基于文脈延續(xù)的德國歷史博物館新館建筑設(shè)計研究
發(fā)布時間：2019-03-25 15:14
【摘要】：在二戰(zhàn)后經(jīng)歷了45年分裂狀態(tài)的德國迎來了再次統(tǒng)一,統(tǒng)一后的德國充滿了歷史焦慮感,一方面德國感到有責(zé)任為歷史贖罪;另一方面希望世界看到德國人在誠懇反思過去。因此,大量的資金投入到各種博物館、紀(jì)念館的建設(shè)中。同時,隨著政治中心重新回到柏林,德國政府希望通過恰當(dāng)?shù)慕ㄖ问絹碚宫F(xiàn)柏林作為國際化都市的新風(fēng)貌。位于柏林中心區(qū)菩提樹下大街旁的德國歷史博物館新館就在這樣一種復(fù)雜的歷史背景下產(chǎn)生了。貝聿銘作為新館的設(shè)計師,在其一貫重視環(huán)境、延續(xù)歷史的觀念下,通過將建筑與環(huán)境相結(jié)合作為貫通設(shè)計的理念,向人們展示了在現(xiàn)代建筑語匯下、運(yùn)用新技術(shù)、不拘泥于歷史風(fēng)格的德國歷史博物館新館與老館(軍械庫)以及城市環(huán)境的完美結(jié)合。貝聿銘在尊重歷史,延續(xù)文脈的同時,又創(chuàng)造了新的文脈,為歷史注入了新的活力。論文將德國歷史博物館新館作為研究對象,關(guān)注新館設(shè)計如何與城市環(huán)境相結(jié)合,從而延續(xù)文脈。研究目標(biāo)在于梳理出貝聿銘在新館設(shè)計中具體的設(shè)計理念,以及在理念指導(dǎo)下的設(shè)計方法,這也是本人研究的意圖所在。由于德國歷史博物館新館屬于貝聿銘晚期的作品,因此為了更全面的對新館進(jìn)行解析需要對貝聿銘的相關(guān)作品進(jìn)行對照,使論文的研究更加具體準(zhǔn)確,這也是本文的研究方法之一。本文的研究意義是,對我國當(dāng)代博物館建筑在新舊建筑結(jié)合的設(shè)計中,如何延續(xù)文脈提供應(yīng)一些設(shè)計上的思考和建議。論文的研究主要從三個方面入手:歷史文化環(huán)境下德國歷史博物館的發(fā)展歷程、城市環(huán)境對新館設(shè)計的制約、新館的造型與內(nèi)外空間設(shè)計。因此論文的第二章主要對新館的發(fā)展歷程、新館產(chǎn)生的時代背景進(jìn)行描述;第三、四、五章分別從城市的歷史環(huán)境、新館的造型、新館的空間進(jìn)行分析,在分析中始終以新館與歷史環(huán)境的關(guān)系作為主要脈絡(luò),并通過與貝聿銘其它作品的對照,總結(jié)歸納出貝聿銘在新館建設(shè)中所涉及到的關(guān)于延續(xù)文脈的設(shè)計思想、設(shè)計方法。第六章則是通過分析研究,對德國歷史博物館新館設(shè)計進(jìn)行總結(jié),并對貝聿銘在如何延續(xù)文脈方面做出一定的思考。
[Abstract]:Germany, which has been divided for 45 years after World War II, is reunited. The reunited Germany is full of historical anxiety. On the one hand, Germany feels responsible for atonement for history; on the other hand, it hopes that the world will see Germans reflect sincerely on the past. Therefore, a large amount of funds are invested in the construction of various museums and memorials. At the same time, as the political center returns to Berlin, the German government hopes to present Berlin's new look as a cosmopolitan city through the right form of architecture. The new German Museum of History, located next to the main street of Bodhi trees in the central Berlin district, comes into being in such a complex historical context. Pei Yiming, as the designer of the new library, has always attached great importance to the environment and continued the history. Through the combination of architecture and environment as the concept of integrated design, Pei has demonstrated to people the use of new technologies under the modern architectural vocabulary. The new museum of German history, which is not confined to the historical style, is the perfect combination of the old museum (armoury) and the city environment. While respecting history and continuing context, Pei created new context and injected new vitality into history. This paper regards the new museum of German history museum as the research object, and pays attention to how to combine the design of the new museum with the urban environment, so as to continue the context. The aim of this study is to sort out Pei's specific design ideas in the design of the new library, and the design method under the guidance of the ideas, which is also the intention of my research. Because the new museum of German history belongs to the late works of Pei, in order to analyze the new museum more comprehensively, it is necessary to compare the relevant works of Pei, so that the research of the thesis is more specific and accurate. This is also one of the research methods in this paper. The research significance of this paper is to provide some thoughts and suggestions on how to continue the context of contemporary museum architecture in the design of the combination of new and old buildings in our country. The research of this paper starts from three aspects: the development course of German Museum of History under the historical and cultural environment, the restriction of the urban environment on the design of the new museum, the modeling of the new museum and the design of the inner and outer space of the new museum. Therefore, the second chapter of the paper mainly describes the development of the new library, the background of the new library. The third, fourth and fifth chapters analyze the historical environment of the city, the shape of the new library and the space of the new library, and always take the relationship between the new library and the historical environment as the main vein in the analysis, and through the comparison with Pei's other works, This paper sums up Pei's design ideas and methods about continuing context in the construction of the new library. The sixth chapter is to summarize the design of the new museum of German history through analysis and research, and to make some thoughts on how to continue the context of Pei Yiming.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU242.5
