新時期文化思潮中的“啟蒙”、“國學(xué)”與“新國學(xué)”
發(fā)布時間：2018-08-26 15:49
【摘要】：陳國恩認(rèn)為,中國20世紀(jì)80年代提倡的"純文學(xué)",是在反對政治干涉文學(xué)的背景中提出的;90年代以后,純文學(xué)逐漸失去了原來的批判對象而成為作家疏遠(yuǎn)民眾生活的借口。何錫章等認(rèn)為,"先鋒文學(xué)"是通過隱性的語言革命來進(jìn)行新敘事話語的實踐,它的對文學(xué)史的貢獻(xiàn)主要緣于它這一"語言反抗"的起點。李怡等認(rèn)為,改革開放以來,中國社會文化圍繞"啟蒙"理想發(fā)生了一系列變化,從"啟蒙"到反啟蒙背景上"國學(xué)"的提出再到"新國學(xué)",深刻反映了中國知識分子的精神嬗變。賀芒認(rèn)為,產(chǎn)生于改革開放之初的"打工文學(xué)"近來引起了文壇的廣泛關(guān)注;對作家底層身份的強調(diào),使打工文學(xué)產(chǎn)生了很大的社會效應(yīng),但其藝術(shù)上的異質(zhì)性元素則始終未獲得承認(rèn)。袁聯(lián)波認(rèn)為,建立成熟而富于民族意味的"寫意戲劇"是一百年來中國戲劇家們的夢想,這一觀念折射出的是中國戲劇界企圖借助其來更新戲劇觀念、開闊戲劇視野的文化策略。
[Abstract]:Chen Guoen holds that the "pure literature" advocated by China in the 1980s was put forward against the background of political interference in literature; after the 1990s, pure literature gradually lost its original object of criticism and became an excuse for writers to alienate people's lives. Li Yi and others believe that since the reform and opening up, a series of changes have taken place in Chinese social culture around the ideal of "enlightenment", from the "enlightenment" to the anti-enlightenment background of "Chinese Studies" to the "New Chinese Studies", which reflects the spiritual evolution of Chinese intellectuals. He Mang holds that the "work-for-work literature" originated at the beginning of reform and opening-up has recently attracted wide attention in the literary world; the emphasis on the writer's underclass status has produced a great social effect on the work-for-work literature, but its artistic heterogeneity has never been recognized. Yuan Lianbo believes that the establishment of a mature and nationally rich "free-hand drama" is The dream of Chinese dramatists over the past 100 years reflects the cultural strategy of the Chinese theatrical circles to renew their theatrical concepts and broaden their horizons.
【作者單位】： 北京師范大學(xué)文學(xué)院;北京師范大學(xué)出版社;
【基金】：國家社科基金項目“中國現(xiàn)代文學(xué)批評概念與中外文化交流”(批準(zhǔn)號:08BZW052) 高等學(xué)校全國優(yōu)秀博士學(xué)位論文作者專項資金項目“中國現(xiàn)代文學(xué)的新傳統(tǒng)研究”(編號:200512)的階段性成果
【分類號】：I206.7
[Abstract]:Chen Guoen holds that the "pure literature" advocated by China in the 1980s was put forward against the background of political interference in literature; after the 1990s, pure literature gradually lost its original object of criticism and became an excuse for writers to alienate people's lives. Li Yi and others believe that since the reform and opening up, a series of changes have taken place in Chinese social culture around the ideal of "enlightenment", from the "enlightenment" to the anti-enlightenment background of "Chinese Studies" to the "New Chinese Studies", which reflects the spiritual evolution of Chinese intellectuals. He Mang holds that the "work-for-work literature" originated at the beginning of reform and opening-up has recently attracted wide attention in the literary world; the emphasis on the writer's underclass status has produced a great social effect on the work-for-work literature, but its artistic heterogeneity has never been recognized. Yuan Lianbo believes that the establishment of a mature and nationally rich "free-hand drama" is The dream of Chinese dramatists over the past 100 years reflects the cultural strategy of the Chinese theatrical circles to renew their theatrical concepts and broaden their horizons.
【作者單位】： 北京師范大學(xué)文學(xué)院;北京師范大學(xué)出版社;
【基金】：國家社科基金項目“中國現(xiàn)代文學(xué)批評概念與中外文化交流”(批準(zhǔn)號:08BZW052) 高等學(xué)校全國優(yōu)秀博士學(xué)位論文作者專項資金項目“中國現(xiàn)代文學(xué)的新傳統(tǒng)研究”(編號:200512)的階段性成果
【分類號】：I206.7
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