本文選題：明代 + 套色印刷��； 參考：《江蘇大學(xué)》2017年碩士論文

【摘要】：本文以明代套色印刷插圖設(shè)計(jì)為探討對(duì)象,通過設(shè)計(jì)藝術(shù)學(xué)的角度,對(duì)其進(jìn)行專題研究。明代套色印刷插圖,是我國古代刻本插圖設(shè)計(jì)“登峰造極”的典型實(shí)例。彰顯了中國傳統(tǒng)印刷插圖的設(shè)計(jì)特征及設(shè)計(jì)文化,見證了刻本插圖的發(fā)展歷程,形象地體現(xiàn)了讀者閱讀習(xí)慣和刻本市場(chǎng)需求演變的具體過程,其所包含的設(shè)計(jì)思想對(duì)于我們現(xiàn)代的設(shè)計(jì)有著諸多借鑒和啟發(fā)。本文通過古籍記載、現(xiàn)存明代善本及相關(guān)專著、學(xué)位論文和期刊等文獻(xiàn)為主要研究資料。主要運(yùn)用設(shè)計(jì)藝術(shù)學(xué)的研究方法,并結(jié)合文獻(xiàn)學(xué)、圖像學(xué)、社會(huì)學(xué)等學(xué)科的研究方法。論文通過明代的政治、經(jīng)濟(jì)、社會(huì)背景及當(dāng)時(shí)出版業(yè)發(fā)展?fàn)顩r的分析、明代套色印刷插圖的緣起和設(shè)計(jì)目的闡述,在考據(jù)、整理明代套色印刷刻本的取材范圍基礎(chǔ)上,按刻本題材進(jìn)行分類、統(tǒng)計(jì),以體現(xiàn)市場(chǎng)需求和讀者興趣對(duì)套色印刷刻本出版的影響。意在揭示明代套色印刷插圖設(shè)計(jì)緊跟時(shí)代變化、順應(yīng)市場(chǎng)走向、迎合讀者需求的特征。進(jìn)一步研究明代套色印刷插圖詳細(xì)的制作工藝流程、套色印刷插圖的設(shè)計(jì)過程,論述匠人對(duì)插圖構(gòu)圖的理解和思考,剖析其設(shè)計(jì)思路。同時(shí)展開對(duì)明代刻本插圖風(fēng)格及部分套色印刷插圖個(gè)案的分析,展現(xiàn)明代套色印刷插圖“韻致淡雅、工麗婉約”的畫面風(fēng)格和其“靈活巧變、別具匠心”的設(shè)計(jì)思想,總結(jié)明代套色印刷設(shè)計(jì)中的優(yōu)秀理念。通過實(shí)地調(diào)研,對(duì)明代套色印刷插圖的保護(hù)、傳承現(xiàn)狀進(jìn)行了較為細(xì)致的考察,并對(duì)其發(fā)展與傳承的相關(guān)問題進(jìn)行分析,探討明代套色印刷插圖設(shè)計(jì)思想對(duì)現(xiàn)代設(shè)計(jì)的啟迪作用。
[Abstract]:This paper focuses on the design of color printing illustrations in Ming Dynasty and makes a special study on them from the angle of design art. The color printing illustration of Ming Dynasty is a typical example of Chinese ancient engraving illustration design. It shows the design characteristics and design culture of Chinese traditional printing illustrations, witness the development process of engraved illustrations, and vividly reflects the specific process of readers' reading habits and the evolution of the market demand of engraving books. The design idea it contains has a lot of reference and inspiration for our modern design. In this paper, the ancient books, the existing Ming Dynasty books and related monographs, dissertations and periodicals as the main research materials. It mainly uses the research method of design art, and combines the research methods of philology, graphics, sociology and so on. Through the analysis of the political, economic and social background of Ming Dynasty and the development of the publishing industry at that time, the origin and design purpose of the printing illustrations of the Ming Dynasty were expounded. On the basis of textual research and collation of the selection range of the printing engraving of the Ming Dynasty, Classification and statistics according to engraving subject matter to reflect the influence of market demand and reader's interest on the publication of color printing engraving. The purpose of this paper is to reveal the characteristics of the pattern printing illustrations in Ming Dynasty, which keep up with the changes of the times, conform to the trend of the market and meet the needs of the readers. This paper further studies the detailed production process of color printing illustrations in Ming Dynasty, the design process of color printing illustrations, discusses the understanding and thinking of craftsmen to the composition of illustrations, and analyzes their design ideas. At the same time, the analysis of the illustrations style of the Ming Dynasty engraving and some cases of the color printing illustrations is carried out to show the style of the illustrations in the Ming Dynasty, which is "rhyme to elegant, graceful and graceful" and its design idea of "flexible and ingenious change". Summarizes the Ming Dynasty color printing design in the excellent idea. Through the field investigation, the protection of color printing illustrations in Ming Dynasty, the status quo of inheritance were investigated in detail, and the development and inheritance of the related problems were analyzed. This paper discusses the enlightening effect of the design idea of color printing illustrations on modern design in Ming Dynasty.
【學(xué)位授予單位】：江蘇大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J218.5

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本文編號(hào)：2070653