本文選題：改革潮 + 美術(shù)院校�。� 參考：《美術(shù)觀察》2017年05期

【摘要】：正很長(zhǎng)一段時(shí)間內(nèi),國(guó)內(nèi)的美術(shù)教育壟斷于"八大美院",并奉行精英教育的原則。但是,自2000年前后,美術(shù)教育開(kāi)始規(guī)�；�,綜合類大學(xué)紛紛開(kāi)辦美術(shù)學(xué)院,大有"忽如一夜春風(fēng)來(lái),千樹萬(wàn)樹梨花開(kāi)"之勢(shì)。傳統(tǒng)的美術(shù)院校在新形勢(shì)下進(jìn)行教育改革迫在眉睫,針對(duì)就業(yè)壓力和人才培養(yǎng)的原則,爭(zhēng)論的聲音出現(xiàn)。堅(jiān)持傳統(tǒng)的師傅帶徒弟的精英式教學(xué)仍占據(jù)主
[Abstract]:For a long time, the art education in China was monopolized by the eight Academy of Fine Arts and followed the principle of elite education. However, since the beginning of 2000, art education began to scale, comprehensive universities have opened art colleges, there is a "overnight spring wind, thousands of trees pear blossom" trend. It is urgent for traditional fine arts colleges to carry out educational reform under the new situation. In view of the employment pressure and the principle of talent training, the voice of debate appears. Adhere to the traditional master and apprentice of the elite teaching still occupy the main
【作者單位】： 中國(guó)藝術(shù)研究院;
【分類號(hào)】：J12
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本文編號(hào)：1898968