本文編號：2447083
[Abstract]:Germany, which has been divided for 45 years after World War II, is reunited. The reunited Germany is full of historical anxiety. On the one hand, Germany feels responsible for atonement for history; on the other hand, it hopes that the world will see Germans reflect sincerely on the past. Therefore, a large amount of funds are invested in the construction of various museums and memorials. At the same time, as the political center returns to Berlin, the German government hopes to present Berlin's new look as a cosmopolitan city through the right form of architecture. The new German Museum of History, located next to the main street of Bodhi trees in the central Berlin district, comes into being in such a complex historical context. Pei Yiming, as the designer of the new library, has always attached great importance to the environment and continued the history. Through the combination of architecture and environment as the concept of integrated design, Pei has demonstrated to people the use of new technologies under the modern architectural vocabulary. The new museum of German history, which is not confined to the historical style, is the perfect combination of the old museum (armoury) and the city environment. While respecting history and continuing context, Pei created new context and injected new vitality into history. This paper regards the new museum of German history museum as the research object, and pays attention to how to combine the design of the new museum with the urban environment, so as to continue the context. The aim of this study is to sort out Pei's specific design ideas in the design of the new library, and the design method under the guidance of the ideas, which is also the intention of my research. Because the new museum of German history belongs to the late works of Pei, in order to analyze the new museum more comprehensively, it is necessary to compare the relevant works of Pei, so that the research of the thesis is more specific and accurate. This is also one of the research methods in this paper. The research significance of this paper is to provide some thoughts and suggestions on how to continue the context of contemporary museum architecture in the design of the combination of new and old buildings in our country. The research of this paper starts from three aspects: the development course of German Museum of History under the historical and cultural environment, the restriction of the urban environment on the design of the new museum, the modeling of the new museum and the design of the inner and outer space of the new museum. Therefore, the second chapter of the paper mainly describes the development of the new library, the background of the new library. The third, fourth and fifth chapters analyze the historical environment of the city, the shape of the new library and the space of the new library, and always take the relationship between the new library and the historical environment as the main vein in the analysis, and through the comparison with Pei's other works, This paper sums up Pei's design ideas and methods about continuing context in the construction of the new library. The sixth chapter is to summarize the design of the new museum of German history through analysis and research, and to make some thoughts on how to continue the context of Pei Yiming.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU242.5
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