本文選題：(2017-2020)周期 + 競(jìng)技健美操　； 參考：《安徽師范大學(xué)》2017年碩士論文

【摘要】：隨著競(jìng)技健美操技術(shù)水平的發(fā)展,競(jìng)賽規(guī)則也以每4年一個(gè)周期不斷地變化。本文采用文獻(xiàn)資料、對(duì)比分析、邏輯分析、數(shù)理統(tǒng)計(jì)等研究方法對(duì)(2017-2020)新周期競(jìng)賽規(guī)則進(jìn)行梳理分析,以期發(fā)現(xiàn)新規(guī)則下競(jìng)技健美操成套動(dòng)作創(chuàng)編的有效應(yīng)對(duì)策略,最終為新周期內(nèi)的成套動(dòng)作創(chuàng)編提供理論參考。研究表明:(1)(2017-2020)周期新規(guī)則較前幾周期規(guī)則而言,主要變化有:有氧舞蹈和有氧踏板競(jìng)賽規(guī)則發(fā)生了顯著的變化;所有項(xiàng)目成套動(dòng)作的時(shí)間都縮短為1′20″±5″;所有項(xiàng)目成套動(dòng)作中的難度動(dòng)作必須選自于規(guī)則難度表中的任意三個(gè)組別,每個(gè)組別至少一個(gè),混雙、三人操和集體五人操難度動(dòng)作數(shù)量減少為9個(gè),重新調(diào)整了難度動(dòng)作根命名,較少了81個(gè)0.1-0.7分的低分值難度動(dòng)作,增加了28個(gè)0.8-1.0分的高分值難度動(dòng)作;允許2到3個(gè)不同根命組的難度動(dòng)作組合,允許1個(gè)或多于1個(gè)難度動(dòng)作與技巧動(dòng)作的組合,且所有難度動(dòng)作都達(dá)到最低完成標(biāo)準(zhǔn)時(shí),可獲得0.1或0.2的連接分;集體性項(xiàng)目中的托舉動(dòng)作由原來(lái)的2次減少為1次,藝術(shù)評(píng)分重新調(diào)整為10個(gè)評(píng)分點(diǎn),但涵蓋內(nèi)容有所增加。(2)在有氧舞蹈方面,(2017-2020)周期規(guī)則重新規(guī)定運(yùn)動(dòng)員必須要以舞蹈的形式完成健美操的成套動(dòng)作且動(dòng)作中必須包括4-8個(gè)八拍的街舞動(dòng)作作為第二種風(fēng)格元素,成套動(dòng)作中允許使用難度或技巧動(dòng)作,但不賦予分值;在有氧踏板方面,(2017-2020)周期新規(guī)則改變了上一周期的成套動(dòng)作可以使用難度表中的難度動(dòng)作,且必須出現(xiàn)一次托舉動(dòng)作,而重新規(guī)定為在有氧踏板的成套動(dòng)作中不準(zhǔn)許出現(xiàn)任何難度或技巧動(dòng)作,可以有一次托舉動(dòng)作的展示,但沒(méi)有分值。(3)成套動(dòng)作時(shí)間縮短,操化動(dòng)作數(shù)量也隨之減少,首先,要想充分的突出主體風(fēng)格,就要緊扣音樂(lè)主題;其次,成套動(dòng)作的運(yùn)動(dòng)強(qiáng)度增加,要精簡(jiǎn)動(dòng)作素材,合理分配成套動(dòng)作內(nèi)容。(4)縮小了難度動(dòng)作的選擇范圍,減少了集體項(xiàng)目成套動(dòng)作的難度數(shù)量,重新調(diào)整了難度動(dòng)作根命名,減少了81個(gè)低分值難度動(dòng)作,增加了28個(gè)高分值難度動(dòng)作,愈發(fā)突出競(jìng)技健美操的個(gè)性化特點(diǎn),擴(kuò)大了運(yùn)動(dòng)員對(duì)高分值難度動(dòng)作的選擇空間,同時(shí)也對(duì)運(yùn)動(dòng)員的身體素質(zhì)、技能水平以及心理素質(zhì)提高了要求。(5)新規(guī)則允許2到3個(gè)不同根命組的難度動(dòng)作組合,允許1個(gè)或多于1個(gè)難度動(dòng)作與技巧動(dòng)作的組合,且所有難度動(dòng)作都達(dá)到最低完成標(biāo)準(zhǔn)時(shí),可獲得0.1或0.2的連接分。為運(yùn)動(dòng)員獲得更多的連接分創(chuàng)造了有利條件,提高了成套動(dòng)作的觀賞性和競(jìng)技性,與此同時(shí)也對(duì)運(yùn)動(dòng)員自身的競(jìng)技能力提出了更高的要求。(6)藝術(shù)評(píng)分重新調(diào)整為10個(gè)評(píng)分點(diǎn),集體性項(xiàng)目中的托舉動(dòng)作由原來(lái)的2次減少為1次,且為動(dòng)力性、站立式托舉。教練員和運(yùn)動(dòng)員在進(jìn)行創(chuàng)編過(guò)程中,要力爭(zhēng)每一個(gè)細(xì)節(jié)的完美,以求最大限度的表現(xiàn)成套動(dòng)作的藝術(shù)水準(zhǔn)。
[Abstract]:With the development of competitive aerobics technology, competition rules change every four years. In this paper, by using the methods of literature, comparative analysis, logic analysis, mathematical statistics and other research methods, the author combs and analyzes the competition rules of the new cycle (2017-2020), in order to find out the effective coping strategies for the creation of competitive aerobics' complete sets of movements under the new rules. Finally, it provides a theoretical reference for the complete set of motion creation in the new cycle. The results show that the main changes of the new cycle rules are as follows: the aerobic dance and the aerobic pedal competition rules have changed significantly, and the time of the complete set of exercises in all events has been shortened to 1 20 "鹵5", and the main changes of the new cycle rules are as follows: (1) in the first few cycles, the main changes are: aerobic dance and aerobic pedal competition rules have changed