本文選題：美術(shù)館 + 展覽��； 參考：《中國藝術(shù)研究院》2014年博士論文

【摘要】：展覽是美術(shù)館面向公眾的主業(yè),展覽的內(nèi)容和規(guī)劃決定了美術(shù)館的學(xué)術(shù)水平,也與美術(shù)館的使命密切相關(guān),更是美術(shù)館展開美術(shù)史敘事、彰顯其文化傾向的重要載體。美術(shù)館以展覽為載體的實踐,不僅是要以不同形式的展覽建構(gòu)美術(shù)史敘事,同時要闡釋藝術(shù)創(chuàng)作的內(nèi)在規(guī)則,還要延伸至其背后社會文化意義的全貌及其所牽涉到不同文化間的互動和互斥,或在不同的歷史階段和時空范圍中文化間的交融和發(fā)展。在這個多元發(fā)展的時代,如何通過展覽建構(gòu)和傳遞意義,如何在展覽中詮釋文化,尤其是如何呈現(xiàn)本國文化與世界各文化的相應(yīng)關(guān)系,是美術(shù)館作為一個國家與地區(qū)的研究與教育中心最重要的任務(wù)之一。美術(shù)館有保存、收藏藝術(shù)品的職責(zé),并且不斷用藏品構(gòu)筑展覽。在國外一些重要美術(shù)館中,用藏品構(gòu)成的固定陳列,是美術(shù)館的基本內(nèi)容。但是,那些固定陳列的主體結(jié)構(gòu)和內(nèi)容通常會受不同的文化思潮的影響而有所改變,由此可見,所謂固定陳列中的美術(shù)歷史受制于特定時期的文化思潮。此外,美術(shù)館舉辦的專題展覽也體現(xiàn)了在展開美術(shù)館的美術(shù)史敘事和建構(gòu)當(dāng)代文化兩方面的作用。另一方面,美術(shù)館都積極關(guān)注當(dāng)下的藝術(shù)現(xiàn)象,通過分析和遴選最新的藝術(shù)風(fēng)格樣式的作品形成對當(dāng)代藝術(shù)的關(guān)注。這部分由當(dāng)代藝術(shù)形成的展覽實際上是一種“發(fā)生的藝術(shù)史”,十分鮮明地體現(xiàn)了美術(shù)館的文化立場。從20世紀(jì)下半葉開始,美術(shù)館的雙年展、國際巡回展覽等新的展覽形式已經(jīng)成為彰顯美術(shù)館展覽文化的重要方式。面對后現(xiàn)代文化的不斷發(fā)展,在關(guān)系美學(xué)等新興美學(xué)思想的影響下,美術(shù)館如何通過“交流”與“對話”構(gòu)建其在當(dāng)代文化系統(tǒng)中的地位和影響也是重要的方面。總之,透析美術(shù)館的展覽,特別是分析展覽策劃中的文化意圖,才能真正窺探美術(shù)館的文化身份。由此凸顯美術(shù)館展覽的價值和意義。
[Abstract]:The exhibition is the main industry of the art museum for the public. The content and planning of the exhibition determine the academic level of the art museum. It is also closely related to the mission of the art museum. It is also an important carrier of the art museum to expand the history of art and highlight its cultural tendency. The practice of the museum with exhibition as the carrier is not only to construct the history of art in different forms of exhibition. Narration, at the same time, is to explain the internal rules of artistic creation, and to extend to the full picture of the social and cultural significance behind it and the interaction and mutual exclusion involved in different cultures, or the blending and development of culture between different historical stages and space and time. In this era of pluralistic development, how to construct and transmit the meaning through the exhibition, How to interpret culture in the exhibition, especially how to present the corresponding relationship between the national culture and the world culture, is one of the most important tasks of the art museum as a national and regional research and education center. The Art Museum has the responsibility of preserving, collecting art and building exhibitions. In some important foreign art galleries, The fixed display of the collection is the basic content of the art museum. However, the structure and content of the fixed display are usually changed by the influence of different cultural trends. Thus, it can be seen that the art history in the so-called fixed display is subject to the cultural trend of thought in a particular period. In addition, the special exhibitions held by the art gallery are also reflected. There are two aspects of the art history narrative and the construction of contemporary culture in the art museum. On the other hand, the Art Museum has actively paid attention to the present artistic phenomenon and formed the attention to contemporary art through the analysis and selection of the latest artistic style. This exhibition is actually a "art". The history of art "embodies the cultural standpoint of the art museum. From the second half of the twentieth Century, the Biennale of the art museum, the international tour exhibition and other new forms of exhibition have become an important way to highlight the exhibition culture of the art museum. Facing the continuous development of the post-modern culture, the art museum is influenced by the new aesthetic ideas of the Guan Department aesthetics. It is also an important aspect of how to build its status and influence in the contemporary cultural system by "communication" and "dialogue". In a word, dialysis of Art Museum, especially the cultural intention in the exhibition planning, can truly spy on the cultural identity of the art museum, which highlights the value and significance of the art gallery exhibition.

【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：J114

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本文編號：1866915