【摘要】：本文首先以德國設計歷史為線索,梳理了從19世紀至今,不同階段德國設計理論的主要觀點和產(chǎn)生背景,以及設計方法、范式的轉(zhuǎn)變。繼而,作者集中評述了20世紀下半葉以來德國設計界具有代表性的6位設計師,他們分別是:路易吉·克拉尼、迪特·拉姆斯、哈特穆特·艾斯林格,以及近年來的設計新秀康斯坦丁·戈西葛切奇、斯蒂特凡·迪斯茨、塞巴斯蒂安·赫克納。最后,作者分析了20世紀80年代以來的社會理論對設計和設計理論的影響。他總結,設計必須反映社會、技術以及經(jīng)濟變革的過程,并通過相應的概念使其可視化。
[Abstract]:Based on the clue of German design history, this paper first combs the main viewpoints and background of German design theory in different stages from the 19th century to the present, as well as the transformation of design methods and paradigms. Then, the author focuses on the six representative designers in the German design world since the second half of the 20th century. They are Luigi Craney, Ditte Ramsay, Ditte Ramsay. And recent design rookie Constantine Gosigechch, Stevie van Disz, Sebastian Heckner. Finally, the author analyzes the influence of social theory on design and design theory since 1980's. He concluded that design must reflect the process of social, technological, and economic change and visualize it through appropriate concepts.
【作者單位】： 奧芬巴赫設計學院;清華大學美術學院;
【分類號】：TU-095;TU201
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本文編號：2381583