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中美電影業(yè)制片人中心制比較研究

發(fā)布時間:2018-01-30 05:53

  本文關(guān)鍵詞: 制片人中心制 中美電影業(yè) 比較研究 出處:《重慶工商大學(xué)》2013年碩士論文 論文類型:學(xué)位論文


【摘要】:制片人中心制是隨著電影業(yè)的發(fā)展,由好萊塢率先探索出的一種適合電影工業(yè)化的制片體制,好萊塢借助這一成熟的制片體制將美國大片帶到世界的各個角落。好萊塢的電影人不僅從中賺得了豐厚的利潤,更將美國文化和價值觀根植于不同民族、不同信仰、不同國籍的人的心中。通過不斷的探索與學(xué)習(xí),中國的電影業(yè)也形成了具有中國特色的制片人中心制,這一制度也引領(lǐng)著國產(chǎn)影片書寫著屬于中國電影的歷史。但是,在中國電影業(yè)繁榮的背后,也隱藏著諸多的問題。近年來,尤其是進(jìn)口影片被大幅度引進(jìn)國內(nèi)的2012年,國產(chǎn)影片的問題集中暴露出來,包括票房的弱勢、投資回報的低迷、優(yōu)秀影片的匱乏等。通過中美電影業(yè)制片人中心制的比較研究,我們能夠從中找到在踐行這一制度中,中美兩國在制片的組織結(jié)構(gòu)、制片管理、內(nèi)容生產(chǎn)等方面的差異與相同點,從而找到目前阻礙我國電影業(yè)發(fā)展的矛盾與不足。并通過對市場環(huán)境、行業(yè)自身等方面的分析,找到解決我國電影業(yè)發(fā)展瓶頸的對策,,為提振國產(chǎn)影片的信心提供有益參考。同時,透過我國電影業(yè)近年來的蓬勃發(fā)展,也應(yīng)認(rèn)清我國電影業(yè)在制片人中心制上的發(fā)展與壯大,這從另一個方面印證了我國電影業(yè)的發(fā)展絕非偶然,制片人中心制在這片熱土上正以其獨特的方式豐富著電影發(fā)達(dá)國家的制度實踐,我們在學(xué)習(xí)和借鑒的同時也要保持自己的傳統(tǒng)與優(yōu)勢,找準(zhǔn)美國甚至全球電影市場在制片人中心制上因市場選擇正在逐漸衰弱的部分,切勿照單全收和盲目跟風(fēng),這不僅是對本國電影業(yè)的負(fù)責(zé),也是對世界電影市場和電影發(fā)展規(guī)律的尊重。
[Abstract]:With the development of the film industry, the producer center system is a kind of production system that is suitable for the film industrialization, which was first explored by Hollywood. Hollywood used rare's production system to bring American blockbusters to every corner of the world. Hollywood filmmakers not only made a lot of money from it, but also rooted American culture and values in different nations. Through continuous exploration and study, the Chinese film industry has also formed a producer center system with Chinese characteristics. This system also leads domestic films to write the history of Chinese films. However, behind the prosperity of the Chinese film industry, there are also many problems hidden in recent years. Especially in 2012, when imported films were introduced into China by a large margin, the problems of domestic films were mainly exposed, including the weakness of box office and the low return on investment. Through the comparative study of the producer center system in Chinese and American film industry, we can find out the organizational structure and production management of the two countries in the practice of this system. Content production and other aspects of differences and similarities, so as to find the current obstacles to the development of the film industry in China's contradictions and deficiencies. And through the market environment, the industry itself and other aspects of the analysis. To find solutions to the bottleneck of the development of the film industry in China, to provide a useful reference for boosting the confidence of domestic films. At the same time, through the booming development of the film industry in China in recent years. We should also recognize the development and growth of China's film industry in the producer center system, which confirms the development of our film industry is not accidental. The producer center system in this hot land is enriching the system practice of the film developed country in its unique way. We should keep our own tradition and advantage while learning and learning from it. Find out what parts of the US and even the global film market are losing due to market choices. Don't follow suit completely or blindly. This is not just a responsibility for the domestic film industry. Also is to the world movie market and the movie development law respect.
【學(xué)位授予單位】:重慶工商大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J941

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