本文選題：金沙遺址博物館 + 文化旅游紀(jì)念產(chǎn)品�。� 參考：《昆明理工大學(xué)》2013年碩士論文

【摘要】：旅游紀(jì)念品是能反映某個(gè)旅游點(diǎn)特色、表現(xiàn)旅游點(diǎn)自然或人文景觀并能保存收藏的產(chǎn)品,是這個(gè)旅游點(diǎn)所獨(dú)有、帶有這個(gè)旅游點(diǎn)特有徽記的日用品或藝術(shù)品。博物館的文化旅游紀(jì)念產(chǎn)品更具有其自身的特點(diǎn)：人類文化的傳承和創(chuàng)新。因此文化內(nèi)容較為集中濃縮、且具有較高品味。金沙遺址博物館是一座為保護(hù)、研究、展示金沙文化和古蜀文明而興建的遺址類博物館。 此次金沙遺址博物館文旅產(chǎn)品茶具設(shè)計(jì)研究,分別以金沙遺址古蜀文化、博物館文化、茶文化、陶瓷文化為定位方向,對(duì)茶壺、茶罐、茶盒、茶杯等器皿以及茶具的裝飾素材進(jìn)行系列化的整體設(shè)計(jì),目的在于推廣金沙遺址博物館和古蜀文明,同時(shí)為博物館創(chuàng)收,為四川旅游的發(fā)展做出貢獻(xiàn)。在本次設(shè)計(jì)研究中,我首先查閱了大量的文獻(xiàn)資料,進(jìn)行了多次實(shí)地考察,對(duì)金沙遺址博物館的藏品和文化旅游紀(jì)念產(chǎn)品展開了研究。對(duì)金沙遺址博物館的形象、圖案、色彩、材料等不同視覺(jué)藝術(shù)符號(hào)的特色及其含義,金沙遺址博物館文化旅游紀(jì)念產(chǎn)品的受眾,以及金沙遺址博物館文化旅游紀(jì)念產(chǎn)品的使用情景進(jìn)行了分析。接著,在前期理論研究的基礎(chǔ)上,我通過(guò)大量的草圖設(shè)計(jì)和綜合方案設(shè)計(jì),將理論研究應(yīng)用于具體的設(shè)計(jì)實(shí)踐中。在具體的設(shè)計(jì)過(guò)程中,我以上述研究、定位為基本出發(fā)點(diǎn),通過(guò)對(duì)造型、圖案、材料、色彩進(jìn)行篩選組織、繪制草圖方案、制作數(shù)字草案、制作數(shù)字效果方案,分別設(shè)計(jì)出6套預(yù)案。再通過(guò)各方評(píng)判,綜合權(quán)衡后,最終選定“家和”和“金沙殘貼”2套設(shè)計(jì)為主題方案。此次設(shè)計(jì)共完成方案草圖200個(gè)以上,是對(duì)博物館文化產(chǎn)品開發(fā)的一次有益嘗試。本次研究的的創(chuàng)新點(diǎn)包括以下兩個(gè)方面：一是設(shè)計(jì)理念創(chuàng)新,從博物館文化旅游紀(jì)念產(chǎn)品的核心概念、金沙遺址博物館特色元素和目標(biāo)用戶體驗(yàn)出發(fā),理論結(jié)合實(shí)踐,進(jìn)行創(chuàng)新設(shè)計(jì)。二是設(shè)計(jì)手段創(chuàng)新,結(jié)合現(xiàn)代設(shè)計(jì)技術(shù)和傳統(tǒng)工藝,進(jìn)行創(chuàng)新設(shè)計(jì)。 在文章的最后,我對(duì)本次研究進(jìn)行了總結(jié),從中發(fā)現(xiàn)了自己的不足之處,并對(duì)未來(lái)可深入的研究?jī)?nèi)容做了一些展望。
[Abstract]:Tourist souvenirs are products which can reflect the characteristics of a tourist spot, express the natural or cultural landscape of a tourist spot and preserve the collection. It is a daily necessities or artwork with a unique emblem of this tourist spot. The museum's cultural tourism commemorative product has its own characteristics: the inheritance and innovation of human culture. Therefore, the cultural content is more concentrated and has a higher taste. The Jinsha site Museum is a heritage museum built to protect, research, and showcase the culture and civilization of ancient Shu. The design of tea sets for the museum's cultural and cultural products in Jinsha site, respectively, is based on the ancient Shu culture, museum culture, tea culture and ceramic culture of Jinsha site, and the teapot, tea pot, tea box, etc. In order to popularize the Jinsha ruins museum and ancient Shu civilization, the whole design of tea cup and other utensils and the decorative materials of tea set are carried out, and at the same time, the museum can generate income and contribute to the development of Sichuan tourism. In this design study, I first consulted a large number of documents, carried out a number of field visits, and carried out a study on the collection of the Jinsha Museum and the cultural tourism memorial products. The characteristics and meanings of different visual art symbols, such as images, patterns, colors, materials, etc., as well as the audience of the cultural tourism commemorative products of the Jinsha site Museum, As well as the Jinsha ruins museum cultural tourism memorial products used to analyze the scene. Then, on the basis of the previous theoretical research, I apply the theoretical research to the concrete design practice through a large number of sketch design and comprehensive scheme design. In the concrete design process, I take the above research, the localization as the basic starting point, through the modelling, the pattern, the material, the color carries on the screening organization, draws the sketch plan, produces the numeral draft, creates the digital effect plan, Six sets of plans were designed respectively. Then through the judgment of all parties, comprehensive balance, the final choice of "home and" Sands residual paste "2 sets of design as the theme." More than 200 sketches have been completed, which is a useful attempt for the development of museum cultural products. The innovation of this research includes the following two aspects: first, the innovation of design idea, starting from the core concept of museum cultural tourism memorial product, the characteristic elements of Jinsha site museum and the target user experience, combining theory with practice, Carry out innovative design. Second, design means innovation, combining modern design technology and traditional technology, innovative design. At the end of the article, I summarize the research, find out its own shortcomings, and make some prospects for the future in-depth research.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：TS972.23;J527

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 馮艷;劉傳龍;;皖江城市邊緣區(qū)河道·堤岸景觀改建的低技術(shù)運(yùn)用研究[J];安徽農(nóng)業(yè)科學(xué);2012年22期

2 王濤;;透析我國(guó)設(shè)計(jì)中的“意境”所在[J];安徽文學(xué)(下半月);2009年07期

3 郜誠(chéng);;析“返璞歸真”哲學(xué)觀在古今藝術(shù)設(shè)計(jì)中的應(yīng)用[J];安陽(yáng)工學(xué)院學(xué)報(bào);2011年03期

4 艾險(xiǎn)峰;彭紅;;模度與控制線在產(chǎn)品三維造型中的應(yīng)用研究[J];包裝工程;2012年12期

5 王弋;;越界:藝術(shù)設(shè)計(jì)的跨學(xué)科教育[J];包裝世界;2010年01期

6 曹藝;;中國(guó)傳統(tǒng)哲學(xué)思想與平面設(shè)計(jì)民族化[J];巢湖學(xué)院學(xué)報(bào);2009年02期

7 張勤;;書籍裝幀中過(guò)度設(shè)計(jì)的反思[J];巢湖學(xué)院學(xué)報(bào);2009年04期

8 張勝利;陳中原;;書籍設(shè)計(jì)課程教學(xué)改革初探[J];長(zhǎng)沙鐵道學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2008年02期

9 陳e，

本文編號(hào)：1931861