本文選題：競技健美操 + 音樂選配與制作�。� 參考：《山西大學》2015年碩士論文

【摘要】：目前,競技健美操音樂選配與制作水平的高低已經對比賽的成績有了直接的影響。競技健美操比賽所用的音樂是嚴格按照競技健美操競賽規(guī)則的要求,充分體現(xiàn)競技健美操項目特色和技術特點,反映了教練員對于成套動作的創(chuàng)編思路及運動員的個人技術特點。運動員通過聽覺刺激產生動力,激發(fā)運動潛能,完成成套動作,表現(xiàn)個性。本文通過相關文獻資料調研,對近年來競技健美操音樂的選配與制作進行分析,并就相關問題通過面談、電話訪談、電子郵件訪談等方式對國內外的專家、教練員、運動員以及專業(yè)音樂人進行了交流,同時應用錄像分析法、比較分析法對2010-2014年3屆世界健美操錦標賽各個項目決賽的成套錄像及音樂進行統(tǒng)計、對比分析,研究結論如下：(1)音樂對于競技健美操項目的重要作用,已引起國內外廣泛的關注和重視。但是,在競技健美操音樂選配原則的理論研究方面發(fā)展比較薄弱,較多的停留在基礎感覺層面的認識,還沒有形成系統(tǒng)的理論體系。在音樂制作方面仍存在剪輯不夠流暢、音樂與動作不能貼切配合等現(xiàn)象。(2)音樂與成套動作的配制目前比較流行的是動作與音樂同時編排為主,其次是先選音樂后編排動作,使用較少的是先編排動作后配制音樂。(3)競技健美操音樂素材的選擇范圍可歸結為：民族樂、流行樂、交響樂和原創(chuàng)音樂四大類；音樂素材的收集手段可歸結為：直接套用他曲、日常收集分類整理、專門軟件分類搜索、原創(chuàng)等類別。(4)競技健美操音樂風格的選配方面多數(shù)采用的是迪斯科、搖滾樂、爵士樂、交響樂、民族樂及流行音樂。但隨著電子音樂制作技術的不斷進步,越來越多的音樂風格都可以被制作成為適合競技健美操的節(jié)奏鮮明、鼓點清晰、抑揚頓挫的音樂,但音樂自身的主題仍然存在；在難度動作或成套動作中典型的操化動作的位置加入音效的現(xiàn)象比較普遍,主要以各種電子音樂中的鼓、敲擊音為主。(5)音樂節(jié)奏的選配方面大部分參賽隊伍會選擇節(jié)奏感快且強的音樂,音樂速度可以分為低于156拍／分鐘(包括156拍／分鐘),156-162拍／分鐘(包括162拍／分鐘),162-168拍／分鐘和大于168拍／分鐘(包括168拍／分鐘)四類。使用次數(shù)較多的是156-162拍／分鐘(包括162拍／分鐘)。節(jié)奏變化次數(shù)大部分國家都采用少于3次的變化為主。(6)競技健美操音樂的制作已經以電子音樂為主,總結出國內外普遍使用的音樂制作軟件包括:Aodobe audition,Cubase,FL studio,Sequoia等。從2010-2014年3屆世錦賽錄像分析中可以看出仍然會有一些國家的音樂存在不流暢和連接生硬的現(xiàn)象,從而對成套動作藝術得分造成不良影響。(7)競技健美操音樂選配與制作主要從：理論系統(tǒng)體系的完善；音樂素材多樣化；風格中融入本國特色；提高與動作的配合程度；音樂收集途經的拓展；提高制作技能；加強推廣力度等方面去改進與完善。(8)競技健美操音樂的制作主體可以分為四大類,分別是有教練員制作,運動員親自制作,請專業(yè)音樂人制作和以上人士合作制作。其中可以將音樂制作加工的類型分為音樂的初加工、音樂的深加工和原創(chuàng)音樂制作。
[Abstract]:At present, the selection and production level of the competitive aerobics has a direct impact on the performance of the competition. The music used in the competitive aerobics competition is strictly according to the requirements of the competitive aerobics competition rules, which fully embodies the characteristics and technical characteristics of the competitive aerobics, and reflects the train of thought on the creation of a complete set of exercises. And athletes' personal technical characteristics. Athletes generate power through auditory stimulation, stimulate the potential of sports, complete complete sets of movements, and show personality. This paper analyzes the selection and production of competitive aerobics music in recent years through relevant literature and data research, and through interviews, telephone interviews and e-mail interviews on related issues. The experts, coaches, athletes and professional musicians at home and abroad were exchanged, and the video analysis method was used, and the comparative analysis was used to analyze the complete sets of video and music in the finals of the 3 World Aerobics Championships in 2010-2014 years. The comparative analysis was made as follows: (1) the importance of music to the competitive aerobics project The role has aroused wide attention and attention both at home and abroad. However, the theoretical research on the principle of musical selection of competitive aerobics is relatively weak, and the understanding of the basic sense level has not yet formed a systematic theoretical system. There is still a lack of fluency in the music making and the combination of music and action can not be fitted properly. And so on. (2) the composition of music and complete sets of movements is popular at the same time is the combination of action and music at the same time, followed by the first selection of music after the arrangement of the action, the use of less is the first arrangement of the action after the preparation of music. (3) the selection of competitive aerobics music material can be summed up as: national music, pop music, symphony and original music four Category; the means of collecting music material can be summed up as: direct use of tonic, daily collection and sorting, special software classification search, original and other categories. (4) most of the selection of competitive aerobics is disco, rock music, jazz, symphony, national music and pop music. But with the technology of electronic music More and more musical styles can be made into music that is suitable for Competitive Aerobics with distinct rhythms, clear drums, and cadence, but the theme of music itself still exists; the phenomenon of adding sound effects in the position of typical exercises in difficult movements or sets of movements is common, mainly in various electronic music. In the selection of music rhythm, most of the team will choose the fast and strong music, the music speed can be divided into less than 156 pats / minutes (including 156 pats / minutes), 156-162 pats / minutes (including 162 pats / minutes), 162-168 pats / minutes and more than 168 pats / minutes (including 168 pats / minutes) four classes. The number of times used is 156-162 pats / minutes (including 162 pats / minutes). Most countries have adopted less than 3 changes in the number of times of rhythm change. (6) the production of competitive aerobics music has been based on electronic music, and the music making soft parts commonly used abroad and abroad include: Aodobe audition, Cubase, FL studio, Sequoia and so on. From the video analysis of the 3 World Championships in 2010-2014 years, it can be seen that there will still be some countries' unfluency and connection of hard music. (7) the selection and production of the competitive aerobics music is mainly from the perfection of the system system of the theory, the diversification of the music material, and the blending of the style. Enter the national characteristics; improve the degree of cooperation with the movement; the expansion of the music collection way; improve the production skills; strengthen the promotion and other aspects to improve and improve. (8) the main body of the competitive aerobics music production can be divided into four categories, namely, the coach production, the athletes personally made, the professional musicians make and the above people Cooperative production, which can be divided into the types of music production and processing, including the initial processing of music, the deep processing of music and the production of original music.
【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：G831.3

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