本文選題：中國傳統(tǒng)園林 + 水體��； 參考：《大連理工大學(xué)》2015年碩士論文

【摘要】：中國傳統(tǒng)園林歷史悠久,在世界上獨(dú)樹一幟,自先秦時代以來,歷經(jīng)各個朝代,直至晚清,傳統(tǒng)的造園思想和理法不斷發(fā)展,成就達(dá)到頂峰,曾經(jīng)成為西方各國相繼效仿的對象。水體作為其中最重要的構(gòu)成要素和造景中心,既是一種功能符號,更是幾千年獨(dú)特文化精神的載體。水體多樣而豐富的形態(tài)組織,是塑造中國傳統(tǒng)園林空間體驗(yàn)的關(guān)鍵。準(zhǔn)確把握水體的空間形態(tài)規(guī)律,對傳承優(yōu)秀傳統(tǒng)文化和提升現(xiàn)代水體設(shè)計品質(zhì)具有重要意義。然而,伴隨著我國快速的城市化建設(shè),近年來中國園林及水體設(shè)計卻暴露出了兩個方面的主要問題：一方面?zhèn)鞒辛饔诒砻?各種傳統(tǒng)符號移植濫用,作品有形無神；另一方面盲目抄襲國外設(shè)計手法和符號,拋棄本土固有形式。這些都是對傳統(tǒng)中經(jīng)典范式的本質(zhì)認(rèn)識不清,民族優(yōu)秀文化自信不足的表現(xiàn)。本課題將中國傳統(tǒng)優(yōu)秀園林水體作為研究對象,以傳統(tǒng)理水思想和拓?fù)鋵W(xué)理論為基礎(chǔ),運(yùn)用拓?fù)湫巫兊姆椒▽@林水體的不規(guī)則形態(tài)進(jìn)行簡化,利用直觀的幾何圖示方法以及拓?fù)浞治龇◤目臻g格局、橋接形式兩個方面歸納和提煉其復(fù)雜空間形態(tài)背后蘊(yùn)含的內(nèi)在結(jié)構(gòu)邏輯,并從視知覺等角度探討其與空間體驗(yàn)的關(guān)系,發(fā)現(xiàn)提升水體空間體驗(yàn)的多樣性與趣味性的復(fù)雜性規(guī)律,以及水體模式在地域與規(guī)模上的分布特點(diǎn),擴(kuò)展園林水體研究的思路,填補(bǔ)運(yùn)用拓?fù)鋵W(xué)方法研究中國傳統(tǒng)園林水體的空白。論文主要由五個部分組成,第一部分為緒論部分,主要通過課題研究背景、研究內(nèi)容的介紹,明確其理論與實(shí)際意義,并對相關(guān)研究現(xiàn)狀進(jìn)行介紹。第二部分對拓?fù)鋵W(xué)和視知覺等重點(diǎn)概念及理論進(jìn)行闡述與介紹。第三部分為本文的核心部分,為第三、四章,分別從傳統(tǒng)園林水體空間格局、橋接形式兩個方面進(jìn)行拓?fù)湫巫兣c模式總結(jié),針對研究結(jié)果從視知覺等角度對研究結(jié)果進(jìn)行心理體驗(yàn)等方面的討論與分析,并對水體空間的地域性分布特點(diǎn)進(jìn)行討論；第四部分深入探討對水體空間多樣與趣味性塑造起關(guān)鍵作用的水體空間拓?fù)湫螒B(tài)的復(fù)雜性,并根據(jù)所選案例歸納總結(jié)出水體空間形態(tài)復(fù)雜性的構(gòu)成方法、繪制對應(yīng)的抽象模式與具象平面推薦案例圖譜,以期為當(dāng)代園林水體設(shè)計提供新思路。最后一部分為結(jié)論與展望,內(nèi)容包含研究結(jié)論和方法優(yōu)點(diǎn)與不足的總結(jié),并展望課題研究前景。
[Abstract]:Chinese traditional garden has a long history and is unique in the world. Since the pre-Qin period, the traditional garden construction thought and rational method have been developing continuously, and the achievements have reached the peak since the pre-Qin period, after each dynasty, until the late Qing Dynasty. Has become the western countries one after another to emulate the object. Water as the most important component and landscape center is not only a kind of function symbol but also the carrier of the unique cultural spirit for thousands of years. The diverse and abundant form organization of water body is the key to shape the space experience of Chinese traditional garden. It is of great significance for inheriting the excellent traditional culture and improving the design quality of modern water body to accurately grasp the spatial form law of water body. However, with the rapid urbanization of our country, in recent years, the design of Chinese gardens and water bodies has exposed two main problems: on the one hand, the inheritance flow on the surface, the abuse of various traditional symbols transplantation, the works tangible; On the other hand, blindly copy the foreign design techniques and symbols, abandon the native forms. These are the manifestations of lack of confidence in the traditional classical paradigm and the lack of confidence in the nation's excellent culture. Based on the thought of traditional water management and topology theory, this paper uses the method of topological deformation to simplify the irregular form of garden water body, which is based on the traditional excellent garden water body of China as the research object. By means of the intuitive geometric representation method and the topological analysis method, the internal structural logic behind the complex spatial form is summarized and refined from the two aspects of spatial pattern and bridging form, and the relationship between it and the spatial experience is discussed from the perspective of visual perception. It is found that the complexity law of enhancing the diversity and interest of water body spatial experience, and the distribution characteristics of water body model in region and scale, expand the thinking of landscape water research. Fill in the blank of using topology method to study Chinese traditional garden water body. The paper is composed of five parts, the first part is the introduction part, mainly through the research background, research content introduction, clear its theoretical and practical significance, and related research status. The second part expounds and introduces the concepts and theories of topology and visual perception. The third part is the core part of this paper, the third and fourth chapters, respectively from the traditional landscape water space pattern, bridge form two aspects of topological deformation and model summary, According to the results of the study from the perspective of visual perception and other aspects of the psychological experience of the discussion and analysis of the water space of the regional distribution characteristics are discussed. The fourth part deeply discusses the complexity of the topological form of water space, which plays a key role in shaping the diversity and interest of water space, and sums up the methods of the complexity of water space form according to the selected cases. Draw the corresponding abstract pattern and concrete plane recommended case map, in order to provide a new idea for the contemporary landscape water design. The last part is the conclusion and prospect, including the conclusion of the research, the advantages and disadvantages of the methods, and the prospect of the research.
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU986.43

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