【摘要】：在漫長的人類發(fā)展之中,人們總是自覺或不自覺地塑造出各種形態(tài)各異的城市空間。對于我們賴以生存的城市本身,盡管我們總是制定各種各樣的準(zhǔn)則和意象以使得它盡可能的被我們所喜歡,然而,每當(dāng)我們在制定這些關(guān)于城市的美好的意象的時候,我們總是會不自覺的懷疑：是否,這種自覺的行為本身真的如我們所預(yù)期一樣,讓我們的生存空間變的更好了呢?為了回應(yīng)這個問題,早期的一些研究者試圖從城市認(rèn)知的角度來仔細(xì)的對我們所處的城市空間進行社會學(xué)式的調(diào)研,通過他們的研究,一些城市發(fā)展規(guī)律和設(shè)計經(jīng)驗逐漸被我們所認(rèn)知,然而,從上個世紀(jì)后半葉開始,越來越多的學(xué)者開始注意到,這些早期的研究者囿于研究視角的限定,其研究成果多為定性的現(xiàn)象描述,因而,往往不能被直接轉(zhuǎn)譯成城市設(shè)計的準(zhǔn)則。在此學(xué)科背景下,城市形態(tài)學(xué)應(yīng)運而生。其基本觀點是對形態(tài)的理解是形態(tài)設(shè)計的前提,學(xué)者們開始以城市平面形態(tài)為分析工具對城市心形態(tài)的客觀規(guī)律進行量化解讀,試圖找出這些城市形態(tài)規(guī)律背后所蘊含的設(shè)計機制。然而,城市是三維的,僅僅以城市的平面形態(tài)分析為研究對象的分析方式很有可能遺漏掉豐富的空間高度信息,基于此,越來越多的研究者開始在城市形態(tài)學(xué)的研究中加載高度,對城市的物質(zhì)空間環(huán)境進行定量解讀,從城市尺度而言,與人們?nèi)粘Ｉ钕⑾⑾嚓P(guān)的街區(qū)空間形態(tài)(shape)在其中顯得尤為重要。另外,由于城市通常是由具體的物質(zhì)空間所直接構(gòu)成,因而無法以定性的方式來對其具體的形態(tài)進行控制。當(dāng)今通行的做法是通過設(shè)定城市規(guī)劃指標(biāo)(index)的方式來進行,然而,在人們制定這些設(shè)計指標(biāo)的時候,其實并不能準(zhǔn)確預(yù)知規(guī)劃的城市空間的具體形態(tài),從這個角度而言,城市規(guī)劃指標(biāo)的設(shè)定,其實是一種無奈之舉。本文的研究擬從街區(qū)層面的界面形態(tài)入手,以南京為研究對象,通過繪制與人們?nèi)粘Ｉ罹o密相關(guān)的界面輪廓來分析其形態(tài)背后的規(guī)律,并通過與現(xiàn)存的城市規(guī)劃指標(biāo)的關(guān)聯(lián)性分析來討論城市規(guī)劃指標(biāo)(index)與具體的城市形態(tài)(shape)之間的互動機制。
[Abstract]:In the long human development, people always consciously or unconsciously shape a variety of different forms of urban space. For the city itself, which we depend on, although we always set all kinds of norms and images to make it as popular as we can, every time we make these beautiful images of the city, We always wonder unconsciously: is this conscious behavior itself really making our living space better as we expect it to be? In response to this question, some early researchers tried to make a sociological study of the urban space we live in from the perspective of urban cognition, and through their research, Some urban development laws and design experiences have been gradually recognized by us. However, since the second half of the last century, more and more scholars have begun to notice that these early researchers are limited by the research perspective. Most of its research results are qualitative phenomenon description, therefore, it can not be directly translated into urban design criteria. Under the background of this discipline, urban morphology emerged as the times require. Its basic viewpoint is that the understanding of the form is the premise of the shape design, scholars begin to use the urban plane form as the analysis tool to analyze the objective law of the urban heart form in a quantitative way. This paper tries to find out the design mechanism behind these urban morphology laws. However, the city is three-dimensional, and the way of analyzing the plane shape of the city is likely to omit abundant spatial height information. More and more researchers begin to load the height in the study of urban morphology, and interpret the physical space environment of the city quantitatively, from the perspective of urban scale, (shape), which is closely related to people's daily life, is especially important. In addition, because the city is usually made up of concrete material space, it is impossible to control its concrete form qualitatively. The current practice is to set the city planning index (index). However, when people develop these design indicators, they can not accurately predict the specific shape of the urban space, from this point of view, The setting of city planning index is actually a kind of helpless move. The research of this paper begins with the interface form of the street level, taking Nanjing as the research object, through drawing the interface contour which is closely related to people's daily life to analyze the law behind its form. The interaction mechanism between the urban planning index (index) and the specific urban form (shape) is discussed through the correlation analysis with the existing urban planning indicators.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU984

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相關(guān)期刊論文 前1條

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本文編號：2142133