老舍創(chuàng)作的記憶敘事研究
發(fā)布時間：2018-10-05 17:38
【摘要】：著名作家老舍以京味風(fēng)格和民族特色在現(xiàn)代文壇顯示出獨(dú)特地位,這是由于他對記憶書寫的深刻造成的。本文以老舍創(chuàng)作文本為基礎(chǔ),對老舍在創(chuàng)作中的“記憶”面貌加以剖析、梳理和評述。從個人記憶、他人記憶、集體記憶三個維度總結(jié)了老舍的記憶取向——童年記憶、親友記憶和時代與環(huán)境記憶。進(jìn)而深入理解這些記憶背后蘊(yùn)含的內(nèi)在思想:“末世人”的自我悲觀意識、尷尬的自我身份和矛盾性格所體現(xiàn)的自我建構(gòu)訴求。“立人”思想下對“軟而硬”的民族性格的倡揚(yáng)。“國家至上”觀念和“北京是寶地”情懷的濃厚家國意識。同時,從外在形式上總結(jié)出了記憶書寫所具有的兩個特征,一是情緒化結(jié)構(gòu)特征,老舍以象征、時間上的無序性和情節(jié)上的無邏輯性傳達(dá)一種情緒的體驗(yàn)。二是模仿性結(jié)構(gòu),體現(xiàn)在命運(yùn)模式和“三原則”模式上,這些特征形成了老舍記憶敘事的獨(dú)特風(fēng)格。最后,考察所造老舍放棄慣用的記憶創(chuàng)作的個人和政治原因,深度理解記憶書寫之于老舍個人和歷史的意義。二十世紀(jì)的時代要求文學(xué)必須承擔(dān)著改革、鼓動或歌頌等歷史使命,因此老舍也不能例外。同時,新的政治話語下老舍的滿族身份是一個敏感問題,這是造成記憶書寫的最大困難,加之個人經(jīng)驗(yàn)的不足、生活經(jīng)濟(jì)的壓迫等因素,記憶書寫面臨著重重困境。然而,強(qiáng)大的記憶始終影響和召喚著老舍,性格中強(qiáng)硬的一面被激發(fā),他不斷地在現(xiàn)實(shí)中沖破困境回歸記憶書寫,保持對民族和個人清醒的思考。老舍對記憶講述的動搖與堅(jiān)守不僅展示了個人思想與歷史意志之間的矛盾沖突,也傳達(dá)出了強(qiáng)大的社會政治倫理對個體生命發(fā)展的限制與規(guī)范。在這場記憶與現(xiàn)實(shí)的拉鋸中,老舍找回的是一個因時間錯位和時代變革而割裂的自我,也因著記憶的尋回和講述找回了心靈的最終歸處,體現(xiàn)了一個知識分子的獨(dú)立精神。
[Abstract]:Lao She, a famous writer, shows his unique position in the modern literary world with Jingwei style and national characteristics, which is caused by his profound writing of memory. On the basis of Lao She's writing text, this paper analyzes, combs and comments on the "memory" appearance of Lao She in his creation. From three dimensions of individual memory, other memory and collective memory, Lao She's memory orientation is summarized: childhood memory, relatives' memory, time and environment memory. Then we deeply understand the inner thoughts behind these memories: the self-pessimistic consciousness of "the last man", the self-construction demand reflected by the awkward self-identity and the contradictory character. The advocacy of "soft and hard" national character under the thought of "Liren". The concept of "national supremacy" and "Beijing is a treasure" feelings of a strong sense of home and country. At the same time, it summarizes two characteristics of memory writing in external form, one is emotional structure, Lao She conveys an emotional experience with symbolism, disorder in time and illogicality in plot. The second is the imitation structure, which is embodied in the fate mode and the "three principles" mode, which form Lao She's unique style of memory narrative. Finally, the author examines the personal and political reasons for Lao She's abandonment of his usual memory creation, and deeply understands the significance of memory writing to Lao She's personal and historical significance. The times of the 20th century require literature to undertake the historical mission of reform, agitation or praise, so Lao She is no exception. At the same time, under the new political discourse, Lao She's Manchu identity is a sensitive issue, which is the biggest difficulty in writing memory, coupled with the lack of personal experience, the oppression of life economy, and so on. However, the strong memory always influenced and summoned Lao She, the tough side of his character was inspired, he constantly broke through the dilemma in the reality to return to the memory writing, to maintain the national and personal sober thinking. Lao She's vacillation and persistence in the narration of memory not only shows the conflict between personal thought and historical will, but also conveys the restrictions and norms of strong social and political ethics on the development of individual life. In this sawsaw between memory and reality, Lao She recovered a self separated by time dislocation and time change, and the ultimate return of the mind because of the retrieval and narration of memory, which reflected the independent spirit of an intellectual.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206
本文編號：2254260
[Abstract]:Lao She, a famous writer, shows his unique position in the modern literary world with Jingwei style and national characteristics, which is caused by his profound writing of memory. On the basis of Lao She's writing text, this paper analyzes, combs and comments on the "memory" appearance of Lao She in his creation. From three dimensions of individual memory, other memory and collective memory, Lao She's memory orientation is summarized: childhood memory, relatives' memory, time and environment memory. Then we deeply understand the inner thoughts behind these memories: the self-pessimistic consciousness of "the last man", the self-construction demand reflected by the awkward self-identity and the contradictory character. The advocacy of "soft and hard" national character under the thought of "Liren". The concept of "national supremacy" and "Beijing is a treasure" feelings of a strong sense of home and country. At the same time, it summarizes two characteristics of memory writing in external form, one is emotional structure, Lao She conveys an emotional experience with symbolism, disorder in time and illogicality in plot. The second is the imitation structure, which is embodied in the fate mode and the "three principles" mode, which form Lao She's unique style of memory narrative. Finally, the author examines the personal and political reasons for Lao She's abandonment of his usual memory creation, and deeply understands the significance of memory writing to Lao She's personal and historical significance. The times of the 20th century require literature to undertake the historical mission of reform, agitation or praise, so Lao She is no exception. At the same time, under the new political discourse, Lao She's Manchu identity is a sensitive issue, which is the biggest difficulty in writing memory, coupled with the lack of personal experience, the oppression of life economy, and so on. However, the strong memory always influenced and summoned Lao She, the tough side of his character was inspired, he constantly broke through the dilemma in the reality to return to the memory writing, to maintain the national and personal sober thinking. Lao She's vacillation and persistence in the narration of memory not only shows the conflict between personal thought and historical will, but also conveys the restrictions and norms of strong social and political ethics on the development of individual life. In this sawsaw between memory and reality, Lao She recovered a self separated by time dislocation and time change, and the ultimate return of the mind because of the retrieval and narration of memory, which reflected the independent spirit of an intellectual.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206
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