漢魏六朝擬代詩研究
發(fā)布時(shí)間：2019-04-04 20:00
【摘要】：漢魏六朝是中國政治比較混亂的時(shí)代,在這樣惡劣的社會(huì)環(huán)境中,古代文學(xué)的發(fā)展卻呈現(xiàn)出勃勃生機(jī),各種文學(xué)傳統(tǒng)和規(guī)范都處于形成過程中,前期優(yōu)秀的文學(xué)成果在此期間也不斷成長壯大。同時(shí),隨著文學(xué)自覺的漸漸深入,漢魏六朝時(shí)期的文學(xué)創(chuàng)作吐露出新的生氣�！皵M代”作為這一階段突出的文學(xué)現(xiàn)象之一,受到眾多作家的青睞,并最終在詩歌領(lǐng)域大放異彩。蕭統(tǒng)《文選》立“雜擬”一類,收錄了大概63收擬代詩,逯欽立編選的《先秦漢魏晉南北朝詩》中收錄了200多首漢魏六朝的擬代作品,數(shù)量之多,可見一斑。擬代詩可謂漢魏六朝文學(xué)的一大主流,在詩歌發(fā)展史上具有重要意義。本文以漢魏六朝擬代詩為研究對(duì)象,主要對(duì)漢魏六朝擬代詩的類型和創(chuàng)作情況進(jìn)行歸納與整理,嘗試從主要內(nèi)容和風(fēng)格特征兩方面考察魏晉南北朝擬代詩的發(fā)展?fàn)顩r,從而進(jìn)一步探究擬代詩與時(shí)代文風(fēng)嬗變的關(guān)系,力求準(zhǔn)確地詮釋出漢魏六朝擬代詩的價(jià)值�！对娊�(jīng)》“賦詩言志”的傳統(tǒng)與《離騷》“香草美人”的意象為擬代文學(xué)提供了豐富的養(yǎng)料,從漢代到魏晉,再到南北朝,擬代詩的創(chuàng)作經(jīng)歷了萌芽期、成長期、繁榮期三個(gè)階段,在漢魏六朝文學(xué)中扮演著重要角色。漢魏六朝擬代詩可以劃分為擬樂府詩、擬古詩、擬體詩、泛擬詩、代言詩等五種類型,每一種類型的作品都是作者自身審美趣味以及當(dāng)時(shí)文壇審美風(fēng)尚的體現(xiàn),都隱含著作家的創(chuàng)新與開拓精神。針對(duì)漢魏六朝擬代詩的內(nèi)容,本文主要將其分為閨怨、征戍、宮怨、故事、贈(zèng)答和補(bǔ)亡六種加以論述。詩歌創(chuàng)作的風(fēng)格特征因時(shí)因人而異,因此本文對(duì)這一時(shí)期擬代詩風(fēng)格的研究,首先在縱向上以時(shí)代先后為序,分別對(duì)各朝代擬代詩的風(fēng)格特征加以概括,并對(duì)其形成的文學(xué)發(fā)展背景和社會(huì)文化背景進(jìn)行考察。其次在橫向上選取同一時(shí)期有代表性的詩人,分析他們所作擬代詩的內(nèi)容與風(fēng)格,以期更加全面地探析漢魏六朝擬代詩的發(fā)展脈絡(luò)及創(chuàng)變過程。漢魏六朝擬代詩是以前期大量優(yōu)秀的文學(xué)作品為積淀,以一種循序漸進(jìn)的方式實(shí)現(xiàn)了從興起到興盛的轉(zhuǎn)變,數(shù)量的逐漸增多,經(jīng)驗(yàn)的不斷積累,手法的日臻完善,等等,這些都說明擬代詩在漢魏六朝文學(xué)中有著舉足輕重的地位,因此對(duì)漢魏六朝的擬代詩進(jìn)行研究是十分必要的。
[Abstract]:Han, Wei and six dynasties were a chaotic era of Chinese politics. In such a bad social environment, the development of ancient literature was full of vitality, and all kinds of literary traditions and norms were in the process of formation. During this period, the outstanding literary achievements in the early period also continued to grow and grow. At the same time, with the deepening of literary consciousness, literary creation in Han, Wei and six dynasties revealed new vitality. As one of the outstanding literary phenomena in this stage, the quasi-generation has been favored by many writers, and finally has a great success in the field of poetry. Xiao Tong's anthology of Wen Xuan includes about 63 poems of the generation, and Lu Qinli's selected Poems of the pre-Qin, Han, Wei, Jin, Southern and Northern dynasties included more than 200 works of the mimicry of the Han, Wei, and six dynasties. The number of such works shows that there are a lot of things to be seen in the works of the quasi-generation of the Han, Wei and six dynasties. Quasi-generation poetry can be described as a major mainstream of literature in Han, Wei and six dynasties, which is of great significance in the history of poetry development. Taking the quasi-generation poetry of Han, Wei and six dynasties as the research object, this paper mainly sums up and arranges the types and creation of the quasi-generation poetry of the Han, Wei and six dynasties, and tries to investigate the development of the quasi-generation poetry of Wei, Jin, Southern and Northern dynasties from two aspects: the main content and the style characteristics. So as to further explore the relationship between the poetry of the quasi-generation and the evolution of the literary style of the times. The tradition of the Book of songs and the image of the vanilla beauty in the Book of songs have provided rich nourishment for the quasi-dynasty literature, from the Han Dynasty to the Wei-Jin Dynasty, to the Southern and Northern dynasties, and from the Han Dynasty to the Wei-Jin Dynasty, to the Southern and Northern dynasties. The creation of quasi-poetry in Han, Wei and six dynasties played an important role in the three stages: budding period, growing period and flourishing period, which played an important role in the literature of Han, Wei and six dynasties. The quasi-generation poems of Han, Wei and six dynasties can be divided into five types: quasi-Yuefu poems, quasi-ancient poems, mimicry poems, pan-mimicry poems, and representative poems. Each type of works is the embodiment of the author's own aesthetic taste and the aesthetic fashion of the literary world at that time. Both implied the writer's innovation and pioneering spirit. In view of the content of the poems of the Han, Wei and six dynasties, this article mainly divides them into six kinds: boudoir grievances, enlistment, palace grievances, stories, giving answers and making up for the death. The stylistic features of poetry creation vary from time to time. Therefore, the research on the style of quasi-generation poems in this period, first of all, in the vertical order of the times, respectively summarizes the style characteristics of the poems of each dynasty. And to its formation literature development background and the social culture background to carry on the inspection. Secondly, the representative poets of the same period are chosen to analyze the content and style of their poems in order to probe into the development of the poems of the Han, Wei and six dynasties in an all-round way. The quasi-poetry of the Han, Wei and six dynasties was based on a large number of excellent literary works in the early stage, which realized the transformation from rise to prosperity, the gradual increase in quantity, the continuous accumulation of experience, the improvement of techniques, and so on, in a gradual and orderly manner, and so on. All of these indicate that the quasi-generation poetry plays an important role in the literature of Han, Wei and six dynasties, so it is necessary to study the quasi-generation poetry of the Han, Wei and six dynasties.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22
