本文關(guān)鍵詞： 明清景泰藍(lán) 紋飾圖案 構(gòu)圖 審美特征　出處：《陜西師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

【摘要】：景泰藍(lán),學(xué)名為“銅胎掐絲琺瑯”,它是古代勞動人民的智慧結(jié)晶。在歷史的變革中,明清王朝是景泰藍(lán)主要的發(fā)展階段,清乾隆時期更是空前發(fā)展,達(dá)到鼎盛。明清兩代,皇都北京,能工巧匠薈萃于斯,奇珍異品,層出不窮；名優(yōu)產(chǎn)品,冠于全國,所以特種工藝制造業(yè)發(fā)展同樣迅速,并達(dá)到很高水平,景泰藍(lán)制品就是其中的一種。景泰藍(lán)在早期是皇室宮廷御用品,其特殊性也造就了它與眾不同的藝術(shù)特點。 在中國工藝美術(shù)的歷史長河中,景泰藍(lán)紋樣藝術(shù)作為中國傳統(tǒng)藝術(shù)的一個重要組成部分,是植根于中華民族地域文化土壤之上的智慧結(jié)晶,不僅以其源遠(yuǎn)流長、特色鮮明著稱于世,而且以其內(nèi)涵豐富、思想深邃而影響古今。 本文選擇明清時期景泰藍(lán)的紋飾作為研究對象,運用文獻(xiàn)分析法、圖像研究法和類型學(xué)方法,整理分析明清時期的景泰藍(lán)傳世藏品,同時對景泰藍(lán)紋飾在現(xiàn)代設(shè)計中的繼承、發(fā)展作為目的進(jìn)行分析。首先考證了景泰藍(lán)的歷史淵源并詳細(xì)介紹了景泰藍(lán)獨特的工藝藝術(shù)。進(jìn)而對明清時期景泰藍(lán)的紋飾圖案類型作了系統(tǒng)的整理和歸納,引出此時期的紋飾藝術(shù),緊接著針對景泰藍(lán)紋樣的構(gòu)圖形式進(jìn)行探討,將紋飾特點與紋樣的組織結(jié)構(gòu)加以歸納研究。再從明清時期景泰藍(lán)紋飾圖案的特色和審美特征為基點,透過兩代發(fā)展交互對比分析,以理清之間所具有的文化傳演與變異并整合出明清景泰藍(lán)紋飾較為完整的紋飾審美特質(zhì)資料。最后著重從景泰藍(lán)紋飾的傳承與現(xiàn)代設(shè)計理念、表現(xiàn)手法和藝術(shù)風(fēng)格等方面相結(jié)合考證景泰藍(lán)紋飾在現(xiàn)代設(shè)計中發(fā)展和創(chuàng)新的現(xiàn)實意義。 當(dāng)下,藝術(shù)的民族化特征并沒有隨著現(xiàn)代化和全球化的浪潮而消失,相反任何一門藝術(shù)都受到了本民族文化的滋養(yǎng)與啟迪。今天,許多藝術(shù)家和設(shè)計師也都主動向傳統(tǒng)藝術(shù)汲取營養(yǎng),將現(xiàn)代與傳統(tǒng),通過一種互動式的交流結(jié)合在一起,使設(shè)計的潛力大大增加。于是世界各區(qū)域各民族所具有的獨特傳統(tǒng)藝術(shù),在當(dāng)代越來越被各國設(shè)計界所重視和利用。
[Abstract]:Cloisonne, whose scientific name is "copper tyre and silk enamel", is the intellectual crystallization of the ancient laboring people. In the historical transformation, the Ming and Qing dynasties were the main stage of the development of cloisonne, and the Qianlong period of the Qing Dynasty was even more unprecedented. To reach the peak. Ming and Qing dynasties, the emperor is Beijing, skilled craftsmen gathered in this, rare and exotic products, emerge in endlessly; Famous and excellent products, ranking in the country, so the special technology manufacturing industry also developed rapidly, and reached a very high level, cloisonne products is one of them. Cloisonne in the early days is royal imperial supplies. Its particularity also created its distinctive artistic characteristics. In the long history of Chinese arts and crafts, cloisonne pattern art, as an important part of Chinese traditional art, is the crystallization of wisdom rooted in the soil of Chinese regional culture. It is not only famous for its long history and distinctive characteristics, but also for its rich connotation and profound thoughts. This paper chooses cloisonne ornaments in Ming and Qing dynasties as the research object, using literature analysis, image research and typology methods, sorting out and analyzing the collection of cloisonne from Ming and Qing dynasties. At the same time, the inheritance of cloisonne decoration in modern design. Development as the purpose of analysis. First of all, the historical origin of cloisonne and detailed introduction of the unique art of cloisonne, and then the Ming and Qing dynasties cloisonne decorative patterns made a systematic arrangement and induction. Lead to this period of decorative art, followed by cloisonne patterns for the composition of the form of discussion. From the characteristics and aesthetic characteristics of cloisonne patterns in the Ming and Qing dynasties, through the development of the two generations of interactive analysis. In order to clarify the cultural transmission and variation between the Ming and Qing dynasties cloisonne decoration more complete decoration aesthetic characteristics. Finally from the inheritance of cloisonne decoration and modern design concept. This paper discusses the realistic significance of the development and innovation of cloisonne ornaments in modern design. At present, the nationalization of art has not disappeared with the tide of modernization and globalization. On the contrary, any art has been nurtured and inspired by its own culture. Today. Many artists and designers also take the initiative to learn from traditional art, combining modern and traditional, through an interactive exchange. As a result, the unique traditional art of various nationalities in all regions of the world has been paid more and more attention to and utilized in the contemporary design world.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

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