【摘要】：本文首先以德國(guó)設(shè)計(jì)歷史為線索,梳理了從19世紀(jì)至今,不同階段德國(guó)設(shè)計(jì)理論的主要觀點(diǎn)和產(chǎn)生背景,以及設(shè)計(jì)方法、范式的轉(zhuǎn)變。繼而,作者集中評(píng)述了20世紀(jì)下半葉以來(lái)德國(guó)設(shè)計(jì)界具有代表性的6位設(shè)計(jì)師,他們分別是:路易吉·克拉尼、迪特·拉姆斯、哈特穆特·艾斯林格,以及近年來(lái)的設(shè)計(jì)新秀康斯坦丁·戈西葛切奇、斯蒂特凡·迪斯茨、塞巴斯蒂安·赫克納。最后,作者分析了20世紀(jì)80年代以來(lái)的社會(huì)理論對(duì)設(shè)計(jì)和設(shè)計(jì)理論的影響。他總結(jié),設(shè)計(jì)必須反映社會(huì)、技術(shù)以及經(jīng)濟(jì)變革的過(guò)程,并通過(guò)相應(yīng)的概念使其可視化。
[Abstract]:Based on the clue of German design history, this paper first combs the main viewpoints and background of German design theory in different stages from the 19th century to the present, as well as the transformation of design methods and paradigms. Then, the author focuses on the six representative designers in the German design world since the second half of the 20th century. They are Luigi Craney, Ditte Ramsay, Ditte Ramsay. And recent design rookie Constantine Gosigechch, Stevie van Disz, Sebastian Heckner. Finally, the author analyzes the influence of social theory on design and design theory since 1980's. He concluded that design must reflect the process of social, technological, and economic change and visualize it through appropriate concepts.
【作者單位】： 奧芬巴赫設(shè)計(jì)學(xué)院;清華大學(xué)美術(shù)學(xué)院;
【分類號(hào)】：TU-095;TU201
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本文編號(hào)：2381583