本文選題：文化空間 + 武術空間��； 參考：《蘇州大學》2015年碩士論文

【摘要】：在社會的不斷變遷中,以及在域外體育的沖擊下,武術的發(fā)展過程在經(jīng)歷長期的演變之后,終因不能再忍受在其自身范圍內(nèi)的自我禁閉,所以試圖去超越傳統(tǒng)武術本身的界限,打破傳統(tǒng)原則,去一個從未涉獵過的領域內(nèi)進行新的冒險,開辟新的發(fā)展空間。本文運用文獻資料法、邏輯分析法以及專家訪談法研究發(fā)現(xiàn):(1)中國武術在受到人類社會結(jié)構(gòu)和環(huán)境改變的影響下,武術的“文化空間”遇到了前所未有的危機,在非物質(zhì)文化遺產(chǎn)的視角下,中國武術在“文化空間”的時間性上出現(xiàn)不同程度的斷裂,在“文化空間”的空間性上出現(xiàn)了不同程度的破壞,從中國武術代表性的少林武術時代價值研究中分析中國武術的歷史價值、文化價值以及精神價值得出,我們必須下大力氣保護、傳承中國武術,務必將這些鮮活的、寶貴的文化遺產(chǎn)最大限度地保存下來,把它們完整地流傳給子孫后代。(2)根據(jù)勒菲弗將空間的網(wǎng)絡結(jié)構(gòu)的特征分為體驗的、感知的以及想像的空間特征出發(fā),作為主體“人”的個體文化價值觀念在武術空間的體驗層面、感知層面和想像層面發(fā)揮著主觀能動性的作用,并且個體的這種價值觀念在社會主流文化的整合與融合的共同作用下形成新的文化理念,這種理念又通過反作用力施加于主流文化進而推動武術在物質(zhì)層、制度層和精神層方面的不斷發(fā)展,因此第二部分對武術空間的體驗的、感知的以及想像的層面運用空間理論做了相關的探析。(3)面對城市化過程中形形色色的體育文化,中國體育面臨著巨大的沖擊,延伸至傳統(tǒng)體育身上則更加邊緣化,中國武術作為中國文化的一分子,處于復雜萬變的中國體育文化之中,我們應該充分挖掘其特殊性,走出西式化武術發(fā)展的窘境。本文以文化三層次理論以及社會學的相關知識,對中國武術空間的拓展進行闡述,旨在為其發(fā)展提供一些可行性參考。
[Abstract]:In the continuous changes of society and under the impact of extraterritorial sports, the development process of Wushu, after a long period of evolution, can not endure self confinement in its own scope, so it tries to transcend the limits of the traditional Wushu itself, break the traditional principles and take a new adventure in a field that has never been dabbled. In this paper, the author uses literature, logic analysis and expert interview to find that: (1) under the influence of the social structure and environment change of the human society, the "cultural space" of Wushu has encountered an unprecedented crisis. In the perspective of intangible cultural heritage, Chinese Wushu is in "cultural space". There are different degrees of breakage in time, and there are different degrees of destruction in the space of "cultural space". From the study of the value of Chinese Wushu, the historical value, cultural value and spiritual value of Chinese Wushu, we must make great efforts to protect and inherit Chinese martial arts. These vivid and valuable cultural heritages are preserved to the greatest extent and spread to their descendants. (2) according to the characteristics of the network structure of space, Lefebvre is divided into experiential, perceptual and imaginative spatial characteristics, and the individual cultural values of the subject "man" are in the experience level of the Wushu space. The perception level and the imagination level play the role of subjective initiative, and the individual's value concept forms a new cultural concept under the combination of the integration and integration of the mainstream culture. This concept is added to the mainstream culture through the counterforce to promote the continuous development of Wushu in the material, institutional and spiritual aspects. Development, therefore, the second part of the experience of Wushu space, perception and imagination of the use of space theory to do a related analysis. (3) facing the various types of sports culture in the process of urbanization, Chinese sports face a huge impact, extending to the traditional sports body is more marginalized, Chinese martial arts as a Chinese culture In the complex and changeable Chinese sports culture, we should fully excavate its particularity and go out of the dilemma of the development of western style Wushu. This article expounds the expansion of the Chinese Wushu space with the three levels of culture theory and the related knowledge of sociology, aiming at providing some feasible reference for its development.

【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：G852

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本文編號：1776437