本文選題：電影劇本 + 情節(jié)結(jié)構(gòu)��； 參考：《上海師范大學(xué)》2017年碩士論文

【摘要】：電影劇本《熄滅星光》是一部風(fēng)格清新溫和的青春輕喜劇,劇本聚焦年青人的生活狀態(tài),以音樂為主題,講述了兩位主人公通過音樂相互影響,在他們的交流接觸中發(fā)生了許多充滿笑料的故事,兩人也同時最終解決了自己所要面對的心理問題,調(diào)整好了個人的心態(tài),從而使整個故事圓滿結(jié)束。整個劇本風(fēng)格清新治愈,通過對于羅伯特麥基以及悉德菲爾德等編劇大師對于電影劇本寫作的觀點(diǎn)及方法進(jìn)行了進(jìn)一步的應(yīng)用與研究,并通過實(shí)踐,完成對整體劇本架構(gòu)的規(guī)劃與創(chuàng)作。同時結(jié)合作者自己對于生活的理解與觀察,將真實(shí)的情感加入到整個劇本的創(chuàng)作中去,在與傳統(tǒng)經(jīng)典寫作方法的糅合后,創(chuàng)造出屬于作者本人的一種獨(dú)有的質(zhì)感與風(fēng)格。而運(yùn)用經(jīng)典情節(jié)設(shè)計(jì)更加容易地被大眾所接受,同時靈活運(yùn)用編劇的基本手段以達(dá)到劇本想要表達(dá)的目的。在人物的塑造上,每個人都有自己完整的一條分支情節(jié)和單獨(dú)的人物弧光,并且個性鮮明,特點(diǎn)獨(dú)特,尤其是一些簡單夸張的人物性格,讓故事情節(jié)發(fā)展地更加突出,讓故事中的矛盾更加明顯,然而在簡單夸張的性格之后,運(yùn)用生活化的成分,將這些簡單夸張的地方淡化,使得人物性格得以真實(shí)可信,并能夠在商業(yè)化的故事上增加風(fēng)格特征。在故事的走向上積極向上,兩個主人公都在生活中學(xué)會了如何處理自己的心理要面對的壓力,以及調(diào)整自己的心態(tài),真正地學(xué)會生活,故事的主題就是對于現(xiàn)代年輕人如何應(yīng)對壓力的展開,而音樂則是整個的故事的載體。生活化的事件設(shè)置與人物語言也讓整個劇本更加通俗,平易近人。在整個劇本的情節(jié)創(chuàng)作設(shè)置上,使用了大情節(jié),小情節(jié)以及反情節(jié)這個所謂的“故事三角”的概念,運(yùn)用大情節(jié)的情節(jié)設(shè)置方法,讓整個劇本通俗輕松,讓觀眾從中能夠得到愉悅,同時少量小情節(jié)的結(jié)構(gòu)設(shè)置,則讓整個劇本還能夠保持自己的一種特殊性,讓觀眾能夠獲得一種特殊的觀影感受。
[Abstract]:The screenplay "extinguishing the Starlight" is a fresh and gentle young comedy. The play focuses on the state of life of the young people and takes music as the theme. The two protagonists interact with each other through music. In their communication and contact, there are many stories full of jokes. At the same time, the two have finally solved their own psychological problems, adjusted their personal mentality, and made the whole story come to a successful conclusion. The whole script style is freshly cured, through the further application and research on the viewpoints and methods of the screenplay writing of Robert McGee and Sidfield, and through practice, Complete the overall script structure planning and creation. At the same time, combining with the author's own understanding and observation of life, the author adds the real emotion to the creation of the whole script, and after mixing with the traditional classical writing method, creates a unique texture and style belonging to the author himself. The use of classical plot design is more easily accepted by the public, and flexible use of the basic means of screenwriting to achieve the purpose of the script intended to express. In the shaping of characters, each person has his own complete branch plot and individual character arc, and the personality is bright, the characteristic is unique, especially some simple and exaggerated character, let the story plot develop more prominent, To make the contradictions in the story more obvious, but after the simple exaggeration of the character, the use of life elements, the use of these simple exaggeration of these places to dilute, so that the character can be true and credible, And can add stylistic features to commercial stories. In the story of the positive trend, both protagonists have learned in life how to deal with their own psychological pressure to face, and adjust their mentality, truly learn to live, The theme of the story is how modern young people deal with stress, and music is the carrier of the whole story. Life-to-life event settings and character language also make the whole script more popular and approachable. In setting up the plot of the whole script, the concept of the so-called "story triangle" of the big plot, the small plot and the anti-plot is used, and the plot setting method of the big plot is used to make the whole script popular and easy. So that the audience can get pleasure, at the same time a small number of small plot structure settings, so that the entire script can also maintain its own particularity, so that the audience can get a special feeling.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.351
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本文編號：2083201