本文選題：獅子林 + 歷史演變　； 參考：《中國(guó)美術(shù)學(xué)院》2015年碩士論文

【摘要】：今天的蘇州獅子林被人們稱為蘇州四大名園之一,因其始建于元代而被認(rèn)為是元代的代表園林,但是在元代畫家倪瓚的《獅子林圖》中所描繪的獅子林與今天的獅子林卻相差甚遠(yuǎn),事實(shí)上如今的獅子林早已不是它元代時(shí)期的模樣。獅子林從元代始建到今天已經(jīng)過去六百多年,那么在這六百多年里它又是如何從倪瓚圖中的簡(jiǎn)單小園,變成今天所看到的充滿著各種景致與繁復(fù)假山的獅子林呢?這是一個(gè)值得去探討的問題。現(xiàn)在許多對(duì)獅子林的研究,大多集中在對(duì)獅子林歷史故事的梳理,少有針對(duì)繪畫來(lái)討論,然而我國(guó)傳統(tǒng)山水畫與園林的關(guān)系密切,傳統(tǒng)山水畫的不同表現(xiàn)反映著古代文人對(duì)自然的不同態(tài)度和審美格調(diào),這些都影響著園林的發(fā)展。幸運(yùn)的是,獅子林在不同的時(shí)代都有留下各種不同的畫作,這些畫作對(duì)研究獅子林的發(fā)展變化有很大的幫助。但是僅有繪畫并不夠,古人在建造或修葺獅子林時(shí)留下的記載,以及古人游覽獅子林留下的詩(shī)作、游記等文字資料,都可能從另一個(gè)角度向我們反映當(dāng)時(shí)獅子林的情況,從而作為繪畫的佐證。今天的獅子林仍然是可以被游覽和體會(huì)的,但歷史上的多次改動(dòng)與重修可能反而使它變得并不可靠。因此,本文試圖從獅子林不同時(shí)期的繪畫入手,結(jié)合歷史文字資料與自己當(dāng)下的游覽體驗(yàn),用這三者互證的方式,嘗試將獅子林從元至今發(fā)生了怎樣的變化探討地稍微清楚一些。
[Abstract]:Today, the lion forest in Suzhou is known as one of the four famous gardens in Suzhou. It is regarded as the representative garden of the Yuan Dynasty because it was built in the Yuan Dynasty. However, the Lion Forest depicted in Ni Zan's Lion Forest in Yuan Dynasty is very different from today's Lion Forest. In fact, today's Lion Forest is no longer the same as it was in Yuan Dynasty. It has been more than 600 years since the Lion Forest was founded in the Yuan Dynasty. So how did it change from the simple garden in Ni Zan's picture to the Lion Forest full of various scenery and complex rockeries in the more than 600 years? This is a problem worth exploring. Many researches on Lion Forest have focused on combing the historical stories of Lion Forest, and rarely on painting. However, the traditional landscape painting in China is closely related to gardens. The different performances of traditional landscape paintings reflect the different attitudes and aesthetic styles of ancient literati towards nature, which affect the development of gardens. Fortunately, the Lion Forest has left a variety of paintings at different times, and these paintings are of great help in studying the development of the Lion Forest. However, painting alone is not enough. The records left by the ancients in the construction or repair of the lion forest, as well as the written materials such as poems and travel notes left by the ancients visiting the lion forest, may reflect to us from another angle the situation of the lion forest at that time. Thus as the proof of painting. Today's Lion Forest is still touchable and accessible, but many changes and renovations in history may make it unreliable. Therefore, this paper attempts to start with the paintings of different periods in the Lion Forest, combining the historical and written materials with their current experience of sightseeing, and using these three ways to prove each other. Try to explore how the lion forest has changed from Yuan to now a little more clearly.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU986.1

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