本文選題：康有為　切入點(diǎn)：書法理論　出處：《四川師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以康有為的書學(xué)理論為研究對(duì)象,通過揭示康氏的心路歷程、時(shí)代特征和創(chuàng)作特色,來深入研究其書學(xué)理論�？涤袨槌錾凇笆酪岳韺W(xué)傳家”的教育世家,自幼便受經(jīng)史子集的熏陶,當(dāng)其政治理想和政治熱情受挫后,遂把精力致力于書學(xué)、經(jīng)學(xué)以及金石學(xué)的研究,由此創(chuàng)作出了《廣藝舟雙楫》,在當(dāng)時(shí)書壇引起了強(qiáng)烈的反響。《廣藝舟雙楫》雖然是康氏變法失敗、希望破滅之后的產(chǎn)物,但卻集其新舊國學(xué)及西學(xué)思想于一體,是其書學(xué)理論的集中體現(xiàn),也是其進(jìn)化思想與書學(xué)思想結(jié)合的產(chǎn)物。本文主要分三個(gè)部分。第一部分為緒論。主要介紹本文選題的研究意義、國內(nèi)外的研究現(xiàn)狀以及研究目標(biāo)與方法。第二部分為論文的主體,共四個(gè)章節(jié)。第一章主要分析康有為書法理論形成的歷史背景。清末民初,由于西學(xué)東漸與碑學(xué)中興,加之傳統(tǒng)文化、今文經(jīng)學(xué)對(duì)康氏的影響,以及家學(xué)師承的熏陶,康有為創(chuàng)作出了書學(xué)著作《廣藝舟雙楫》,為其書法理論代表作;第二章論述康有為書法理論的特征。通過對(duì)《廣藝舟雙楫》關(guān)于漢字發(fā)展與書體流變、尊碑抑帖與尊魏卑唐、筆法之實(shí)踐主張等理論的探討,對(duì)康有為的書法審美觀以及晚年書論之變化等問題進(jìn)行了深入的研究;第三章主要從康有為的書法實(shí)踐來研究其書法理論,對(duì)“康體”的藝術(shù)特征與其書法藝術(shù)實(shí)踐的美學(xué)追求作了初步的探索;第四章主要探討康氏書法理論思想的影響及貢獻(xiàn)。分析康氏學(xué)生對(duì)其碑學(xué)理論的傳承,以及康有為對(duì)近代書法藝術(shù)與書法美學(xué)的貢獻(xiàn)。第三部分為結(jié)語。對(duì)康有為書法理論在書學(xué)史上的歷史地位作一個(gè)客觀評(píng)價(jià)�？涤袨闀ɡ碚撌翘囟〞r(shí)代產(chǎn)生的一座書法藝術(shù)高峰。本文不僅從社會(huì)歷史方面研究其書學(xué)理論價(jià)值,而且從文化史、思想史來探討其書法理論的民族價(jià)值及時(shí)代價(jià)值。
[Abstract]:In this paper, Kang Youwei's theory of calligraphy is taken as the research object. By revealing Kang's mental course, characteristics of the times and characteristics of his creation, this paper makes a thorough study of his theory of calligraphy. Kang Youwei was born in the educational family of "passing on family by Neo-Confucianism in the world". Influenced by a subset of the classics from an early age, when his political ideals and enthusiasm were thwarted, he devoted his energies to the study of books, classics, and the study of gold and stone. This led to the creation of "Guangyi Shuangji", which aroused a strong response in the literary world at that time. Although it was the product of the failure of Kang's reform and the collapse of his hopes, it was a combination of his new and old Chinese studies and his ideas of Western studies. This paper is mainly divided into three parts. The first part is the introduction. The second part is divided into four chapters. The first chapter mainly analyzes the historical background of Kang Youwei's calligraphy theory. In addition to the traditional culture, the influence of the Confucian classics on Kang, as well as the influence of the scholar, Kang Youwei created the book "Guangyi Shuangji", which is his masterpiece of calligraphy theory. The second chapter discusses the characteristics of Kang Youwei's calligraphy theory. This paper makes an in-depth study on Kang Youwei's aesthetics of calligraphy and the changes of calligraphy theory in his later years. The third chapter mainly studies the calligraphy theory from the calligraphy practice of Kang Youwei. This paper makes a preliminary exploration on the artistic characteristics and aesthetic pursuit of his calligraphy art practice. Chapter 4th mainly discusses the influence and contribution of Kang's calligraphy theory, and analyzes the inheritance of Kang's students' theory of tablet study. And Kang Youwei's contribution to modern calligraphy art and calligraphy aesthetics. The third part is the conclusion. The third part makes an objective evaluation of the historical position of Kang Youwei's calligraphy theory in the history of calligraphy. A peak of calligraphy art. This paper not only studies its theoretical value of calligraphy from the aspect of social history, And from the cultural history, ideological history to explore its calligraphy theory of national value and the value of the times.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J292.1

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