significantly; The difficulty actions in all event sets must be selected from any of the three groups in the regular difficulty table, with at least one in each group, and the number of difficulty movements in mixed doubles, three-person exercises and collective five-person exercises has been reduced to nine. Rescheduled the root name of the difficulty action, less 81 low score difficulty actions with 0.1-0.7 scores, increased 28 high score difficulty actions with 0.8-1.0 points, allowed 2 to 3 difficulty action combinations of different root groups, Allows a combination of one or more difficult and skillful movements, and when all the difficulty movements reach the minimum completion standard, a connection score of 0.1 or 0.2 is obtained; the number of lifting actions in a collective project is reduced from 2 to 1, The art score was readjusted to 10 points, But there is an increase in coverage. 2) in aerobic dance, the cycle rules re-stipulate that athletes must complete aerobics sets in the form of dance and must include 4-8 racquettes as a second style element. Difficulty or skill movements are allowed in sets, but no scores are assigned; the new cycle rules for aerobic pedals change the difficulty movement in the previous cycle and must occur once. The re-regulation is that no difficulty or skill movement is allowed in the aerobic pedal set, but there can be a display of the lifting action, but there is no score. 3) the complete set action time is shortened, and the number of exercises is reduced. First of all, In order to fully highlight the main body style, we should stick to the theme of music; secondly, the intensity of the movement of the complete set of movements is increased, the material of the action should be streamlined, and the content of the complete set of movements. 4) has narrowed down the scope of choice of the difficult movements. It reduces the number of difficulty of collective events, readjusts the naming of difficulty movement root, reduces 81 low score difficulty movements, increases 28 high score difficulty movements, and highlights the individualized characteristics of competitive aerobics. At the same time, the new rules allow 2 to 3 different groups of difficult movements to be combined with physical quality, skill level and psychological quality. Allows a combination of one or more difficulty and skill movements, and gets 0.1 or 0.2 connection points when all difficulty actions reach the minimum completion standard. It creates favorable conditions for athletes to obtain more connecting points, improves the appreciation and competition of complete sets of movements, and at the same time puts forward higher requirements for the athletes' own competitive ability.) the art score is readjusted to 10 scoring points. Collective items in the lifting action from the original 2 to 1, and for the dynamic, standing lift. Coaches and athletes should strive for the perfection of every detail in the process of creation, in order to maximize the performance of the artistic level of the complete set of movements.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G831.3

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