發(fā)布時(shí)間：2018-06-02 03:45

  本文選題：超表皮建筑 + 生成手段�。� 參考：《哈爾濱工業(yè)大學(xué)》2015年碩士論文

【摘要】：隨著經(jīng)濟(jì)技術(shù)的飛快發(fā)展以及社會(huì)文化、消費(fèi)理念的不斷擴(kuò)張,建筑不得不將日常生活納入到設(shè)計(jì)的考量中去,因此就促使信息媒介與建筑表皮發(fā)生結(jié)合,從而創(chuàng)造出一種將技術(shù)、意識(shí)、經(jīng)濟(jì)、圖像和身份特征交織于一起的表面——“超表皮”。它具有物質(zhì)實(shí)體和信息意識(shí)的雙重屬性,同時(shí)質(zhì)疑了傳統(tǒng)“二元論”對(duì)界限的明確限制與割裂,強(qiáng)調(diào)數(shù)字技術(shù)、媒體文化以及日常生活的創(chuàng)造性融合。超表皮建筑包含傳統(tǒng)意義的建筑元素語(yǔ)匯,同時(shí)又在消費(fèi)文化和數(shù)控技術(shù)的作用下產(chǎn)生異化,試圖在表皮界面滲透某種信息互動(dòng)的精神屬性,并與使用者產(chǎn)生知覺(jué)反饋,甚至更大范圍地作用于城市范圍。超表皮衍生出一種全新的建筑形態(tài)和使用方式,本文的目的就是在技術(shù)影響的前提下探討超表皮建筑的生成手段,以及如何作為一種新形式新媒介去干預(yù)城市空間的反饋和公眾互動(dòng),研究具體的形態(tài)操作方式以及項(xiàng)目實(shí)施的設(shè)計(jì)策略,進(jìn)而建立起一種積極回應(yīng)時(shí)代特征和發(fā)展的形態(tài)生成手段。文章首先從歷史發(fā)展的角度闡述了超表皮建筑理論產(chǎn)生的背景,說(shuō)明此類型是符合時(shí)代特征以及發(fā)展規(guī)律的,并對(duì)其定義和研究對(duì)象予以界定解釋。其次對(duì)超表皮建筑的操作手段進(jìn)行研究,大致分為傾向于美學(xué)考慮的表現(xiàn)化生成和形態(tài)功能的本體化生成。再次通過(guò)材料、構(gòu)造、數(shù)碼三個(gè)分項(xiàng)具體展開(kāi)對(duì)表現(xiàn)化生成的形式研究,和從拓?fù)涓拍钛芑D(zhuǎn)譯為圖解建筑、動(dòng)畫(huà)建筑和液態(tài)建筑的本體化形式生成手段,并在生成機(jī)制和設(shè)計(jì)思維層面對(duì)拓?fù)浠砥そㄖ枰匝芯�。最后通過(guò)國(guó)內(nèi)外大量實(shí)例的研究,針對(duì)應(yīng)用更廣泛的表現(xiàn)化超表皮建筑的發(fā)展制約進(jìn)行思考,提出設(shè)計(jì)策略和宏觀控制策略,展望其未來(lái)在公共空間信息聯(lián)動(dòng)、城市新媒體時(shí)代以及智慧城市網(wǎng)絡(luò)搭建三個(gè)層面的應(yīng)用拓展。本文基于現(xiàn)代技術(shù)影響下的消費(fèi)文化現(xiàn)象,落實(shí)于建筑形式的生成創(chuàng)新上,總結(jié)了超表皮建筑的兩種形式生成手段,梳理了“超表皮”在當(dāng)代的理論意義和實(shí)踐方向,提出了區(qū)別于其他類型建筑的設(shè)計(jì)方法和策略,預(yù)測(cè)了建筑形式在將來(lái)幾十年后的應(yīng)用領(lǐng)域拓展。本文對(duì)建筑空間與信息整合的關(guān)系研究提供了一種參考,為建筑學(xué)領(lǐng)域的形式創(chuàng)新明晰了另一個(gè)發(fā)展方向。
[Abstract]:With the rapid development of economy and technology, social culture and the constant expansion of consumption concept, architecture has to take daily life into consideration of design, so it promotes the combination of information media and architectural skin. Thus creating a surface that interweaves technology, consciousness, economics, images, and identity features-hyperepidermis. It has the dual attributes of material entity and information consciousness, at the same time, it questions the clear limitation and separation of the boundary of the traditional dualism, and emphasizes the creative fusion of digital technology, media culture and daily life. Super-epidermal architecture contains the traditional meaning of architectural elements, and at the same time, under the influence of consumer culture and numerical control technology, it produces alienation, trying to infiltrate some kind of spiritual attribute of information interaction at the interface of epidermis, and produce perceptual feedback with users. It works even more widely on a city-wide scale. Superepidermis has derived a new architectural form and usage mode. The purpose of this paper is to explore the means of building superepidermis under the influence of technology. And how to intervene the feedback and public interaction of urban space as a new form of new media, and study the specific form of operation and project implementation design strategy, And then establish a positive response to the characteristics of the times and the development of the formation of the means. This paper first expounds the background of the theory of superepidermal architecture from the perspective of historical development, explains that this type is in line with the characteristics of the times and the law of development, and defines and explains its definition and research object. Secondly, the operation means of superepidermal architecture is studied, which is divided into expressive generation and ontological generation of morphological function which tend to be considered in aesthetics. Thirdly, through the material, construction, and digital three parts, the form of expressive generation is studied in detail, and the means of generating the ontological form of graphic architecture, animated architecture and liquid architecture are derived from topological concepts. And in the generation mechanism and design thinking level of the topology of hyperepidermal architecture to be studied. Finally, through the research of a large number of examples at home and abroad, considering the development constraints of the more widely used hyperepidermic building, the design strategy and macroscopic control strategy are put forward, and the linkage of information in the public space in the future is prospected. Urban new media era and intelligent city network building three levels of application expansion. Based on the phenomenon of consumption culture under the influence of modern technology, this paper puts it into effect on the creation and innovation of architectural forms, summarizes the two means of formation of super-epidermal architecture, and combs the theoretical significance and practical direction of "super-epidermis" in the contemporary era. The design methods and strategies which are different from other types of buildings are put forward, and the application fields of architectural forms in the coming decades are predicted. This paper provides a reference for the study of the relationship between architectural space and information integration, and clarifies another developing direction for the formal innovation in the field of architecture.
【學(xué)位授予單位】：哈爾濱工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：TU201

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 章明;我的建筑觀[J];建筑創(chuàng)作;2005年06期

2 鄭光復(fù);;負(fù)正論——建筑本質(zhì)新析[J];新建筑;1984年02期

3 陳綱倫;;建筑是藝術(shù)嗎?[J];新建筑;1984年01期

4 侯幼彬;;建筑民族化的系統(tǒng)考察[J];新建筑;1986年02期

5 周春雨　,彭晉媛;廣義建筑觀[J];規(guī)劃師;2000年01期

6 陶莉;建筑文化的明天──全球文化與地域文化[J];華中建筑;2000年02期

7 陸e，

本文編號(hào)：1967231