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基于遺址保護(hù)理念的遺址博物館建筑整體性設(shè)計(jì)研究

發(fā)布時(shí)間:2018-02-16 04:38

  本文關(guān)鍵詞: 遺址 保護(hù) 遺址博物館 整體性 建筑設(shè)計(jì) 出處:《華南理工大學(xué)》2015年博士論文 論文類型:學(xué)位論文


【摘要】:歷史文化遺產(chǎn)是人類文明發(fā)展的真實(shí)見證,對(duì)于人類了解歷史、認(rèn)識(shí)自我、促進(jìn)發(fā)展有著重要作用。隨著時(shí)代的進(jìn)步,保護(hù)歷史文化遺產(chǎn)越來越受到國(guó)際社會(huì)和各個(gè)國(guó)家的重視?脊胚z址是歷史文化遺產(chǎn)的重要組成部分,具有歷史、文化和科學(xué)價(jià)值,如何保護(hù)和利用好遺址是擺在當(dāng)今社會(huì)面前的嚴(yán)肅課題。1956年,西安半坡博物館建成開放,我國(guó)成為世界上較早建設(shè)遺址博物館建筑進(jìn)行遺址保護(hù)與展示的國(guó)家。此后,我國(guó)陸續(xù)建成了大量的遺址博物館建筑,遺址博物館建筑成為文化遺產(chǎn)保護(hù)事業(yè)中不可或缺的重要組成部分。但是,當(dāng)前關(guān)于遺址博物館建筑的研究大多傾向于建筑實(shí)踐,比較缺乏多元化、多角度、多層次的系統(tǒng)性研究。事實(shí)上,遺址博物館建筑作為遺址保護(hù)和利用的方式,受文化遺產(chǎn)保護(hù)和博物館職能發(fā)展的制約和影響,涉及學(xué)科廣泛,更具有復(fù)雜性,有待于研究和實(shí)踐的進(jìn)一步總結(jié)和完善。建筑師是參與遺址保護(hù)過程中不可或缺的重要角色,而目前對(duì)于如何設(shè)計(jì)遺址博物館建筑,即遺址博物館建筑設(shè)計(jì)在面對(duì)遺址保護(hù)的問題時(shí),關(guān)于建筑需要保護(hù)什么、為什么保護(hù)、如何保護(hù)等問題仍然存在一定的困惑和爭(zhēng)議。因此,論文以遺址保護(hù)理念為基點(diǎn),以文化遺產(chǎn)保護(hù)理念與博物館發(fā)展趨勢(shì)為外因,以遺址保護(hù)與展示利用為內(nèi)核,融貫多元學(xué)科,將系統(tǒng)整體性與遺址博物館建筑相融合,建構(gòu)了具有核心性、開放性、適應(yīng)性、多樣性、模糊性和協(xié)同性遺址博物館建筑整體性設(shè)計(jì)觀念,探索了基于遺址保護(hù)理念的遺址博物館建筑整體性設(shè)計(jì)理論。遺址保護(hù)與利用強(qiáng)調(diào)“真實(shí)性、完整性、最小干預(yù)性和可識(shí)別性”,“空間適用、環(huán)境協(xié)調(diào)、技術(shù)適宜、形態(tài)適應(yīng)”是構(gòu)成遺址博物館建筑整體性設(shè)計(jì)的“四要素”。只有各要素滿足遺址保護(hù)的要求,才會(huì)實(shí)現(xiàn)基于保護(hù)理念的遺址博物館建筑的總體目標(biāo)。論文主要分為四部分:第一部分是第一章,主要論述課題研究的背景、研究現(xiàn)狀、課題研究目的和意義、研究方法和框架等內(nèi)容。第二部分是第二章和第三章,在對(duì)歷史文化遺產(chǎn)保護(hù)與展示相關(guān)理論、博物館發(fā)展、遺址保護(hù)和遺址博物館建筑整體性認(rèn)知的基礎(chǔ)上,明確遺址博物館建筑需要保護(hù)什么和為什么保護(hù)的問題,探索了基于保護(hù)理念建筑整體性設(shè)計(jì)理論框架,提出整體協(xié)同設(shè)計(jì)方法。第三部分包括第四章、第五章、第六章和第七章,針對(duì)遺址保護(hù)的真實(shí)性、完整性、最小干預(yù)性、可識(shí)別性原則,對(duì)應(yīng)遺址博物館建筑的空間、環(huán)境、技術(shù)、形式展開研究,重點(diǎn)解決遺址博物館建筑怎樣保護(hù)遺址的問題,提出基于保護(hù)理念的“環(huán)境協(xié)調(diào),空間適用、技術(shù)適宜、形態(tài)適應(yīng)”的建筑設(shè)計(jì)策略。第四部分是結(jié)論,建構(gòu)建筑整體性設(shè)計(jì)觀念、探索建筑整體性理論、實(shí)施建筑整體性設(shè)計(jì)策略,對(duì)遺址博物館建筑發(fā)展具有理論和現(xiàn)實(shí)意義。最后,對(duì)遺址博物館建筑未來的發(fā)展提出展望。
[Abstract]:Historical and cultural heritage is the true witness of the development of human civilization. It plays an important role in understanding history, understanding oneself and promoting development. The preservation of the historical and cultural heritage has received increasing attention from the international community and various countries. Archaeological sites are an important part of the historical and cultural heritage and of historical, cultural and scientific value, How to protect and make good use of the ruins is a serious subject in front of today's society. In 1956, the Banpo Museum in Xi'an was completed and opened, and China became the country that built the ruins museum buildings earlier in the world to protect and display the ruins. A large number of heritage museum buildings have been built in China, and the ruins museum architecture has become an indispensable part of the cultural heritage protection. However, most of the current research on the ruins museum architecture tends to the architectural practice. In fact, as a way of conservation and utilization of heritage