頤和園萬(wàn)壽山部分園林建筑因山構(gòu)室手法初探
發(fā)布時(shí)間:2018-08-25 13:24
【摘要】:中國(guó)傳統(tǒng)園林是一門內(nèi)涵豐富、博大精深的造園藝術(shù),“因山構(gòu)室”作為其中一種造園手法伴隨著傳統(tǒng)園林發(fā)展的始終,既是人對(duì)于自然山形地勢(shì)“天人合一”思想內(nèi)核的體現(xiàn),又是其營(yíng)造技法上不斷嘗試和總結(jié)的一個(gè)過(guò)程,與傳統(tǒng)園林的發(fā)展相輔相成。本文首先梳理了傳統(tǒng)園林“因山構(gòu)室”理法的思想傳承,并在宏觀上和微觀上將其總結(jié)為“因山”思想和“構(gòu)室”手法。而頤和園作為中國(guó)古代皇家園林杰出代表,對(duì)于研究中國(guó)傳統(tǒng)園林造園手法具有重要意義。因此結(jié)合前人研究成果,通過(guò)詳細(xì)的調(diào)研測(cè)繪,以理論指導(dǎo)實(shí)際方法來(lái)研究萬(wàn)壽山園林建筑(清漪園和頤和園時(shí)期),包括“因山”思想下的山水結(jié)構(gòu)、建筑布局經(jīng)營(yíng)及軸線與自然山水園的辯證關(guān)系;而“構(gòu)室”手法則以須彌靈境、賅春園-味閑齋、花承閣、畫(huà)中游等具有代表性的園林建筑進(jìn)行具體分析。而理微部分則是論述總結(jié)“因山構(gòu)室”理法的補(bǔ)充要素,如山石理法、園墻、園廊等。最后總結(jié)“因山構(gòu)室”理法的結(jié)論。研古習(xí)今,以期對(duì)山地園林規(guī)劃設(shè)計(jì)提供有意義的參考和借鑒。
[Abstract]:Chinese traditional garden is a kind of garden art with rich connotation and extensive and profound meaning. As one of the gardening techniques, "Inshan Building Room" is always accompanied by the development of traditional garden. It is not only the embodiment of man's thought of "the unity of nature and man" in the natural mountain terrain, but also the process of trying and summing up his construction technique, which complements the development of traditional garden. This paper first combs the traditional garden "because of the mountain structure room" the thought inheritance, and summarizes in the macroscopic and the microscopic view "the mountain" thought and the "construction room" technique. As an outstanding representative of ancient Chinese royal gardens, the Summer Palace is of great significance to the study of Chinese traditional gardening techniques. Therefore, combined with the previous research results, through detailed survey and mapping, with the theoretical guidance of practical methods to study the landscape architecture (Qingyi Garden and the Summer Palace period), including the "mountains" under the thought of the landscape structure, The management of architectural layout and the dialectical relationship between axis and natural landscape garden, while the "building room" is analyzed in terms of representative garden architecture, such as "building room" in order to clear the spirit of the garden, to be clear about the spring garden-Yi Zhai, Huacheng Pavilion, and to swim in the middle of the painting, and so on. And the detail part is the supplementary elements of summing up the rational method, such as stone theory, garden wall, garden corridor and so on. Finally, the conclusion of the rational method of "Inshan structure Room" is summarized. To study the ancient times in order to provide a meaningful reference for the planning and design of mountain gardens.
【學(xué)位授予單位】:北京林業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類號(hào)】:TU986
本文編號(hào):2203007
[Abstract]:Chinese traditional garden is a kind of garden art with rich connotation and extensive and profound meaning. As one of the gardening techniques, "Inshan Building Room" is always accompanied by the development of traditional garden. It is not only the embodiment of man's thought of "the unity of nature and man" in the natural mountain terrain, but also the process of trying and summing up his construction technique, which complements the development of traditional garden. This paper first combs the traditional garden "because of the mountain structure room" the thought inheritance, and summarizes in the macroscopic and the microscopic view "the mountain" thought and the "construction room" technique. As an outstanding representative of ancient Chinese royal gardens, the Summer Palace is of great significance to the study of Chinese traditional gardening techniques. Therefore, combined with the previous research results, through detailed survey and mapping, with the theoretical guidance of practical methods to study the landscape architecture (Qingyi Garden and the Summer Palace period), including the "mountains" under the thought of the landscape structure, The management of architectural layout and the dialectical relationship between axis and natural landscape garden, while the "building room" is analyzed in terms of representative garden architecture, such as "building room" in order to clear the spirit of the garden, to be clear about the spring garden-Yi Zhai, Huacheng Pavilion, and to swim in the middle of the painting, and so on. And the detail part is the supplementary elements of summing up the rational method, such as stone theory, garden wall, garden corridor and so on. Finally, the conclusion of the rational method of "Inshan structure Room" is summarized. To study the ancient times in order to provide a meaningful reference for the planning and design of mountain gardens.
【學(xué)位授予單位】:北京林業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2015
【分類號(hào)】:TU986
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