本文編號(hào)：2454119
[Abstract]:Han, Wei and six dynasties were a chaotic era of Chinese politics. In such a bad social environment, the development of ancient literature was full of vitality, and all kinds of literary traditions and norms were in the process of formation. During this period, the outstanding literary achievements in the early period also continued to grow and grow. At the same time, with the deepening of literary consciousness, literary creation in Han, Wei and six dynasties revealed new vitality. As one of the outstanding literary phenomena in this stage, the quasi-generation has been favored by many writers, and finally has a great success in the field of poetry. Xiao Tong's anthology of Wen Xuan includes about 63 poems of the generation, and Lu Qinli's selected Poems of the pre-Qin, Han, Wei, Jin, Southern and Northern dynasties included more than 200 works of the mimicry of the Han, Wei, and six dynasties. The number of such works shows that there are a lot of things to be seen in the works of the quasi-generation of the Han, Wei and six dynasties. Quasi-generation poetry can be described as a major mainstream of literature in Han, Wei and six dynasties, which is of great significance in the history of poetry development. Taking the quasi-generation poetry of Han, Wei and six dynasties as the research object, this paper mainly sums up and arranges the types and creation of the quasi-generation poetry of the Han, Wei and six dynasties, and tries to investigate the development of the quasi-generation poetry of Wei, Jin, Southern and Northern dynasties from two aspects: the main content and the style characteristics. So as to further explore the relationship between the poetry of the quasi-generation and the evolution of the literary style of the times. The tradition of the Book of songs and the image of the vanilla beauty in the Book of songs have provided rich nourishment for the quasi-dynasty literature, from the Han Dynasty to the Wei-Jin Dynasty, to the Southern and Northern dynasties, and from the Han Dynasty to the Wei-Jin Dynasty, to the Southern and Northern dynasties. The creation of quasi-poetry in Han, Wei and six dynasties played an important role in the three stages: budding period, growing period and flourishing period, which played an important role in the literature of Han, Wei and six dynasties. The quasi-generation poems of Han, Wei and six dynasties can be divided into five types: quasi-Yuefu poems, quasi-ancient poems, mimicry poems, pan-mimicry poems, and representative poems. Each type of works is the embodiment of the author's own aesthetic taste and the aesthetic fashion of the literary world at that time. Both implied the writer's innovation and pioneering spirit. In view of the content of the poems of the Han, Wei and six dynasties, this article mainly divides them into six kinds: boudoir grievances, enlistment, palace grievances, stories, giving answers and making up for the death. The stylistic features of poetry creation vary from time to time. Therefore, the research on the style of quasi-generation poems in this period, first of all, in the vertical order of the times, respectively summarizes the style characteristics of the poems of each dynasty. And to its formation literature development background and the social culture background to carry on the inspection. Secondly, the representative poets of the same period are chosen to analyze the content and style of their poems in order to probe into the development of the poems of the Han, Wei and six dynasties in an all-round way. The quasi-poetry of the Han, Wei and six dynasties was based on a large number of excellent literary works in the early stage, which realized the transformation from rise to prosperity, the gradual increase in quantity, the continuous accumulation of experience, the improvement of techniques, and so on, in a gradual and orderly manner, and so on. All of these indicate that the quasi-generation poetry plays an important role in the literature of Han, Wei and six dynasties, so it is necessary to study the quasi-generation poetry of the Han, Wei and six dynasties.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22
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