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巴金三四十年代散文的三重空間

發(fā)布時(shí)間:2018-08-24 08:48
【摘要】:巴金是中國(guó)現(xiàn)當(dāng)代文學(xué)史著名的小說(shuō)家、散文家,在他所有的文學(xué)創(chuàng)作中,小說(shuō)成就最高、影響最大的部分。此外其散文創(chuàng)作也取得了很大的成就,作者既有創(chuàng)作于上世紀(jì)三四十年的《海行雜記》、《生之懺悔》等著作,也有當(dāng)代階段的反思巨著《隨想錄》。學(xué)術(shù)界對(duì)巴金散文創(chuàng)作的研究卻是比較薄弱,研究者大多將關(guān)注的重點(diǎn)放在《隨想錄》等后期散文上,對(duì)現(xiàn)代部分的創(chuàng)作內(nèi)容研究不夠充分。本研究將以巴金三四十年代的散文創(chuàng)作為主,從巴金前期散文中的空間入手,進(jìn)行形態(tài)上的劃分,根據(jù)存在形態(tài)的基本情況,將其散文中的空間劃分為自然空間、社會(huì)空間和心理空間。并且將巴金散文中出現(xiàn)頻率較高和最具代表性的空間形態(tài)納入三大類型之中,針對(duì)每個(gè)具體的空間形態(tài)展開(kāi)研究,從而揭示巴金通過(guò)這些空間形態(tài)所展示的深層次意味。第一部分主要是以自然空間為切入點(diǎn),闡釋在這些具象空間作者所呈現(xiàn)出的內(nèi)心活動(dòng)、乃至精神訴求。論文從大海、月夜的存在形態(tài)入手,在確認(rèn)巴金散文的空間性的前提下,對(duì)文中作者表達(dá)的內(nèi)心世界重新認(rèn)知和評(píng)價(jià),重新審視作者對(duì)光明的無(wú)限追求及愛(ài)國(guó)主義思想的表達(dá)。第二部分以社會(huì)空間為切入點(diǎn),追溯巴金反帝反封建的精神來(lái)源。論文從文中呈現(xiàn)的家宅、城鄉(xiāng)、廢墟等方面入手,在認(rèn)真閱讀梳理文本的基礎(chǔ)之上,剖析作者對(duì)于帝國(guó)主義、封建主義的控訴,以及關(guān)注底層的精神、關(guān)注現(xiàn)代文明和傳統(tǒng)文化的割裂和戰(zhàn)爭(zhēng)中的戰(zhàn)士姿態(tài)呈現(xiàn)。第三部分以心理空間為切入點(diǎn),對(duì)巴金的精神世界給予分析與探討。以夢(mèng)境、意識(shí)流、獨(dú)語(yǔ)的理論為依托,從散文文本入手,摸索其內(nèi)心的世界,以豐富當(dāng)下對(duì)巴金三四十年代散文的認(rèn)識(shí)。
[Abstract]:Ba Jin is a famous novelist and essayist in modern and contemporary Chinese literary history. In addition, great achievements have been made in his prose creation. The author has not only written in the past thirty or forty years of the last century, such as the Sea-Walk Miscellaneous, the confession of Life, and so on, but also has a great rethinking work in the contemporary stage. However, the academic research on Ba Jin's prose creation is relatively weak. Most of the researchers focus on the later prose, such as "casually", but the research on the content of modern part is not enough. This study will focus on Ba Jin's prose creation in the 1930s and 1940s, start with the space in the early prose of Ba Jin, and divide the space in his prose into natural space according to the basic conditions of the form of existence. Social and psychological space Moreover, the spatial forms which appear frequently and most representative in Ba Jin's prose are brought into the three major types, and the research is carried out on each specific spatial form, thus revealing the deep meaning shown by Ba Jin through these spatial forms. The first part mainly takes the natural space as the starting point to explain the inner activities and even the spiritual demands of the authors in these concrete spaces. On the premise of confirming the spatial character of Ba Jin's prose, the thesis reconsiders and evaluates the inner world expressed by Ba Jin, and reexamines the author's boundless pursuit of light and the expression of patriotism. The second part traces Ba Jin's anti-imperialist and anti-feudal spirit with social space as the starting point. This paper begins with the family houses, urban and rural areas, ruins and so on, analyzes the author's accusations of imperialism and feudalism, and pays attention to the spirit of the bottom, on the basis of careful reading and combing the text. Pay attention to the division of modern civilization and traditional culture and the appearance of warrior posture in war. The third part takes psychological space as the breakthrough point, gives the analysis and the discussion to Ba Jin's spiritual world. Based on the theories of dream, stream of consciousness and monologue, this paper explores the inner world of Ba Jin from the prose text to enrich his current understanding of Ba Jin's prose in the 1930s and 40s.
【學(xué)位授予單位】:山西師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:I207.65

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