【摘要】：傳統(tǒng)龍舟賽的完整儀式是端午節(jié)民俗文化的核心�，F(xiàn)代龍舟賽不但脫離原有的端午節(jié)時空,而且力求同現(xiàn)代體育競賽儀式兼容。針對這種去儀式化現(xiàn)象進(jìn)行文獻(xiàn)研究發(fā)現(xiàn):1)龍圖騰、競渡與奪標(biāo)運(yùn)動和端午節(jié)的結(jié)合經(jīng)歷了漫長曲折的歷史演進(jìn),是中華民族寶貴的文化遺產(chǎn);2)傳統(tǒng)龍舟賽儀式遵循中國傳統(tǒng)戲劇特有的"四折一楔"的儀式美學(xué)原則,現(xiàn)代龍舟賽通用競賽儀式不足以彰顯其全部美學(xué)內(nèi)涵;3)傳統(tǒng)龍舟賽體現(xiàn)的中國體育禮樂樂群精神與現(xiàn)代奧林匹克體育精神歷史淵源不同,但在價值觀上存在互補(bǔ)性。因此,改良與創(chuàng)新現(xiàn)代龍舟賽還應(yīng)依托端午節(jié)節(jié)慶時空,依照中國傳統(tǒng)儀式戲劇美學(xué)原理,從點(diǎn)睛、競渡、奪標(biāo)、犒賞、龍船宴/市等儀式諸環(huán)節(jié)全方位推進(jìn)。
[Abstract]:The complete ceremony of the traditional Dragon Boat Race is the core of the Dragon Boat Festival folk culture. Modern Dragon Boat Race is not only separated from the original time and space of Dragon Boat Festival, but also compatible with modern sports competition ceremony. Through literature research on this deritualized phenomenon, it is found that: 1) the combination of dragon totem, race and symbol winning movement and Dragon Boat Festival has undergone a long and tortuous historical evolution, which is the precious cultural heritage of the Chinese nation; 2) the traditional Dragon Boat Race ceremony follows the ritual aesthetic principle of "60% discount and one Wedge" characteristic of Chinese traditional drama, and the modern general contest ceremony of Dragon Boat Race is not enough to reveal its full aesthetic connotation; 3) the traditional dragon boat race embodies the spirit of Chinese sports ceremony and music group, which is different from the modern Olympic sports spirit, but it is complementary in values. Therefore, the improvement and innovation of the modern dragon boat race should also rely on the Dragon Boat Festival festival time and space, according to the Chinese traditional ritual drama esthetics principle, from the point of view, race, prize, reward, Dragon Boat Banquet / City ceremony all aspects of the promotion.
【作者單位】： 首都體育學(xué)院;
【分類號】：G852.9
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本文編號：2375383