本文關(guān)鍵詞： 電通影業(yè)公司 《電通半月畫報》 左翼電影 有聲電影　出處：《南京藝術(shù)學(xué)院》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：上個世紀(jì)30年代，從1932年左翼運動興起到1937年抗日戰(zhàn)爭爆發(fā)前的五六年，中國電影界迎來了它的第一個輝煌時期。以左翼電影人為首的一批進(jìn)步電影人加入電影行列，擴(kuò)大了電影創(chuàng)作者的隊伍。無論在任何一本主流電影史中，還是在注重細(xì)節(jié)與發(fā)現(xiàn)的史料研究中，都強(qiáng)調(diào)了“電通”與左翼的關(guān)聯(lián)。1934年，由夏衍領(lǐng)導(dǎo)，司徒慧敏、袁牧之、田漢等先進(jìn)的左翼知識分子的加入，電通影業(yè)公司在黨的電影小組領(lǐng)導(dǎo)下成立起來�！半娡ㄈ恕庇脟庀冗M(jìn)的電影理論武裝自己，并注重從現(xiàn)實生活中挖掘故事題材，繼承創(chuàng)新了20年代傳統(tǒng)影戲敘事觀，拓寬了電影的創(chuàng)作思維，有力地促進(jìn)了電影藝術(shù)的進(jìn)步。其中電通影業(yè)公司所拍攝的四部影片不僅突出體現(xiàn)了左翼影人的社會觀念和電影意識，，作為專為拍攝有聲片而成立的電通影業(yè)公司，“電通”亦將三十年代中國有聲片的藝術(shù)提高到一個新的水平。本文首先研究電通影業(yè)公司的人員構(gòu)成、公司的發(fā)展及消亡，從夏衍、司徒慧敏、袁牧之等電通影業(yè)公司組建及構(gòu)成人員的日記和回憶錄入手，來回憶電通影業(yè)公司藝術(shù)家群體的構(gòu)成，交待電通的成立前史；其次通過對于在其同時期創(chuàng)刊的《電通半月畫報》的研究，得出在30年代中國左翼文化盛行的國內(nèi)環(huán)境中，電通影業(yè)公司并非偶然存在的這一結(jié)論。第三章則論述關(guān)于上海左翼電影的運動，從前人研究內(nèi)容的基礎(chǔ)上進(jìn)一步探討和挖掘，從而在第四章剖析出電通影業(yè)公司所拍攝作品的思想內(nèi)涵與美學(xué)追求等創(chuàng)作實踐，最后從電影的有聲藝術(shù)方面闡述電通影業(yè)公司為有聲片所做出的巨大貢獻(xiàn)及對中國有聲電影的影響，確立電通影業(yè)在戰(zhàn)前中國電影業(yè)中的歷史地位以及突出貢獻(xiàn)。
[Abstract]:From the rise of the left-wing movement in 1932 to 56 before the outbreak of the War of Resistance against Japan on 1937. The Chinese film industry ushered in its first glorious period. A group of progressive filmmakers, led by left-wing filmmakers, joined the ranks of film creators, expanding the ranks of film creators, whether in any mainstream film history. In 1934, led by Xia Yan, Li Huimin, Yuan Muzhi, Tian Han and other advanced left-wing intellectuals joined. Dentong Film Company was established under the leadership of the Party's film team. "Dentong Man" armed themselves with advanced foreign film theory and focused on digging up stories from real life. It inherits and innovates the narrative view of the traditional film play in 20s and broadens the creative thinking of the film. The four films made by Dentong Film Company not only embody the social concept and the film consciousness of the left-wing film people, but also promote the progress of film art. Dentong Film Company, established for the purpose of making audio films, also raises the art of Chinese audio films to a new level in 30s. This paper first studies the personnel composition of Dentong Film Company. The development and extinction of the company, from Xia Yan, Stuart Huimin, Yuan Muzhi and other Dantong Film Company to establish and constitute the diaries and memoirs of personnel, to recall the composition of the group of artists of Dantong Film Company. To account for the pre-establishment history of Dentong; Secondly, through the study of Dentong Half-Moon Illustrated, which was founded in the same period, the author draws a conclusion that in 30s, Chinese left-wing culture prevailed in the domestic environment. Dentong Film Company does not exist by chance this conclusion. The third chapter discusses the movement of left-wing films in Shanghai on the basis of the previous study of the content of further exploration and excavation. In chapter 4th, the author analyzes the ideological connotation and aesthetic pursuit of the works shot by Dentong Film Company. At last, from the aspect of the sound art of the film, the great contribution made by Dentong Film Company for the sound film and its influence on the Chinese sound film are expounded. To establish the historical position and outstanding contribution of Dentong Film in the pre-war Chinese film industry.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J941

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本文編號：1470032