sites, heritage museum buildings are restricted and influenced by the protection of cultural heritage and the development of museum functions, and involve a wide range of disciplines. Architect is an indispensable and important role in the process of site protection, but at present, how to design heritage museum buildings, That is, when the architectural design of ruins museum is faced with the problem of site protection, there are still some puzzles and controversies about what the architecture needs to be protected, why and how to protect it. Therefore, the thesis takes the idea of site protection as the basic point. Taking the idea of cultural heritage protection and the development trend of museum as the external cause, taking the protection and display of the site as the core, combining the multi-disciplinary, the system integrity and the building of the museum are integrated, and the core, openness and adaptability are constructed. Diversity, fuzziness and synergetic architectural integrity design concept of museum architecture is explored in this paper, which is based on the concept of site protection. The conservation and utilization of sites emphasize "authenticity, integrity, integrity, integrity". "minimum interventionality and identifiability", "space applicability, environmental coordination, technical suitability, and morphological adaptation" are the "four elements" that constitute the overall design of a heritage museum building. Only each element meets the requirements of site protection. The thesis is divided into four parts: the first part is the first chapter, which mainly discusses the background, the current situation, the purpose and significance of the research. The second part is the second and third chapters, which are based on the theory of historical and cultural heritage protection and display, museum development, site protection and the overall cognition of museum architecture. This paper makes clear what and why the heritage museum buildings need to be protected, explores the theoretical framework of architectural integrity design based on the concept of conservation, and puts forward the method of overall collaborative design. The third part includes 4th chapters, 5th chapters. Chapter 6th and Chapter 7th, focusing on the principles of authenticity, integrity, minimum interventionability, identifiability, corresponding space, environment, technology and form of heritage museum building, This paper focuses on how to protect the ruins of the museum buildings, and puts forward the architectural design strategy of "environmental coordination, space application, appropriate technology and morphological adaptation" based on the concept of protection. Part 4th is the conclusion. It is of theoretical and practical significance to construct architectural integrity design concept, explore architectural integrity theory and implement architectural integrity design strategy. Finally, the future development of ruins museum architecture is prospected.
【學(xué)位授予單位】:華南理工大學(xué)
【學(xué)位級(jí)別】:博士
【學(xué)位授予年份】:2015
【分類號(hào)】:TU242.5


本文編號(hào):1514676

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