "blowout" demand, marking the pattern of economic growth, consumption structure, and industrial structure of China. Urban structure, social structure and scientific and technological progress have undergone major changes and changes. As a new industrial form, the cultural creative industry is still in the exploration and development in theory and practice. The development model and operation mechanism of Chinese cultural creative industry have become the core content of this paper. Based on the theoretical research on the development of cultural and creative industry, this paper clarifies the basic connotation and extension, status and function of cultural creative industry by combing the literature of domestic and foreign cultural creative industry and related theoretical research literature and discriminating the similar conceptual system. It is clear that the development mode of Chinese cultural and creative industry at present is enterprise-oriented, market-oriented, people-oriented, cultural system reform as the motive force, digital and content as the medium, and intellectual property protection. This paper probes into the operating mechanism of the development of Chinese cultural and creative industries in the aspects of talent training, intellectual property protection, investment and financing, environmental support and industrial evaluation. While summing up the development practice of cultural and creative industries, by analyzing the statistical data and practical experience of the development of cultural and creative industries in China in recent years, we find out the industrial scale, industrial layout, industrial structure, product content of Chinese cultural and creative industries. Cultural and trade problems, systems, mechanisms, laws and regulations and other obstacles; through the United States, South Korea, the United Kingdom, Japan, Singapore, Australia, Hong Kong, By analyzing the successful experiences of the development of cultural and creative industries in Canada and other countries, the author clarifies the gap and direction of the development of Chinese cultural and creative industries, and finally puts forward some policy suggestions for the development of Chinese cultural and creative industries.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2012
【分類號(hào)】：G124

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 周燕;劉文輝;鄔志萍;;江西旅游文化創(chuàng)意產(chǎn)業(yè)發(fā)展對(duì)策研究[J];經(jīng)營(yíng)管理者;2014年07期

2 張治;;發(fā)展體育產(chǎn)業(yè) 優(yōu)化需求結(jié)構(gòu) 推動(dòng)經(jīng)濟(jì)發(fā)展[J];環(huán)渤海經(jīng)濟(jì)w

本文編號(hào)：2018174