發(fā)布時間：2018-05-11 05:42

  本文選題：產學研 + 協(xié)同設計�。� 參考：《包裝工程》2017年24期

【摘要】：目的對當下設計專業(yè)參與貧困地區(qū)以特色文化產業(yè)帶動精準扶貧的產學研模式展開分析。方法結合設計產學研的新形式以及設計參與特色文化產業(yè)扶貧的新模式,基于典型的"三重螺旋",構建納入"文化持有者"在內的"四重螺旋"協(xié)同創(chuàng)新模式,討論文化持有者、學術界、政府和產業(yè)在合作中的角色與優(yōu)勢,并以"新通道"設計與社會創(chuàng)新項目為案例,探討其協(xié)同創(chuàng)新網絡機制與模式的構建方式。結論通過將文化持有者納入產學研網絡,激發(fā)他們的脫貧主體性,創(chuàng)建其與高校、企業(yè)、政府之間的協(xié)作關系,培養(yǎng)出一批掌握傳統(tǒng)工藝與現代設計語言的新型手藝人,有助于他們融入全球化的商業(yè)與社會創(chuàng)新網絡,有效地實現文化的保護傳承與創(chuàng)新發(fā)展。
[Abstract]:Objective to analyze the model of the design specialty participating in the poverty-stricken areas and promoting the precision poverty alleviation by the characteristic culture industry. Methods combined with the design of the new form of production, education and research and the new model of helping the poor by participating in the characteristic cultural industry, based on the typical "triple helix", the "four helix" collaborative innovation model, which included the "culture holder", was constructed. This paper discusses the roles and advantages of culture holders, academia, government and industry in cooperation. Taking the "new channel" design and social innovation project as an example, the paper discusses the construction of cooperative innovation network mechanism and mode. Conclusion by bringing the culture holder into the network of industry, university and research, we can inspire them to get out of poverty, establish the cooperative relationship between them and the universities, enterprises and the government, and cultivate a group of new craftsmen who master the traditional craft and modern design language. It is helpful for them to integrate into the global network of business and social innovation, and effectively realize the preservation, inheritance and development of culture.
【作者單位】： 湖南大學;
【基金】：2014年文化產業(yè)發(fā)展專項資金重大項目(教財司預函[2014]215號) 懷化市科技重大專項(2016G1102)
【分類號】：G124
，

本文編號：1872636