【摘要】：“文脈”或者“語(yǔ)境”,早已是國(guó)內(nèi)耳熟能詳?shù)慕ㄖg(shù)語(yǔ),二者對(duì)應(yīng)的英文都是context。近年來(lái),游離于context之外的“奇怪的”建筑與被context約束的“平庸的”建筑混雜的現(xiàn)象,已逐漸造成大眾的困惑。本文試圖對(duì)中國(guó)建筑觀念中,20世紀(jì)80年代以降,context概念的翻譯引入,context理論的理解發(fā)展以及context策略的應(yīng)用實(shí)踐進(jìn)行梳理和分析。采用中西對(duì)比的方法梳理context-詞的發(fā)展過(guò)程,進(jìn)而分析推斷context理論產(chǎn)生于西方而不是中國(guó)的社會(huì)環(huán)境及文化觀念的原因。論文分為四個(gè)部分。第一部分：對(duì)比意大利語(yǔ)ambientali被譯為英文context和context被譯為漢語(yǔ)“文脈”及“語(yǔ)境”的兩次建筑專(zhuān)業(yè)術(shù)語(yǔ)翻譯過(guò)程以及引起的爭(zhēng)論；第二部分：對(duì)比context理論在西方可追溯至18世紀(jì)園林設(shè)計(jì),而在中國(guó)可追溯到《園冶》中因地制宜思想；第三部分：從視覺(jué)圖像、空間體驗(yàn)以及文化觀念分析context理論在國(guó)內(nèi)建筑實(shí)踐中的應(yīng)用；第四部分：反思中西方對(duì)于“廢墟”的“在場(chǎng)”與“不在場(chǎng)”表達(dá)是造成context產(chǎn)生于西方而非中國(guó)的文化觀念原因,并且從時(shí)間性角度理解場(chǎng)地的空間性和文脈性。在中國(guó)大批量生產(chǎn)建筑的社會(huì)背景下,通過(guò)對(duì)外來(lái)語(yǔ)context在中國(guó)從詞匯理解——理論理解——應(yīng)用實(shí)踐發(fā)展過(guò)程的梳理,得出對(duì)場(chǎng)地空間抽象性與文脈關(guān)聯(lián)性的片面解讀是產(chǎn)生城市建筑混雜的問(wèn)題原因,對(duì)此提出了從場(chǎng)地時(shí)間性將設(shè)計(jì)項(xiàng)目從建成到融入城市環(huán)境的過(guò)程統(tǒng)籌考慮的解決方法。
[Abstract]:"context" or "context" has long been a familiar construction term in China. The two terms correspond to context. in English. In recent years, the "strange" architecture outside of context and the "mediocre" architecture constrained by context have gradually caused confusion to the public. This paper attempts to comb and analyze the concept of Chinese architecture in the 1980s, the introduction of the concept of context into translation, the understanding and development of context theory and the application of context strategy. By using the method of Chinese and Western contrast, this paper analyzes the development of context- words, and then analyzes and deduces the reasons why context theory originated from the social environment and cultural concepts in the West and not in China. The paper is divided into four parts. Part one: compare the translation process of Italian ambientali into English context and context into Chinese "context" and "context". The second part: comparing the context theory in the West can be traced back to the 18th century garden design, but in China can be traced back to "Yuan Metallurgical" in the thought of local conditions; The third part: from the visual image, the space experience and the cultural concept analysis context theory in the domestic construction practice application; The fourth part: reflecting on the expression of "presence" and "absence" of "ruins" in China and the West is the reason why context originated in the West, not in China, and to understand the space and context of the site from the angle of time. Under the social background of mass production architecture in China, this paper combs the development process of the loan word context in China from the lexical comprehension to the theory understanding and the application practice. It is concluded that the one-sided interpretation of the abstract and contextual relevance of the site is the cause of the mixed urban architecture, and the solution to this problem is put forward that the design project should be considered as a whole from the time of site construction to the integration of the design project into the urban environment.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：TU201

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