本文選題：文化　切入點(diǎn)：文化觀　出處：《重慶交通大學(xué)》2013年碩士論文

【摘要】：當(dāng)今世界，文化在綜合國力競(jìng)爭中的作用愈來愈加突出和重要。文化不僅是上層建筑的重要組成部分，而且也是一個(gè)國家和民族的文明程度、發(fā)展水平的重要反映。近些年來，文化與經(jīng)濟(jì)融合更加緊密，在國民經(jīng)濟(jì)中所占的比重不斷上升，，成為推動(dòng)社會(huì)經(jīng)濟(jì)進(jìn)步的重要組成部分。文化產(chǎn)業(yè)就是文化與經(jīng)濟(jì)相互融合的產(chǎn)物。文化中可以走向市場(chǎng)或進(jìn)行產(chǎn)業(yè)化運(yùn)作的行業(yè)與部門就是文化產(chǎn)業(yè)的表現(xiàn)。文化產(chǎn)業(yè)因其能耗少、產(chǎn)品附加值高、生產(chǎn)工藝先進(jìn)等特性被稱為21世紀(jì)的朝陽產(chǎn)業(yè)。作為現(xiàn)代產(chǎn)業(yè)體系的一部分，文化產(chǎn)業(yè)的發(fā)展是在社會(huì)主義市場(chǎng)經(jīng)濟(jì)條件下滿足人民多樣化精神文化需求、促進(jìn)文化繁榮的重要途徑，也成為推動(dòng)經(jīng)濟(jì)發(fā)展方式轉(zhuǎn)變和科學(xué)發(fā)展的重要力量。 本文是在馬克思文化觀視域下研究文化產(chǎn)業(yè)的發(fā)展，重點(diǎn)以中國的文化產(chǎn)業(yè)發(fā)展為研究對(duì)象。該文以馬克思主義的文化觀為理論基礎(chǔ)，在縱橫對(duì)比分析中，首先介紹了國內(nèi)外有關(guān)文化產(chǎn)業(yè)的概念表述以及馬克思主義文化觀在我國的發(fā)展演變。其次，結(jié)合我國文化產(chǎn)業(yè)產(chǎn)生、發(fā)展的現(xiàn)實(shí)背景，著重分析了我國文化產(chǎn)業(yè)的社會(huì)主義方向和特色。在與西方資本主義文化產(chǎn)業(yè)發(fā)展的對(duì)比中分析了中國社會(huì)主義文化產(chǎn)業(yè)的發(fā)展歷程，點(diǎn)明了中國特色社會(huì)主義文化產(chǎn)業(yè)發(fā)展的重要意義，即對(duì)社會(huì)主義經(jīng)濟(jì)建設(shè)、政治建設(shè)和文化建設(shè)的重要推動(dòng)作用，同時(shí)也是提高我國綜合國力、維護(hù)我國文化安全和落實(shí)科學(xué)發(fā)展觀的內(nèi)在要求。 然后，通過對(duì)我國四大城市（北京、上海、廣州、重慶）文化產(chǎn)業(yè)發(fā)展現(xiàn)狀分析，總結(jié)出我國文化產(chǎn)業(yè)發(fā)展存在的機(jī)遇與挑戰(zhàn)，著重指出了我國文化產(chǎn)業(yè)目前存在的生產(chǎn)力水平低、集約化程度低、創(chuàng)造力不足、政策和法規(guī)建設(shè)不完善、文化市場(chǎng)不規(guī)范和人才、資金投入不足的問題。根據(jù)這些挑戰(zhàn)和問題，首先從宏觀上闡明了中國社會(huì)主義文化產(chǎn)業(yè)所要遵循的基本原則，即牢牢把握社會(huì)主義先進(jìn)文化的前進(jìn)方向，堅(jiān)持經(jīng)濟(jì)效益和社會(huì)效益的統(tǒng)一，堅(jiān)持文化事業(yè)和文化產(chǎn)業(yè)協(xié)調(diào)發(fā)展。然后從六個(gè)具體的方面提出了解決問題的路徑，即轉(zhuǎn)變思路創(chuàng)新路徑、政策體制改革路徑、多層次金融支持路徑、培養(yǎng)人才路徑和“走出去”發(fā)展路徑。
[Abstract]:In today's world, the role of culture in the competition of comprehensive national strength is becoming more and more prominent and important. Culture is not only an important part of the superstructure, but also an important reflection of the level of civilization and development of a country and a nation. The integration of culture and economy is closer and the proportion of the national economy is increasing. Cultural industry is the product of the integration of culture and economy, and the industries and departments in culture that can go to the market or operate industrially are the manifestation of cultural industry. Because of its low energy consumption, the cultural industry, As a part of the modern industrial system, the development of cultural industry is to meet the diverse spiritual and cultural needs of the people under the conditions of socialist market economy. The important way to promote cultural prosperity is also an important force to promote the transformation of economic development mode and scientific development. This paper studies the development of cultural industry from the perspective of Marx's view of culture, focusing on the development of cultural industry in China. First of all, it introduces the concept expression of cultural industry at home and abroad and the evolution of Marxist cultural concept in China. Secondly, combining with the realistic background of the emergence and development of cultural industry in China, This paper emphatically analyzes the socialist direction and characteristics of Chinese cultural industry, and analyzes the course of development of Chinese socialist cultural industry in comparison with the development of capitalist cultural industry in the West. It points out the important significance of the development of the socialist cultural industry with Chinese characteristics, that is, it plays an important role in promoting the socialist economic construction, political construction and cultural construction, and at the same time it also enhances the overall national strength of our country. To maintain the cultural security of our country and to implement the inherent requirements of the scientific development view. Then, by analyzing the current situation of the development of cultural industry in four major cities of China (Beijing, Shanghai, Guangzhou, Chongqing), the paper sums up the opportunities and challenges of the development of cultural industry in China. The paper emphatically points out that the present cultural industry in China has low productivity level, low degree of intensification, insufficient creativity, imperfect construction of policies and regulations, non-standard cultural market and talented people. According to these challenges and problems, the basic principles to be followed by China's socialist cultural industry are first expounded from a macro perspective, that is, to firmly grasp the direction of advanced socialist culture. We insist on the unity of economic and social benefits, and the coordinated development of cultural undertakings and cultural industries. Then we put forward the ways to solve the problems from six concrete aspects, that is, the path of transforming thinking and innovating, the path of policy and system reform. Multi-level financial support path, talent training path and "go out" development path.
【學(xué)位授予單位】：重慶交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：G124

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本文編號(hào)：1685386