發(fā)布時間：2018-01-25 12:20

  本文關(guān)鍵詞： 外來藝術(shù) 多元化文化 藝術(shù)審美 繪畫傳統(tǒng) 文化體驗 藝術(shù)形式 繪畫領(lǐng)域 當(dāng)代中國藝術(shù) 逸筆草草 藝術(shù)事業(yè) 　出處：《人民論壇》2016年S1期 　論文類型：期刊論文

【摘要】：正近代以來,以西方為主體的多元化文化藝術(shù)觀念不斷地介入、沖擊長期封閉而又飽受困苦的國土與人們的思想,在新鮮而又應(yīng)接不暇的外來藝術(shù)觀念與形態(tài)中,人們貪婪地吸吮著、追逐著,引起了中國文化藝術(shù)一次又一次的變革與前行。與此同時,人們賴以站立與前行的民族、民間藝術(shù)的發(fā)展空間也不斷地受到擠壓,甚或是消解。對民間藝術(shù)的漠視與無知,正在傷害著中國藝術(shù),阻礙著中國藝術(shù)的發(fā)展步伐,割裂著中國藝術(shù)格局的建構(gòu)。民族氣魄,中國精神,根在民間,魂在文
[Abstract]:Since the modern times, the multi-cultural and artistic concept of the West as the main body has been constantly involved, which has impacted the land and people's thoughts which have been closed for a long time and have been suffering hardship for a long time. In the fresh and overwhelmed foreign artistic concepts and forms, people are greedy sucking, chasing, causing the Chinese culture and art again and again change and advance. At the same time. The nation on which people stand and move forward, the space for the development of folk art is constantly squeezed, or even dispelled. The ignorance and ignorance of folk art are harming Chinese art. Hinders the development of Chinese art, splits the construction of Chinese art pattern. National spirit, Chinese spirit, roots in the folk, soul in the text
【作者單位】： 中國藝術(shù)產(chǎn)業(yè)研究院;中國文化產(chǎn)業(yè)智庫研究中心;中國文藝評論家協(xié)會;
【分類號】：J124
【正文快照】： 近代以來,以西方為主體的多元化文化藝術(shù)觀念不斷地介入、沖擊長期封閉而又飽受困苦的國土與人們的思想,在新鮮而又應(yīng)接不暇的外來藝術(shù)觀念與形態(tài)中,人們貪婪地吸吮著、追逐著,引起了中國文化藝術(shù)一次又一次的變革與前行。與此同時,人們賴以站立與前行的民族、民間藝術(shù)的發(fā)展，

本文編號：1462826