本文選題：文化資源 + 文化產(chǎn)業(yè)�。� 參考：《西南民族大學(xué)》2013年博士論文

【摘要】：本文以烏江流域?yàn)檠芯康赜�，按照“提出問題——基礎(chǔ)理論——分析評(píng)價(jià)——對(duì)策建議”的研究思路，對(duì)烏江流域民族文化資源開發(fā)與文化產(chǎn)業(yè)發(fā)展問題展開深入研究。具體而言，首先，系統(tǒng)梳理國(guó)內(nèi)外相關(guān)研究領(lǐng)域的文獻(xiàn)資料，厘清和界定文化、民族文化、民族文化資源以及文化產(chǎn)業(yè)的相關(guān)概念，并對(duì)國(guó)內(nèi)外民族文化資源開發(fā)與文化產(chǎn)業(yè)發(fā)展的研究進(jìn)展進(jìn)行綜述。在此基礎(chǔ)上，借鑒民族學(xué)、資源學(xué)、經(jīng)濟(jì)學(xué)、管理學(xué)和熱力學(xué)等相關(guān)學(xué)科的理論，從文化資源的開發(fā)與保護(hù)角度分析民族文化資源與文化產(chǎn)業(yè)的相關(guān)關(guān)系，從微觀角度分析文化需求和供給的基本特征以及供需均衡，從宏觀角度分析區(qū)域文化產(chǎn)業(yè)發(fā)展的“木桶”理論以及“協(xié)同創(chuàng)新”理論。認(rèn)為文化經(jīng)濟(jì)一定程度上存在“時(shí)尚經(jīng)濟(jì)”和“注意力經(jīng)濟(jì)”特征，在文化需求上存在“炫富效應(yīng)”和“攀比效應(yīng)”，而區(qū)域文化產(chǎn)業(yè)的發(fā)展過程中存在“木桶”現(xiàn)象，“傾斜木桶”和“區(qū)域協(xié)同創(chuàng)新”可以一定程度上彌補(bǔ)要素瓶頸。其次，對(duì)烏江流域民族文化資源進(jìn)行系統(tǒng)整理，分析其類型和空間分布特征，在此基礎(chǔ)上，對(duì)烏江流域文化產(chǎn)業(yè)的發(fā)展概況進(jìn)行歸納，并運(yùn)用計(jì)量經(jīng)濟(jì)學(xué)中的協(xié)整理論和格蘭杰因果檢驗(yàn)對(duì)烏江流域文化產(chǎn)業(yè)發(fā)展的動(dòng)力問題進(jìn)行定量分析，然后從本土市場(chǎng)和外部市場(chǎng)兩個(gè)方面分析該流域文化市場(chǎng)的拓展問題。分析表明烏江流域文化資源豐富而密集，但缺乏文化品牌的支撐，文化產(chǎn)業(yè)整體發(fā)展落后，其發(fā)展動(dòng)力主要來(lái)自國(guó)民收入的增加和產(chǎn)業(yè)結(jié)構(gòu)的調(diào)整，文化市場(chǎng)以本土市場(chǎng)為主，外部市場(chǎng)有待進(jìn)一步拓展。最后，對(duì)烏江流域民族文化資源開發(fā)與文化產(chǎn)業(yè)發(fā)展中存在的問題進(jìn)行歸納和總結(jié)，借鑒國(guó)內(nèi)外文化產(chǎn)業(yè)發(fā)達(dá)地區(qū)的成功經(jīng)驗(yàn)，提出適合該流域發(fā)展的幾種模式，并提出針對(duì)性的對(duì)策建議。分析表明烏江流域文化產(chǎn)業(yè)發(fā)展的主要優(yōu)勢(shì)是民族文化資源，劣勢(shì)是交通、人才、資本等生產(chǎn)要素以及發(fā)展理念落后等，發(fā)展方式上以“低端生產(chǎn)、低技術(shù)含量、低附加值”的粗放式發(fā)展方式為主�；诖耍摿饔蛟谀Ｊ竭x擇上，首選是區(qū)域協(xié)同創(chuàng)新模式和文化品牌開發(fā)模式，實(shí)現(xiàn)“傾斜木桶”效應(yīng)，在條件較好的貴陽(yáng)等地區(qū)可以采用綜合開發(fā)模式，，集聚區(qū)域內(nèi)的文化經(jīng)濟(jì)要素，在其他地區(qū)可以選擇特色項(xiàng)目突破和特色資源突破模式等，而重慶渝東南的區(qū)縣經(jīng)濟(jì)體則適合采用小狗經(jīng)濟(jì)發(fā)展模式。此外，應(yīng)從人才支撐、融資保證、科技融合、政策扶持、轉(zhuǎn)變發(fā)展方式等方面彌補(bǔ)木桶短板，充分釋放該流域文化資源開發(fā)與文化產(chǎn)業(yè)發(fā)展的潛力。
[Abstract]:This paper takes the Wujiang River Basin as the research area, according to the research train of thought of "putting forward questions-basic theory-analysis and evaluation-countermeasures and suggestions", carries out a deep research on the development of national cultural resources and cultural industry in Wujiang River Basin. Specifically speaking, first of all, systematically combing domestic and foreign literature and materials in related fields of research, clarifying and defining the culture, national cultural resources and cultural industry related concepts, The research progress of the development of national cultural resources and cultural industry at home and abroad is summarized. On this basis, using the theories of ethnology, resources, economics, management and thermodynamics as reference, this paper analyzes the relationship between national cultural resources and cultural industry from the perspective of the development and protection of cultural resources. This paper analyzes the basic characteristics of cultural demand and supply and the equilibrium of supply and demand from the microcosmic point of view, and analyzes the theory of "wooden bucket" and "cooperative innovation" in the development of regional cultural industry from the macro point of view. To some extent, the cultural economy has the characteristics of "fashion economy" and "attention economy", and there is "conspicuous wealth effect" and "comparison effect" in cultural demand, while the phenomenon of "wooden bucket" exists in the development of regional cultural industry. "inclined bucket" and "regional collaborative innovation" can make up the bottleneck of factors to some extent. Secondly, the national cultural resources in Wujiang River Basin are systematically sorted out, and its types and spatial distribution characteristics are analyzed. On this basis, the general situation of the development of cultural industry in Wujiang River Basin is summarized. Using the theory of co-integration in econometrics and Granger causality test, the paper makes a quantitative analysis on the motive force of the development of cultural industry in Wujiang River Basin, and then analyzes the development of cultural market in Wujiang River Basin from the two aspects of local market and external market. The analysis shows that the cultural resources in Wujiang River basin are rich and dense, but lack the support of cultural brand, the overall development of cultural industry is backward, its development power mainly comes from the increase of national income and the adjustment of industrial structure, and the cultural market is dominated by the local market. External markets need to be further expanded. Finally, the problems existing in the development of national cultural resources and cultural industries in the Wujiang River Basin are summarized and summarized, and several models suitable for the development of this basin are put forward based on the successful experiences of the developed areas of cultural industry at home and abroad. And put forward targeted countermeasures and suggestions. The analysis shows that the main advantages of the cultural industry development in Wujiang River Basin are the national cultural resources, the inferior position is the backward factors of production, such as transportation, talent and capital, and the concept of development is backward, and the way of development is "low end production, low technology content". Low added-value "extensive development mode mainly." Based on this, the regional cooperative innovation model and the cultural brand development mode are the first choice in the selection of the model, and the "inclined bucket" effect can be realized, and the comprehensive development model can be adopted in Guiyang and other areas where the conditions are better. The cultural and economic elements in the agglomeration area can be selected in other regions such as the breakthrough of characteristic projects and the breakthrough mode of characteristic resources, while the regional and county economies in southeast Chongqing and Chongqing are suitable to adopt the model of puppy economic development. In addition, we should make up for the short board of wooden barrels from the aspects of talent support, financing guarantee, science and technology integration, policy support, transformation of development mode, etc., so as to fully release the potential of cultural resources development and cultural industry development in the basin.
【學(xué)位授予單位】：西南民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：G124

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本文編號(hào)：1950293