本文選題：現(xiàn)代立體折紙藝術(shù) + 時尚女裝��； 參考：《湖南師范大學(xué)》2013年碩士論文

【摘要】：隨著社會的發(fā)展,服裝行業(yè)的競爭也愈演愈烈。作為時裝品牌,如果缺乏創(chuàng)新性,將無法滿足消費者需求進(jìn)而無法適應(yīng)市場變化。如何尋求創(chuàng)新性與實用性之間的平衡點成為時裝設(shè)計師們亟待解決的問題之一。 以現(xiàn)代立體折紙藝術(shù)為切入點,研究其在時尚女裝設(shè)計中的應(yīng)用技巧。主體思路是通過對現(xiàn)代立體折紙元素的提煉以及各種面料在設(shè)計中的規(guī)律性研究,并結(jié)合當(dāng)下的流行元素將現(xiàn)代立體折紙元素在時尚女裝設(shè)計中進(jìn)行整合思考。通過整理和分析畢業(yè)設(shè)計中存在的問題,挖掘現(xiàn)代折紙藝術(shù)在時尚女裝設(shè)計這一領(lǐng)域的利用價值,從而使得折紙元素更巧妙地運用到時尚女裝設(shè)計當(dāng)中,這是研究的核心所在。 具體的,從現(xiàn)代立體折紙藝術(shù)的概念內(nèi)涵及其藝術(shù)價值的理論研究出發(fā),經(jīng)過對其在時尚女裝設(shè)計中的應(yīng)用特性、表現(xiàn)手法、功能的歸納,再回歸到設(shè)計實踐之中,對比分析不同面料在不同折疊手法下呈現(xiàn)的藝術(shù)效果,然后總結(jié)現(xiàn)代立體折紙藝術(shù)在時尚女裝設(shè)計運用上的規(guī)律并選取所需藝術(shù)效果進(jìn)行設(shè)計。在此基礎(chǔ)上,總結(jié)出了現(xiàn)代立體折紙藝術(shù)的獨特美感和精神內(nèi)涵,闡明當(dāng)下折紙藝術(shù)的裝飾語言及其所反映的人們在服裝上心得審美情趣和心理需求的變化,挖掘現(xiàn)代立體折紙藝術(shù)與時尚女裝設(shè)計之間的微妙關(guān)系,力求在總結(jié)規(guī)律的同時賦予服裝設(shè)計新的啟示。 總的說來,現(xiàn)代立體折紙藝術(shù)與時尚女裝設(shè)計相融合所產(chǎn)生的藝術(shù)效果是令人驚喜的。現(xiàn)代立體折紙藝術(shù)經(jīng)過提煉后以時尚女裝為載體形成了新的藝術(shù)面貌。而時尚女裝通過與現(xiàn)代立體折紙藝術(shù)的對話,達(dá)成了新的設(shè)計理念,并由此提升了時裝品質(zhì),最終達(dá)到傳統(tǒng)文化傳承與品牌形象提升的雙贏局面。
[Abstract]:With the development of society, the competition of garment industry is becoming more and more fierce. As a fashion brand, if it is not innovative, it will not meet the needs of consumers and will not adapt to market changes. How to find the balance between innovation and practicability has become one of the problems to be solved by fashion designers. Based on modern origami art, this paper studies its application skills in fashion women's clothing design. The main idea is through the extraction of modern three-dimensional origami elements and the study of the regularity of various fabrics in the design, and combining with the current popular elements to integrate modern three-dimensional origami elements in fashion women's clothing design. Through sorting out and analyzing the problems existing in graduation design, this paper excavates the value of modern origami art in the field of fashion women's clothing design, so that origami elements can be used more skillfully in fashion women's wear design, which is the core of the research. Specifically, starting from the theoretical study of the concept connotation and artistic value of modern three-dimensional origami art, through the induction of its applied characteristics, expression methods and functions in fashion women's clothing design, it returns to the design practice. This paper compares and analyzes the artistic effects of different fabrics under different folding techniques, and then summarizes the rules of the application of modern three-dimensional origami art in fashion women's clothing design and selects the required artistic effects to design. On this basis, the unique aesthetic sense and spiritual connotation of modern three-dimensional origami art are summarized, and the decorative language of origami art and the changes of people's aesthetic feelings and psychological needs in clothing are expounded. This paper explores the subtle relationship between modern three-dimensional origami art and fashion women's clothing design in order to sum up the rules and give new enlightenment to clothing design at the same time. In general, the combination of modern origami art and fashion women's clothing design has a surprising artistic effect. Modern three-dimensional origami art after refining fashion women's clothing as a carrier to form a new artistic face. Fashion women's wear through the dialogue with modern three-dimensional origami art, reached a new design concept, and thereby improve the quality of fashion, and ultimately achieve a win-win situation of traditional cultural heritage and brand image promotion.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：TS941.2;J528.2

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