本文選題：荊楚 + 文化符號　； 參考：《武漢理工大學(xué)》2015年碩士論文

【摘要】：荊楚文化是以湖北為主的地域范圍內(nèi)的人們在從楚國創(chuàng)立之初至今日,在長期的歷史演變過程中慢慢形成的具有濃郁的地方特色的地域文化。因楚國和楚人而得名的荊楚文化,歷史淵源久遠(yuǎn),博大精深。但是,在現(xiàn)代化社會(huì)發(fā)展進(jìn)程中,由于受到多元化文化的沖蝕和影響,以及人們對荊楚地域文化的保護(hù)意識淡薄,在此雙重影響下,荊楚文化的傳承和發(fā)展面臨危機(jī)。荊楚地區(qū)的整體風(fēng)貌缺乏地域性,地域文化特色不鮮明。傳統(tǒng)的荊楚文化正在被蠶食,荊楚大地的文化神韻正在淡化和消失。本課題中的設(shè)計(jì)研究對象——景觀地界牌坊,指的一種用于標(biāo)志地域文化差異,同時(shí)具有景觀觀賞價(jià)值的牌坊,作為中國獨(dú)特的地域文化景觀而存在。因此,基于荊楚文化傳承下的景觀地界牌坊設(shè)計(jì)過程中,應(yīng)當(dāng)承載著豐富的荊楚地域文化符號語言,并具有深厚的荊楚文化意蘊(yùn)。在荊楚地域文化缺失的時(shí)代背景下,作者希望通過對荊楚文化發(fā)展鼎盛期——春秋戰(zhàn)國時(shí)期的文化歷史遺存的外在美學(xué)形式和內(nèi)在的文化意蘊(yùn)的研究分析,提煉出相應(yīng)的荊楚文化符號,并將其作為設(shè)計(jì)的元素和依據(jù),將突破性的審美創(chuàng)新手法運(yùn)用到景觀地界牌坊的設(shè)計(jì)過程中。進(jìn)而探索出一套科學(xué)可行的具有地域文化特色的景觀地界牌坊設(shè)計(jì)的普遍性理論,并且附以實(shí)踐性的設(shè)計(jì)應(yīng)用成果展示,以期為更高水平的荊楚文化特色的景觀或者建筑作品設(shè)計(jì)提供指引和啟示,更為荊楚傳統(tǒng)文化的傳承和發(fā)展,城市文脈的延續(xù)略盡微薄之力。本課題研究的創(chuàng)新點(diǎn)在于:其一,將牌坊作為一種地域景觀來設(shè)計(jì),側(cè)重牌坊的美學(xué)功能性和文化傳播性,運(yùn)用全新的設(shè)計(jì)理念和設(shè)計(jì)手法,突破傳統(tǒng)的牌坊形制和常規(guī)設(shè)計(jì)思路,重在形式上審美創(chuàng)新,并同時(shí)兼顧荊楚文化的傳承性。其二,另辟蹊徑,選取牌坊這種傳統(tǒng)建筑形式為設(shè)計(jì)研究對象。在現(xiàn)代社會(huì),牌坊的功能性開始向裝飾美化的方向發(fā)展,雖然是一種附屬建筑,但同時(shí)也是隸屬于景觀范疇。在本課題中,景觀地界牌坊更是作為一種人文景觀而存在,作為荊楚文化的傳播媒介和載體。
[Abstract]:Jingchu culture is a kind of regional culture with strong local characteristics which is formed slowly in the long historical evolution process from the beginning of the founding of Chu State to the present day. Jingchu culture, named after Chu and Chu people, has a long history. However, in the course of the development of modern society, due to the erosion and influence of pluralistic culture and the weak consciousness of protecting Jingchu regional culture, the inheritance and development of Jingchu culture is facing a crisis. The overall style and features of Jingchu area are lack of regionality and regional cultural characteristics are not distinct. The traditional Jingchu culture is being eroded, and the cultural charm of Jingchu earth is fading and disappearing. The design research object of this topic, the landscape boundary archway, refers to a kind of archway which is used to mark the difference of regional culture and has the value of landscape appreciation, which exists as the unique regional cultural landscape of China. Therefore, in the process of designing the archway of landscape boundary based on the inheritance of Jingchu culture, it should carry rich symbol language of Jingchu regional culture, and have profound meaning of Jingchu culture. Under the background of the absence of Jingchu regional culture, the author hopes to analyze the external aesthetic forms and internal cultural implication of the cultural historical relics of Jingchu culture during the peak period of Jingchu culture development-the Spring and Autumn period and the warring States period. The corresponding Jingchu cultural symbols are extracted and used as the elements and basis of the design, and the breakthrough aesthetic innovation techniques are applied to the design process of the landscape archway. Then it explores a set of scientific and feasible universal theory of landscape boundary archway design with regional cultural characteristics, and displays with practical design application results. In order to provide guidance and inspiration for a higher level of Jingchu cultural characteristics of landscape or architectural works design, more Jingchu traditional culture inheritance and development, the continuation of the urban context of a modest contribution. The innovation of this research is as follows: first, the archway is designed as a kind of regional landscape, focusing on the aesthetic function and cultural transmission of the archway, and using new design ideas and design techniques. Break through the traditional archway shape and conventional design ideas, focusing on formal aesthetic innovation, and at the same time take into account the inheritance of Jingchu culture. Second, another way, select archway this traditional architectural form for the design research object. In modern society, the function of archway begins to develop towards the direction of decoration and beautification, although it is a kind of ancillary building, but also belongs to the scope of landscape. In this subject, landscape boundary archway exists as a humanistic landscape, as the communication medium and carrier of Jingchu culture.
【學(xué)位授予單位】：武漢理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：TU-80

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本文編號：1954297