本文選題：回紋 + 陳設(shè)裝飾　； 參考：《沈陽建筑大學(xué)》2015年碩士論文

【摘要】：隨著社會飛速發(fā)展,物質(zhì)生活極大地豐富,人們不再為吃飽穿暖而憂心,開始追求品質(zhì)更高的生活。在人的一生中有三分之二的時間都是在室內(nèi)度過的,隨著生活條件的改善,人們普遍對室內(nèi)環(huán)境都有了更高的要求,室內(nèi)設(shè)計越來越凸顯出重要的作用,人們越來越重視室內(nèi)裝飾的品位與格調(diào),在這樣的社會背景下陳設(shè)裝飾一詞應(yīng)運而生,它是對室內(nèi)裝飾的二度陳設(shè),陳設(shè)裝飾設(shè)計師利用裝飾的設(shè)計原則對室內(nèi)空間進行設(shè)計,滿足人們的視覺審美以及心理需求。一個好的陳設(shè)裝飾作品不僅具有功能性,而且還具有個性化特征�；丶y是中國傳統(tǒng)裝飾紋樣的代表,在中國歷史發(fā)展的各個時期都有回紋的身影,貫穿著中國歷史的發(fā)展,回紋在不同時期朝代的演變反映著當(dāng)時人們不同的生活習(xí)俗和社會背景。顯示著中華民族豐富的文化內(nèi)涵�？v觀當(dāng)今世界,科技大發(fā)展大繁榮,如何在全球一體化,文化大融合的時代中走出一條既具有民族特色,又與現(xiàn)代陳設(shè)裝飾設(shè)計相融合的道路,是一個值得深思的問題。本文首先介紹了傳統(tǒng)裝飾紋樣中回紋的歷史發(fā)展歷程及分類,為接下來探究回紋在陳設(shè)裝飾范圍內(nèi)的應(yīng)用做鋪墊。然后在第三章介紹了陳設(shè)裝飾設(shè)計的界定,陳設(shè)裝飾設(shè)計的主要風(fēng)格分類以及組成部分,看到陳設(shè)裝飾設(shè)計的重要性以及其個性化的設(shè)計理念。最后在第四部以及第五部分詳細(xì)的舉例說明回紋在陳設(shè)裝飾中的具體應(yīng)用方式,以及未來的發(fā)展趨勢等。藝術(shù)來源于生活,中國有著五千多年的悠久歷史文化,再加上中國地大物博,在歷史發(fā)展的悠久歲月里,我們的祖先留給我們無數(shù)值得我們驕傲和自豪的物質(zhì)和精神財富。我們需要將這些寶貴的文化融入陳設(shè)裝飾設(shè)計之中,在設(shè)計的過程里不斷繼承傳統(tǒng)文化并且不斷創(chuàng)新�；丶y是我們民族眾多傳統(tǒng)文化的代表元素之一,是傳統(tǒng)文化里一塊珍貴的藝術(shù)瑰寶。作為一個中國設(shè)計師應(yīng)該充分地把握好我國傳統(tǒng)文化的形式、意味和神韻,把它應(yīng)用在室內(nèi)陳設(shè)裝飾設(shè)計中,設(shè)計出更符合現(xiàn)代人審美需求的作品。從回紋的內(nèi)涵特征及陳設(shè)裝飾設(shè)計中回紋傳承的可行性及方法兩大方面入手,探索回紋在陳設(shè)裝飾設(shè)計中的傳承與創(chuàng)新之路。放大陳設(shè)裝飾設(shè)計的個性化特征,結(jié)合當(dāng)代世界發(fā)展潮流,將陳設(shè)裝飾的特征凸顯出來,走出一條陳設(shè)裝飾設(shè)計的創(chuàng)新路。本文通過對回紋在陳設(shè)裝飾中的應(yīng)用研究,探索未來回紋的發(fā)展道路,正視回紋在陳設(shè)裝飾中的作用,傳承和發(fā)揚我們的民族文化。我們應(yīng)該不斷將具有民族性的文化融入陳設(shè)裝飾設(shè)計之中,創(chuàng)造出具有民族性的陳設(shè)裝飾設(shè)計作品,同時我們應(yīng)該看到陳設(shè)裝飾具有個性化以人為本的特征,在未來陳設(shè)裝飾的發(fā)展道路中我們要堅持民族化,個性化的發(fā)展創(chuàng)新原則,不斷推進陳設(shè)裝飾設(shè)計的發(fā)展
[Abstract]:With the rapid development of society, material life is extremely rich. People no longer worry about food and clothing, and begin to pursue a higher quality of life. With the improvement of living conditions, people generally have higher requirements for indoor environment, and interior design is more and more important. People pay more and more attention to the taste and style of interior decoration. In this social background, the word "furnishings" emerges as the times require, which is the second display of interior decoration. The designers of furnishing decoration design interior space by using the design principles of decoration. Meet people's visual aesthetic and psychological needs. A good decorating work not only has the function, but also has the individuality characteristic. As the representative of Chinese traditional decorative patterns, the return pattern has been seen in every period of the development of Chinese history, which runs through the development of Chinese history. The evolution of Hui in different dynasties reflects people's different living customs and social backgrounds. It shows the rich cultural connotation of the Chinese nation. Throughout the world, science and technology has developed and flourished. How to walk out a road with national characteristics and modern furnishings and decoration design in the era of global integration and cultural integration is a question worth pondering. This paper first introduces the historical development and classification of the traditional decorative pattern in the middle of the grain, and paves the way for the next exploration of the application of the Hui pattern in the field of decoration. Then in the third chapter, it introduces the definition of display decoration design, the main style classification and components of display decoration design, and sees the importance of display decoration design and its individualized design idea. Finally, in the fourth part and the fifth part of the detailed examples to illustrate the specific application of the pattern in the decoration, as well as the future development trend and so on. Art comes from life. China has a long history and culture of more than five thousand years. In the long years of historical development, our ancestors have left us countless material and spiritual wealth worthy of our pride and pride. We need to integrate these valuable culture into the decoration design, in the process of design, continue to inherit the traditional culture and innovation. As one of the representative elements of our nation's many traditional cultures, the Hui pattern is a precious artistic treasure in the traditional culture. As a Chinese designer, we should fully grasp the form, meaning and charm of our traditional culture, apply it to interior decoration design, and design works that meet the aesthetic needs of modern people. Starting with the connotation characteristics of the retelling and the feasibility and method of the inheritance in the decoration design of the furnishings, this paper explores the inheritance and innovation of the retelling in the decoration design of the furnishings. In order to enlarge the individualized features of furnishings decoration design and combine with the development trend of the contemporary world, the features of furnishings decoration are highlighted out, and an innovative road of furnishings decoration design is found out. Through the research on the application of retouching in furnishings, this paper explores the way of development of future retouches, faces squarely the role of them in furnishings, and inherits and develops our national culture. We should constantly integrate the national culture into the display decoration design, and create the national decoration design works. At the same time, we should see that the display decoration has the characteristic of personalization and humanism. In the future, we should adhere to the principle of nationalization and individuation in the development of furnishings and decoration, and push forward the development of decoration design of furnishings.
【學(xué)位授予單位】：沈陽建筑大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU238.2

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